1
PART NAMES
AND FUNCTIONS
2
PLAYING
THE PIANO
3
LESSON
FUNCTION
4
INTERNAL
RECORDER
5
USB
RECORDER
7
RHYTHM
SECTION
8
MENU
FUNCTIONS
9
APPENDICES
6
USB
OPERATIONS
Owner’s Manual
Thank you for purchasing a KAWAI CN43 digital piano!
The CN43 digital piano is a revolutionary new instrument that combines the latest digital technology with traditional
piano craftsmanship inherited from KAWAI’s many years of experience in building fine acoustic pianos. The
authentic tone has been created through the stereo sampling of concert grand pianos, and is reproduced using
KAWAI’s unique Harmonic Imaging™ sound technology, while the Responsive Hammer Action keyboard action
provides the touch response and full dynamic range required for a superb performance of piano, harpsichord,
organ, and other instruments.
The CN43 digital piano is also equipped with additional reverb and digital effects processors, delivering a deeper,
richer sound, while industry standard MIDI jacks and a USB interface are also provided, allowing the playback of
other electronic instruments and connection with personal computers / USB memory, while the Lesson function
helps performers to practice the piano with a collection of etudes from Czerny and Burgmuller, or songs from
Alfred’s Basic Piano Library and Alfred’s Premier Piano Course lesson books (USA, Canada, Australia and UK
only).
This owner’s manual contains useful information regarding the varied capabilities of the CN43 digital piano.
Please read all sections carefully and keep this manual handy for future reference.
Page
3
¡ Important Safety Instructions ...........................4
1. PART NAMES AND FUNCTIONS .................... 8
FRONT PANEL................................................................... 8
PEDALS .............................................................................8
HEADPHONES ..................................................................9
USB PORT .........................................................................9
2. PLAYING THE PIANO ................................... 10
1) BASIC OPERATIONS..................................................... 10
SETTING UP THE PIANO ...............................................10
DEMO SONGS ................................................................11
SELECTING A PRESET SOUND ...................................12
2) DUAL .............................................................................. 13
3) SPLIT.............................................................................. 14
4) FOUR HANDS MODE.................................................... 16
ENTERING FOUR HANDS MODE ..................................16
EXITING FOUR HANDS MODE.......................................16
5) EFFECTS/REVERB ...................................................... 17
ADDING REVERB ...........................................................17
ADDING OTHER EFFECTS ............................................18
6) TRANSPOSING THE PIANO ......................................... 19
7) PLAYING WITH CONCERT MAGIC............................... 20
SELECTING A SONG .....................................................20
LISTENING TO THE SONG ............................................20
PERFORMING A SONG .................................................21
CONCERT MAGIC PART VOLUME BALANCE ...............22
CONCERT MAGIC SONG ARRANGEMENT TYPES
.........22
STEADY BEAT ...............................................................23
CONCERT MAGIC DEMO MODES .................................24
CONCERT MAGIC PLAYBACK SPEED ..........................24
8) METRONOME................................................................ 25
STARTING THE METRONOME ......................................25
CHANGING THE TIME SIGNATURE ...............................25
ADJUSTING THE METRONOME VOLUME ....................26
9) PANEL LOCK ................................................................. 27
3. LESSON FUNCTION...................................... 28
1) SELECTING A BOOK/SONG ........................................ 28
2) LISTENING TO AND PLAYING A SONG ....................... 29
EXITING THE LESSON FUNCTION................................29
PRACTICING THE LEFT AND RIGHT-HAND PARTS
..........29
ADJUSTING THE TEMPO OF A SONG...........................29
3) RECORDING A SONG PRACTICE ............................... 30
PLAYING BACK THE RECORDING.................................30
ERASING THE RECORDING ..........................................30
4. INTERNAL RECORDER ................................ 31
1) RECORDING (REC BUTTON) ...................................... 31
2) PLAYING BACK A SONG............................................... 33
3) TRANSPOSING A SONG............................................... 34
4) ERASING A SONG ........................................................ 35
5. USB RECORDER........................................... 36
1) RECORDING AN AUDIO FILE ...................................... 36
2) PLAYING AN AUDIO FILE ............................................. 38
3) RECORDING AN SMF SONG ....................................... 40
4) PLAYING AN SMF SONG .............................................. 42
5) RECORDING TO AN EXISTING SMF SONG................ 44
6) CONVERTING A SONG TO AN AUDIO FILE ................ 46
6. USB OPERATIONS ........................................ 48
1) INTERNAL SONG SAVE................................................ 49
2) RENAME FILE................................................................ 49
3) DELETE FILE................................................................. 50
4) MAKE DIR ...................................................................... 50
5) FORMAT USB ................................................................ 51
7. RHYTHM SECTION ....................................... 52
RHYTHM SECTION OVERVIEW .....................................52
1) ACTIVATING THE RHYTHM SECTION ......................... 53
2) PLAYING WITH THE RHYTHM SECTION..................... 54
3) RHYTHM SECTION STYLES ........................................ 55
SELECTING THE RHYTHM SECTION STYLE ...............55
SELECTING THE RHYTHM SECTION GENRE..............56
4) RHYTHM SECTION PARTS........................................... 57
5) ADJUSTING THE RHYTHM SECTION TEMPO ............ 58
6) ADJUSTING THE RHYTHM SECTION VOLUME.......... 59
7) ADJUSTING THE RHYTHM SECTION SPLIT POINT... 60
8) PRESET CHORD PROGRESSION ............................... 61
ACTIVATING PRESET CHORD PROGRESSION MODE
.........61
SELECTING THE PRESET CHORD PROGRESSION STYLE
.........61
DEACTIVATING PRESET CHORD PROGRESSION MODE
.........61
9) RECORDING THE RHYTHM SECTION ........................ 62
10) RECORDING THE RHYTHM SECTION TO AN AUDIO FILE ....
