Glare is the most important quality factor. Glare results when luminance levels—or the differences
in luminance levels—are too high and objects appear too bright. Because glare creates discomfort,
loss of visual performance, and impaired visibility, it should be minimized wherever possible.
Direct glare is the presence of a bright surface (such as a bare lamp or the sun) in the field of view
that causes discomfort or loss in visual performance. This type of glare can be addressed with
“cutoff reflectors,” which prevent light from shining directly into an occupant’s eyes, or with
window shades that block direct sunlight.
A specific type of reflected glare called veiling reflection is a more challenging issue for the lighting
designer. A veiling reflection occurs when light strikes a task and produces shiny spots that over-
whelm the task. The decrease in contrast reduces visibility and can cause eyestrain. To combat
glare from veiling reflections, imagine that the occupant’s visual task is a mirror, and then do
not place bright fixtures such that they would appear in that mirror. Because it is difficult to pre-
dict exactly where workstations and tasks will be placed, one solution is to avoid direct lighting
fixtures entirely. This is partly why indirect lighting fixtures have become popular—they create
large areas of moderate brightness rather than small areas of high brightness that may be reflected
in such a way as to obscure visual tasks.
Color and spectral content of light sources. There are two common ways to describe
the color of light from a source: correlated color temperature (CCT) and color rendering index
(CRI). Both metrics should be considered when evaluating light sources.
Correlated color temperature, measured in degrees kelvin (K), refers to the temperature of a black-
body radiator emitting light of comparable color. The scale may seem intuitively backward: The
higher the color temperature, the “cooler” or bluer the light. The “right” color temperature for an
application may depend on the foot-candle level being maintained. Using lamps with high color
temperature at low light levels makes spaces appear cold and dim. Conversely, using lamps with
low color temperature at high levels of illumination will make a space look overly colorful. It is
particularly important to consider this in dimming applications, because a light source that looks
good at 50 foot-candles may not look as good at higher or lower illuminances. This issue is espe-
cially important in retail stores and restaurants, where the appearance of objects, people, and food
is very important. Another important consideration in selecting an appropriate color temperature
is the presence of daylight. For spaces that are daylit, 5,000 K may be the most appropriate CCT.
Color rendering index, measured on a scale of 0 to 100, describes the ability of a light source to
render a sample of eight standard colors relative to a reference source. A CRI of 100 means that
the source renders the eight standard colors in exactly the same way that the reference light
source renders the same colors. CRI is an average value, so it will not describe how a light source
renders a specific color. However, in general, high-CRI light sources render colors better than
low-CRI sources (Table 6.3). A CRI of 80 or greater is considered by the industry to provide
excellent color rendering.
Outdoor Lighting
Well-designed outdoor lighting is cost-effective, controls light by directing it where it is needed,
reduces glare, distributes illumination evenly, and reduces light trespass. The most common lamps
used for outdoor lighting are high-intensity discharge (HID) sources—metal halide and high-
pressure sodium. In recent years, compact fluorescent lamps (CFLs) and induction lamps have be-
come viable sources for outdoor lighting as well, offering good color quality and better control
options than HID sources. As costs come down and performance improves, light-emitting diodes
(LEDs) could become a good choice for outdoor lighting as well. Regardless of the light source,
however, the following points are important in the design of exterior lighting:
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Building Manual
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6. Lighting