64
8. MENU FUNCTIONS ....................................... 65
1) BRILLIANCE................................................................... 65
2) LOWER OCTAVE SHIFT................................................ 66
3) LOWER PEDAL ON / OFF ............................................. 66
4) LAYER OCTAVE SHIFT.................................................. 67
5) LAYER DYNAMICS ........................................................ 68
6) DAMPER HOLD ON / OFF............................................. 69
7) DAMPER EFFECT ......................................................... 70
8) STRING RESONANCE .................................................. 71
9) FOUR HANDS ON/OFF ................................................. 72
10) TUNING........................................................................ 73
11) TEMPERAMENT .......................................................... 74
12) KEY OF TEMPERAMENT............................................ 76
13) TOUCH ......................................................................... 77
14) AUTO FILL-IN............................................................... 78
15) ONE FINGER AD-LIB™ ON/OFF ................................ 79
MIDI OVERVIEW..............................................................80
CN43 MIDI FUNCTIONS..................................................80
16) MIDI CHANNEL............................................................ 81
17) TRANSMIT PROGRAM CHANGE ON / OFF............... 82
18) LOCAL CONTROL ON / OFF....................................... 83
19) MULTI-TIMBRAL MODE............................................... 84
20) CHANNEL MUTE ......................................................... 85
21) SENDING PROGRAM CHANGE NUMBERS .............. 86
22) MIDI CLOCK................................................................. 87
23) USER MEMORY........................................................... 87
24) FACTORY RESET ........................................................ 88
9. APPENDICES................................................. 89
CONNECTING TO OTHER DEVICES .............................89
USB MIDI..........................................................................90
ASSEMBLY INSTRUCTIONS........................................... 91
PROGRAM CHANGE NUMBER MAPPING ....................93
DRUM SOUND MAPPING .............................................101
RHYTHM SECTION STYLE LIST ..................................104
RHYTHM SECTION CHORD TYPES ............................105
PRESET CHORD PROGRESSION STYLES ................109
SPECIFICATIONS..........................................................111
MIDI EXCLUSIVE DATA FORMAT .................................112
MIDI IMPLEMENTATION CHART ..................................113
Table of Contents
Page
4
¡ Important Safety Instructions
Important Safety Instructions
denotes that care should be taken.
The example instructs the user to take care not to allow fingers to be trapped.
denotes a prohibited operation.
The example instructs that disassembly of the product is prohibited.
denotes an operation that should be carried out.
The example instructs the user to remove the power cord plug from the AC outlet.
Examples of Picture Symbols
Read all the instructions before using the product.
CAUTION
AVIS : RISQUE DE CHOC ELECTRIQUE - NE PAS OUVRIR.
TO REDUCE THE RISK OF ELECTRIC SHOCK, DO NOT REMOVE COVER (OR BACK).
NO USER-SERVICEABLE PARTS INSIDE. REFER SERVICING TO QUALIFIED SERVICE PERSONNEL.
The lighting flash with arrowhead symbol, within
an equilateral triangle, is intended to alert the user
to the presence of uninsulated "dangerous voltage"
within the product's enclosure that may be of
sufficient magnitude to constitute a risk of electric
shock to persons.
The exclamation point within an equilateral triangle
is intended to alert the user to the presence of
important operating and maintenance (servicing)
instructions in the leterature accompanying the
product.
WARNING
TO REDUCE THE RISK OF
FIRE OR ELECTRIC
SHOCK, DO NOT EXPOSE
THIS PRODUCT TO RAIN
OR MOISTURE.
INSTRUCTIONS PERTAINING TO A RISK OF FIRE, ELECTRIC SHOCK, OR INJURY TO PERSONS
SAVE THESE INSTRUCTIONS
$ #3'$2$(-2314"3(.-2
$$/3'$2$(-2314"3(.-2
$$# ++6 1-(-&2
.++.6 ++(-2314"3(.-2
.-.342$3'(2 // 1 342-$ 16 3$1
+$ -.-+86(3'#18"+.3'
.-.3!+."* -85$-3(+ 3(.-./$-(-&2-23 ++(-
"".1# -"$6(3'3'$, -4% "341$1:2
(-2314"3(.-2
.-.3(-23 ++-$ 1 -8'$ 32.41"$224"' 2
1 #( 3.12'$ 31$&(23$1223.5$2.1.3'$1
// 1 342(-"+4#(-& ,/+(%($123' 3/1.#4"$
'$ 3
.-.3#$%$ 33'$2 %$38/41/.2$.%3'$
/.+ 1(9$#.1&1.4-#(-&38/$/+4&/.+ 1(9$#
/+4&' 236.!+ #$26(3'.-$6(#$13' -3'$
.3'$1&1.4-#(-&38/$/+4&' 236.!+ #$2
-# 3'(1#&1.4-#(-&/1.-&'$6(#$!+ #$
.13'$3'(1#/1.-&2 1$/1.5(#$#%.18.412 %$38
%3'$/1.5(#$#/+4&#.$2-.3%(3(-3.8.41.43+$3
".-24+3 -$+$"31("( -%.11$/+ "$,$-3.%3'$
.!2.+$3$.43+$3
1.3$"33'$/.6$1".1#%1.,!$(-&6 +*$#.-
.1/(-"'$#/ 13("4+ 1+8 3/+4&2".-5$-($-"$
1$"$/3 "+$2 -#3'$/.(-36'$1$3'$8$7(3%1.,
3'$ // 1 342
-+842$ 33 "',$-32 ""$22.1($22/$"(%($#!8
3'$, -4% "341$1
2$.-+86(3'3'$" 1323 -#31(/.#!1 "*$3.1
3 !+$2/$"(%($#!83'$, -4% "341$1.1
2.+#6(3'3'$ // 1 342'$- " 13(242$#
42$" 43(.-6'$-,.5(-&3'$" 13 // 1 342
".,!(- 3(.-3. 5.(#(-)418%1.,3(/.5$1
-/+4&3'(2 // 1 342#41(-&+(&'3-(-&23.1,2
.16'$-4-42$#%.1+.-&/$1(.#2.%3(,$
$%$1 ++2$15("(-&3.04 +(%($#2$15("$
/$12.--$+$15("(-&(21$04(1$#6'$-3'$
// 1 342' 2!$$-# , &$#(- -86 8
24"' 2/.6$124//+8".1#.1/+4&(2
# , &$#+(04(#' 2!$$-2/(++$#.1.!)$"3
' 5$% ++$-(-3.3'$ // 1 3423'$ // 1 342
' 2!$$-$7/.2$#3.1 (-.1,.(2341$#.$2-.3
./$1 3$-.1, ++8.1' 2!$$-#1.//$#
Page
5
The product is not completely disconnected from the
power supply even when the power switch is turned
off. If the product will not be used for a long time,
unplug the AC power cord from the AC outlet.
Failure to do so may cause fire in case of
lightning.
Failure to do so may over-heat the product,
resulting in fire.
Do not disassemble, repair or modify
the product.
Doing so may result in product breakdown, electric
shock or short-circuit.
This product may be equipped with a polarized line plug (one blade
wider than the other). This is a safety feature.
If you are unable to insert the plug into the outlet, contact an
electrician to replace your obsolete outlet.
Do not defeat the safety purpose of the plug.
This product shall be near the AC outlet and the power cord plug in a position so that it can readily be
disconnected in an emergency because electricity is always charging while the plug is in the AC outlet
even in a power switch off condition.
When disconnecting the AC power cord's
plug, always hold the plug
and pull it to remove it.
Pulling the AC power cord itself may damage
the cord, causing a fire, electric shock or
short-circuit.
Doing so may cause the product to fall over,
resulting in injury.
Do not lean against the keyboard.
When using the headphones, do not
listen for long periods of
time at high volume levels.
Doing so may result in hearing problems.
The chair must be used properly (it must be
used only when playing the product).
Do not play with it or stand on it.
Only one person is allowed to sit on it.
Do not sit on it when opening the lid.
Re-tighten the bolts occasionally.
Doing so may cause the chair to fall over or your
fingers to be trapped, resulting in injury.
WARNING
The product should be connected to
an AC outlet of the specified voltage.
If you are going to use an AC power cord,
make sure that its has the correct plug shape
and conforms to the specified power voltage.
Failure to do so may result in fire.
120V 240V230V
Indicates a potential hazard that could result in death
or serious injury if the product is handled incorrectly.
Do not insert or disconnect the power
cord plug with wet hands.
Doing so may cause electric shock.
WARNING - When using electric products, basic precautions should always be followed,
including the following.
Page
6
Doing so may cause the product to become
deformed or fall over, resulting in breakdown
or injury.
Do not stand on the product or exert
excessive force.
Doing so may result in discoloration or deformation
of the product.
When cleaning the product, put a soft cloth in
lukewarm water, squeeze it well, then wipe the
product.
Do not wipe the product with benzene
or thinner.
Failure to do so may damage them, resulting in
fire, electric shock or short-circuit.
When connecting the AC power cord
and other cords, take care
not to get them tangled.
Doing so may cause the product to generate
noise.
If the product generates noise, move the
product sufficiently away from the electrical
appliance or connect it to another AC outlet.
Do not place the product near electrical
appliances such as TVs and
radios.
Please lift up the product when moving it.
Please note that the product is heavy and must
be carried by more than two persons.
Dropping the product may result in breakdown.
Do not drag the product on the floor.
Take care not to drop the product.
Entry of water, needles or hair pins may result
in breakdown or short-circuit.
The product shall not be exposed to dripping or
splashing. No objects filled with liquids, such as
vases, shall be placed on the product.
Take care not to allow any foreign
matter to enter the product.
Doing so may cause the illumination to fall over,
resulting in fire.
Do not place naked flame, such as lighted
candles on the product.
CAUTION
Indicates a potential hazard that could result in injury
or damage to the product or other property if the
product is handled incorrectly.
Using the product in such areas may result in
product breakdown.
Use the product only in moderate climates (not
in tropical climates).
Do not use the product in the following areas.
Areas, such as those near windows, where the product is
exposed to direct sunlight
Extremely hot areas, such as near a heater
Extremely cold areas, such as outside
Extremely humid areas
Areas where a large amount of sand or dust is present
Areas where the product is exposed to excessive
vibrations
Closing it roughly may trap your fingers,
resulting in injury.
When you close the keyboard cover,
close it gently.
Failure to do so may cause breakdown of this
product and other devices.
Before connecting cords, make sure
that the power to this product
and other devices is turned
OFF.
OFF
The product should be located so that its location or position does not interfere with its proper ventilation. Ensure a
minimum distance of 5cm around the product for sufficient ventilation.
Failure to do so may over-heat the product,
resulting in fire.
Ensure that the ventilation is not
impeded by covering the ventilation
openings with items, such as newspaper,
table-cloths, curtains, etc.
Page
7
The product should be serviced by qualified service personnel when:
The power supply cord or the plug has been damaged.
Objects have fallen, or liquid has been spilled into the product.
The product has been exposed to rain.
The product does not appear to operate normally or exhibits a marked change in performance.
The product has been dropped, or the enclosure damaged.
Declaration of Conformity
This device complies with Part 15 of the FCC Rules. Operation is subject to the
following two conditions: (1) this device may not cause harmful interference, and
(2) this device must accept any interferen ce received, including interference that
may cause undesired operation.
Model Name : CN43
Responsible Party Name : Kawai America Corporation
Address : 2055 East University Drive Rancho
Dominguez, CA 90220
Telephone : 310-631-1771
This applies only to products distributed by Kawai America Corporation.
Notes on Repair
Should an abnormality occur in the product, immediately turn the power OFF, disconnect the power cord
plug, and then contact the shop from which the product was purchased.
CAUTION:
To prevent electric shock, match wide blade of plug to wide slot, fully insert.
ATTENTION:
Pour éviter les chocs électriques, introduire la lame la plus large de la fiche dans la borne correspondante
de la prise et pousser jusqu'au fond.
Instruction for AC power cord (U.K.)
Do not plug either terminal of the power cord to the ground of the AC outlet on the wall.
Canadian Radio Interference Regulations
This instrument complies with the limits for a class B digital apparatus, pursuant to the Radio Interference
Regulations, C.R.C., c. 1374.
An information on Disposal for users
If your product is marked with this recycling symbol it means that, at the end of its life, you must
dispose of it separately by taking it to an appropriate collection point.
You should not mix it with general household waste. Disposing of this product correctly will prevent
potential negative effects on the environment and human health which could otherwise arise due to
inappropriate waste handling.
For further details, please contact your local authority.
(European Union only)
FCC Information
This equipment has been tested and found to comply with the limits for a Class B digital device, pursuant to Part
15 of the FCC Rules. These limits are designed to provide reasonable protection against harmful interference in
a residential installation. This equipment generates, uses and can radiate radio frequency energy and, if not
installed and used in accordance with the instructions, may cause harmful interference to radio communications.
If this equipment does cause harmful interference to radio or television reception, which can be determined by
turning the equipment off and on, the user is encouraged to try to correct the interference by one or more of the
following measures:
• Reorient or relocate the receiving antenna.
• Increase the separation between the equipment and receiver.
• Connect the equipment into an outlet on a different electrical circuit from the receiver.
• Consult the dealer or an experienced radio/TV technician for help.
FCC WARNING
Changes or modifications not expressly approved by the party responsible for compliance could void the user’s
authority to operate the equipment.
The nameplate label is located on
the underside of the instrument, as
indicated below.
nameplate
Page
8
1
PART NAMES
AND FUNCTIONS
z CONCERT MAGIC
Press the CONCERT MAGIC button
to enjoy listening to or performing a
collection of pre-programmed piano
songs. Concert Magic will provide the
correct melody and accompaniment
notes, regardless of which keys are
pressed. Anybody, young or old, can
enjoy Concert Magic from the moment
they sit down at the CN43. (Page 20)
z LESSON
Press the LESSON button to access
the etudes or Alfred lesson books
(USA, Canada, UK, AU only), for an
enjoyable piano lesson experience.
(Page 28)
z LCD screen
The LCD screen provides useful
information such as the currently
selected sound type. It also shows
values or status when other functions
are active.
*
Please remove the protective
plastic film from the display before
use.
z MASTER VOLUME
This slider controls the piano’s master volume level.
Move this slider to the right to increase the volume and
move it to the left to decrease the volume.
This slider also controls the headphone volume and the
LINE output level of the piano’s sound.
z MENU
These buttons are used to access
menu functions that control the
CN43’s tuning, system and MIDI
functions.
z VALUE
These two buttons are used to
change the value for various
functions.
z SOUND SELECT
Press the SOUND SELECT button below the
name of the instrument to be played. When
the button is pressed, an LED indicator will
turn on, indicating that the sound has been
selected. (Page 12)
1. PART NAMES AND FUNCTIONS
This section explains the locations and functions of the panel buttons and sliders.
FRONT PANEL
PEDALS
The CN43 piano has three pedals—just like a grand piano. They are Sustain, Sostenuto and Soft.
¡ Sustain pedal
Sustains the sound after hands are lifted from the keyboard. The sustain pedal is capable of
responding to half pedaling.
¡ Sostenuto pedal
Depressing this pedal after playing the keyboard and before releasing the keys sustains the
sound of only the keys just played. Any keys that are pressed after the Sostenuto pedal is
depressed will not be sustained after the keys are released.
¡ Soft pedal
Depressing this pedal softens the sound and reduces its volume. When the rotary effect is active
the soft pedal is used to change the speed of the rotor between slow and fast.
Sostenuto pedal
Soft pedal Sustain pedal
Sostenuto pedal
Soft pedal Sustain pedal
Page
9
1
PART NAMES
AND FUNCTIONS
z BALANCE
Use the balance slider to adjust
the volume balance between the
two sounds in Dual or Split mode.
The balance slider also controls the
volume of Left & Right-hand lesson/
recorded parts.
z EFFECTS
Use the EFFECTS button to add chorus, delay,
tremolo and rotary speaker effects to the sound.
(Page 18)
z METRONOME
Use these buttons to turn on/off the
metronome, and to set the tempo, beat,
and volume. (Page 25)
z POWER SWITCH
Press this button to turn
on/off the power. Be sure to
turn off the instrument after
playing.
z SPLIT
The split function divides the
keyboard into two sections—
upper and lower—allowing either
part to be played with a different
sound. (Page 14
)
z REVERB
Use the REVERB button
to add reverberation to the
sound, simulating the acoustic
environment of a recital room,
stage, or concert hall. (Page 17)
z RHYTHM SECTION
The RHYTHM SECTION function provides a selection of automatic accompaniment styles,
consisting of drums, bass, and guitar parts. (page 52)
z TRANSPOSE
The transpose function allows the piano’s keys to be raised or lowered in half steps. This is
particularly useful when accompanying instruments with different tones, or when a song learned
in one key must be played in another key. The transpose feature allows the song to be played in
the original key, but heard in another key. (Page 19)
z PLAY/STOP
The PLAY/STOP button is used to select
a song and part to play, and to start/stop
playback of the recorded songs. It is also
used to start/stop playback when using the
lesson function. (Page 31)
z REC
The REC button is used for
recording performances and when
using the lesson function, to record
practices for comparison with the
built in songs and etudes.
HEADPHONES
¡ Headphone jack (x 2)
There are two headphone jacks located on the left underside of
the piano.
Up to two pairs of headphones can be connected simultaneously.
• See page 92 for information on attaching the headphone hooks.
USB PORT
This USB (to Device) port allows USB memory devices to be
connected to the CN43 piano. This provides a convenient way
to record and play back MP3/WAV audio files and 16 track SMF
(Standard MIDI File) format songs.
Page
10
2
PLAYING
THE PIANO
2. PLAYING THE PIANO
1) BASIC OPERATIONS
This section provides the basic procedures for turning the power on and playing the CN43 piano.
SETTING UP THE PIANO
The CN43 piano is equipped with stereo speakers and an amplifier—no additional equipment is required to begin
playing the instrument, provided AC power is available.
Step 1
Connect one end of the AC power cable to the piano’s power jack and
the other end of the cable to a wall AC outlet.
Step 2
Press the POWER SWITCH to turn on the power.
The POWER SWITCH is located at the right end of
the front panel.
Press the POWER SWITCH again to turn off the power.
When the POWER button is pressed, the LED
indicator for the PIANO1 button will turn on and
the Concert Grand sound will automatically be
selected.
ON
‘Concert Grand’ will also be shown in the LCD screen.
Concert Grand
Step 3
Adjust the volume level using the MASTER VOLUME slider.
The MASTER VOLUME slider controls the volume level of the speakers and connected headphones.
Move this slider to the right to increase the volume and move it to the left to decrease the volume.
Use this slider to set the volume to a comfortable listening level—the middle is often a good starting point.
Power
cable entry
point
Speaker
Side panel
Power
cable entry
point
Speaker
Side panel
Page
11
2
PLAYING
THE PIANO
DEMO SONGS
The CN43 includes 34 built-in sound demo songs. Each of the demo songs presents a musical piece to introduce
the different preset sounds.
PIANO 1
Concert Grand : KAWAI
Studio Grand : KAWAI
Mellow Grand : Sonata No.30 Op.109 / Beethoven
Modern Piano : KAWAI
PIANO 2
Concert Grand 2 :
Waltz No.6 Op.64-1 “Petit Chien” /Chopin
Studio Grand 2 : KAWAI
Mellow Grand 2 : La Fille aux Cheveux de lin / Debussy
Rock Piano : KAWAI
ELECTRIC PIANO
Classic E.P. : KAWAI
Modern E.P. : KAWAI
Modern E.P. 2 : KAWAI
DRAWBER
Jazz Organ : KAWAI
Drawbar Organ : KAWAI
Drawbar Organ 2: KAWAI
CHURCH ORGAN
Church Organ : Chorale Prelude “Wachet auf, ruft uns die
Simme.” / Bach
Diapason : Wohl mir, daß ich Jesum habe / Bach
Full Ensemble : KAWAI
HARPSI & MALLETS
Harpsichord : French Suite No.6 / Bach
Vibraphone : KAWAI
Clavi : KAWAI
STRINGS
Slow Strings : KAWAI
String Pad : KAWAI
String Ensemble
:
Le quattro stagioni La primavera / Vivaldi
CHOIR & PAD
Choir : Londonderry Air / Irish folk song
Choir 2 : KAWAI
New Age : KAWAI
Atmospher : KAWAI
BASS
Wood Bass : KAWAI
Fretless Bass : KAWAI
W. Bass & Ride : KAWAI
OTHERS
Rhapsody Op.79 No.2 / Brahms
Piano Concerto a minor Op.16 / Grieg
RHYTYM SECTION
KAWAI
KAWAI
KAWAI regret that sheet music for KAWAI original demo songs is not available.
Step 1
Press the CONCERT MAGIC and LESSON buttons simultaneously.
The LED indicators for the CONCERT MAGIC button and the LESSON button will turn on and
the SOUND SELECT buttons will start to flash.
The demo song for the PIANO 1 category will start. After the PIANO 1 demo songs have finished
playing, the demo songs for another sound category or the RHYTHM SECTION will be selected
at random.
There are 4 songs stored for the PIANO1 sound, which will be played in order. Pressing the PIANO1 button repeatedly
will select the next piano song.
Step 2
Press the other SOUND SELECT buttons while the demo is playing to listen to demos from each
category.
When this button is pressed, demo songs for the newly selected category will be played. Demo songs from another
category will then be selected at random.
Step 3
Press the CONCERT MAGIC button, the LESSON button or the
PLAY/STOP button to exit the demo mode.
Page
12
2
PLAYING
THE PIANO
SELECTING A PRESET SOUND
Step 1
Press the SOUND SELECT button below the name of the instrument to be played.
ON
When the button is pressed, the LED indicator will turn on, indicating that this sound has been selected.
The name of the selected preset sound is also shown in the LCD screen. Multiple sounds are assigned to each
button; pressing the same SOUND SELECT button again will select the next variation sound assigned to that
SOUND SELECT button.
To select a Church Organ sound, press the CHURCH ORGAN button as shown above. The LED indicator for the
CHURCH ORGAN button will turn on.
Preset sounds can also be selected by pressing the VALUE buttons.
The OTHERS button is assigned with 299 sounds, divided into 20 additional categories. While
holding down one of the VALUE buttons, pressing the other VALUE button will jump to the next
sound category within the OTHERS selection.
PRESET SOUNDS
PIANO 1 Concert Grand HARPSI & MALLETS Harpsichord
Studio Grand Harpsichord 2
Mellow Grand Vibraphone
Modern Piano Clavi
PIANO 2 Concert Grand 2 STRINGS Slow Strings
Studio Grand 2 String Pad
Mellow Grand 2 Warm Strings
Rock Piano String Ensemble
ELECTRIC PIANO Classic E.P. CHOIR & PAD Choir
Modern E.P. Choir 2
60’s E.P. New Age
Modern E.P. 2 Atmosphere
DRAWBAR Jazz Organ BASS Wood Bass
Drawbar Organ Electric Bass
Drawbar Organ 2 Fretless Bass
Be 3 W. Bass & Ride
CHURCH ORGAN Church Organ OTHERS 299 sounds
Diapason
Full Ensemble
Diapason Oct.
Please refer to ‘PROGRAM CHANGE NUMBER MAPPING’ on page 93 for a complete listing of the additional 299 sounds
assigned to the OTHERS button.
Step 2
Play the keyboard.
The selected sound will be heard as the keys are pressed.
Use the MASTER VOLUME slider to adjust the volume if necessary.
The CN43 piano is capable of playing up to 192 notes simultaneously (192-note polyphony). However, when playing
in dual mode, or when playing a stereo piano sound, the polyphony will be reduced by half because the piano has to
produce two sounds for each note.
Page
13
2
PLAYING
THE PIANO
2) DUAL
The DUAL function allows two preset sounds to be layered together, creating a more complex sound. For example,
a piano can be layered with strings, or a church organ with a choir sound.
Step 1
Press and hold down a SOUND SELECT button to select the first desired sound. Then press another
SOUND SELECT button to select the second desired sound.
The LED indicators for each button will turn on, indicating that the two sounds have been selected, and the names
of both instruments will be shown in the LCD screen.
For example, to layer a piano sound and a string sound, press the PIANO 1 and STRINGS buttons simultaneously
as shown in the diagram.
ON ON
Press two SOUND SELECT buttons at the same time.
Studio Grand
Slow Strings
Pressing either of the SOUND SELECT buttons again will select the other sound variations assigned to that
button.
For example, to change the Slow Strings sound to String Pad, press and hold the PIANO 1 button and press the
STRINGS button again.
If two sound variations assigned to the same SOUND SELECT button are to be layered, while pressing the desired
SOUND SELECT button, use the VALUE buttons to select the desired sound variation. For example, to layer
Concert Grand and Mellow Grand together, first press the PIANO 1 button to select Concert Grand, and then use
the VALUE buttons to select Mellow Grand while still holding down the PIANO 1 button.
Step 2
Play the keyboard.
Two different sounds will be heard at the same time.
Step 3
Use the BALANCE slider to adjust the volume balance between the two sounds.
Increases the volume of
the sound assigned to the
leftmost selected SOUND
button.
Increases the volume of
the sound assigned to
the rightmost selected
SOUND button.
Step 4
Press any individual SOUND SELECT button to cancel DUAL mode.
Page
14
2
PLAYING
THE PIANO
3) SPLIT
The SPLIT function divides the keyboard into two sections—upper and lower—allowing each part to be played
with a different sound.
Step 1
Press the SPLIT button.
ON
The LED indicator for the SPLIT button will turn on.
The LED indicator for the upper SOUND SELECT button will also be turned on, while the LED indicator for the
lower SOUND SELECT button will start to flash.
The names of the selected upper and lower sounds will also be shown in the LCD screen.
The ‘/’ symbol will be displayed in the bottom left corner of the LCD screen,
indicating that split mode has been activated.
The default split point is set between F#2 and G2. This point can be moved to
any key on the keyboard.
Step 2
Press and hold the SPLIT button, then press a key on the keyboard.
The pressed key will become the lowermost note for the upper section.
Step 3
Play the keyboard.
Different sounds will be produced in the upper and lower sections.
An ensemble performance can be enjoyed by playing the chords and the melody with the right hand, while playing
a bass line with the left hand.
Step 4
To change the upper sound while SPLIT mode is enabled, press the desired SOUND SELECT button.
The LED indicator for the selected SOUND SELECT button will turn on.
Press the same button repeatedly to select another sound variation assigned to that button.
Concert Grand
/Wood Bass
Concert Grand
/Wood Bass
Hold down the button.
Upper sectionLower section
Split point
Hold down the button.
Upper sectionLower section
Split point
Page
15
2
PLAYING
THE PIANO
Step 5
To change the lower sound while SPLIT mode is enabled, press and hold the SPLIT button, then press the
desired SOUND SELECT button.
Hold down the button.
The LED indicator for the selected SOUND SELECT button will start to flash.
Press the same button repeatedly to select another sound variation assigned to that button.
Step 6
Use the BALANCE slider to adjust the volume balance between the upper and lower sections.
Lower section Upper section
Step 7
Press the SPLIT button to exit the split mode.
The LED indicator for the SPLIT button will turn off.
When SPLIT mode is enabled, ‘Lower Octave Shift’ can be used to adjust the octave range for the lower section. (Page 67)
The Sustain pedal can also be turned ON / OFF for the lower section. (Page 66)
Page
16
2
PLAYING
THE PIANO
4) FOUR HANDS MODE
In FOUR HANDS mode the CN43 piano keyboard is split into upper and lower sections, allowing two players to play
the piano together. The sounds in the upper section are transposed two octaves down from the original pitch, while
sounds from the lower section are transposed two octaves up from the original pitch, with both players playing in the
same key range. The left pedal can also be used as a damper pedal for the player sitting on the left.
ENTERING FOUR HANDS MODE
Step 1
Press and hold the SPLIT button, then press the sustain (right) pedal and the soft (left) pedal together.
Hold down the button.
Depress the pedals
Sustain pedal Soft pedal
The LED indicator for the SPLIT button will start to flash, indicating that the piano is in FOUR HANDS mode.
¡ Selecting Sounds in FOUR HANDS Mode
When in FOUR HANDS mode, the method for selecting sounds is the same as in SPLIT mode. Press the desired
SOUND SELECT button to change the sound for the upper section, or press and hold the SPLIT button, then
press the desired SOUND SELECT button to change the sound for the lower section.
¡ Changing Split Point
When in FOUR HANDS mode, the method for changing the SPLIT point is the same as in SPLIT mode. Press
and hold the SPLIT button, then press a key on the keyboard. The pressed key becomes the lowermost note for
the upper section. The default SPLIT point is set between E3 and F3.
Finally, when in FOUR HANDS Mode, the OCTAVE SHIFT function can also be used to change the octave of the
lower section. (Page 66)
It is also possible to activate FOUR HANDS mode by using the FOUR HANDS ON/OFF function in the Function menu.
Please refer to the instructions on page 72 for more information.
EXITING FOUR HANDS MODE
Step 1
To exit FOUR HANDS Mode, press the SPLIT button again.
The LED indicator for the SPLIT button will turn off.
Page
17
2
PLAYING
THE PIANO
5) EFFECTS/REVERB
When selecting some preset sounds, the LED indicator for the EFFECTS or REVERB buttons may turn on
automatically. This is because certain preset sounds are prepared with an effect enabled as their default setting.
Adding an effect to the sound enhances tonal quality and improves acoustic realism. This CN43 piano features
two separate groups of effects. The first is reverb and the second contains chorus, flanger, delay, tremolo and
rotary speaker effects.
ADDING REVERB
¡ REVERB
Reverb adds reverberation to the sound, simulating the acoustic environment of a recital room, stage, or concert
hall. There are six types of reverb available: Room 1, Room 2, Stage, Hall 1, Hall 2 and Plate.
Step 1
Press the REVERB button.
The LED indicator will turn on to indicate that reverb is in use. Press and hold the REVERB button to show the
currently selected reverb type in the display.
Step 2
To change the reverb type, use the VALUE buttons while holding down the REVERB button.
Hold down the button.
Reverb Type
= Room 1
Ç
È
Reverb Type
= Room 2
Ç
È
Reverb Type
= Stage
Ç
È
Reverb Type
= Hall 1
Ç
È
Reverb Type
= Hall 2
Ç
È
Reverb Type
= Plate
To turn off the reverb, press the REVERB button again.
Press the REVERB button once again to turn the reverb back on. The previously selected reverb type will be
used.
Any changes made to the reverb type or on / off status will remain until the power is turned off.
When the power is turned off the reverb settings will return to the default settings.
Page
18
2
PLAYING
THE PIANO
ADDING OTHER EFFECTS
¡ CHORUS
Chorus is an effect that simulates the rich character of a vocal choir or string ensemble, enriching the original voice
by over-layering a slightly detuned version of the sound.
¡ FLANGER
Flanger creates a shifting comb-filter, which adds motion and a ‘hollow’ tone to the sound.
¡ DELAY
Delay is an effect that adds echoes to the sound. There are three types of delay available (delay 1, delay 2 and
delay 3), each with a different length of delay between the echoes.
¡ TREMOLO
This is a vibrato type effect.
¡ ROTARY
This effect simulates the sound of the Rotary Speaker cabinet commonly used with electronic organs. Rotary
1 is normal rotary and Rotary 2 is with distortion effect. The soft pedal is used to change the speed of the rotor
between SLOW and FAST.
Step 1
Press the EFFECTS button.
The LED indicator will turn on to indicate that the effect is in use. Press and hold the EFFECTS button to show the
currently selected effect in the display.
Step 2
To change the effect type, press and hold the EFFECTS button and press the VALUE buttons.
Hold down the button.
Effect Type
= Chorus 1
Effect Type
= Rotary 2
Ç
È
Ç
È
Effect Type
= Chorus 2
Effect Type
= Rotary 1
Ç
È
Ç
È
Effect Type
= Chorus 3
Effect Type
= Tremolo
Ç
È
Ç
È
Effect Type
= Chorus 4
Effect Type
= Delay 3
Ç
È
Ç
È
Effect Type
= FB Chorus
Effect Type
= Delay 2
Ç
È
Ç
È
Effect Type
= Flanger
Å
Æ
Effect Type
= Delay 1
To turn off the effects, press the EFFECTS button again.
Press the EFFECTS button once again to turn the effects back on. The previously selected effect type will be
used.
Any changes made to the effect type or on / off status will remain until the power is turned off.
When the power is turned off the effect settings will return to the default settings.
Page
19
2
PLAYING
THE PIANO
6) TRANSPOSING THE PIANO
The transpose function allows the piano’s keys to be raised or lowered in half steps. This is particularly useful when
accompanying instruments with different tones, or when a song learned in one key must be played in another key.
The transpose feature allows the song to be played in the original key, but heard in another key.
Step 1
Press and hold the TRANSPOSE button. While holding the TRANSPOSE button, use the VALUE buttons
or the keyboard keys from C3 to C5 to specify the transposition amount.
Hold down the button.
Key Transpose
=0C
The display will show a number indicating how many half steps up or
down the piano has been transposed.
‘-5’, for example, represents a transposition that is 5 half steps lower.
‘0’ indicates no transposition.
Each time the VALUE S button is pressed, the transpose value is increased by one half step, while each time the
VALUE T button is pressed, the transpose value is decreased by one half step.
The piano can be transposed by up to 12 half steps higher or 12 half steps lower.
Hold down the button.
-12 0
C
+12
The ‘C’ key at the middle of
the keyboard corresponds to
the value 0.
Pressing the TRANSPOSE button again turns the TRANSPOSE function off.
The TRANSPOSE function remembers the current setting as long as the power is on.
Transpose is active when the LED indicator is on, and the notes are transposed according to the set transpose value.
For example if the setting is ‘-3’ and the LED indicator for the TRANSPOSE button is on, the notes will be transposed 3 half
steps lower. When the LED indicator for the TRANSPOSE button is turned OFF, the transpose setting will automatically
return to ‘0’ (no transposition) with one touch.
When the value is set to ‘0’, the LED indicator will not turn on.
The CN43 piano’s transpose setting defaults to ‘0’ each time the power is turned on.
Please refer to page 34 for information regarding the SONG TRANSPOSE function.
Key Transpose
=-5G
Key Transpose
=-5G
Page
20
2
PLAYING
THE PIANO
7) PLAYING WITH CONCERT MAGIC
The great German composer Johann Sebastian Bach once said
“Playing the keyboard is simple. Just strike the
right keys at the right time”
. Many pianists wish it were quite that straightforward. Fortunately, KAWAI have devised
a method of playing the keyboard that is very simple, without even needing to strike the right keys.
With CONCERT MAGIC, absolutely anyone can sit at the CN43 piano and make real music - even complete beginners
who have never taken a piano lesson in their life. To enjoy performing with Concert Magic, simply select a favorite
piece from the 88 pre-programmed songs and tap any key with a steady rhythm and tempo. Concert Magic will provide
the correct melody and accompaniment notes, regardless of which keys are pressed. With Concert Magic anybody,
young or old, can enjoy playing music from the moment they sit down at the CN43 piano.
SELECTING A SONG
The 88 Concert Magic songs are assigned to each of the 88 keys, and classified by song category into eight groups,
such as
Children’s Songs, American Classics, Christmas Songs
etc. Please refer to the separate ‘Concert Magic
Song List/Lesson Song List’ booklet for a complete listing of available Concert Magic songs.
Step 1
To select a song, press and hold the CONCERT MAGIC button and press the key to which the desired
song is assigned.
Hold down the button.
Song No.
The LCD screen shows you the song number and abbreviated song title.
1
Twinkle Twinkle
LISTENING TO THE SONG
If the performer is already familiar with the selected Concert Magic song, he/she may wish to begin playing straight away.
However, those unfamiliar with the piece may alternatively wish to listen to the song first, before attempting to play it.
Step 1
To listen, press the PLAY/STOP button.
Hold down the button.
Song No.
Button lights
The CN43 piano will start playing back the selected song.
Page
21
2
PLAYING
THE PIANO
The speed or tempo of the song can be adjusted by pressing and holding the TEMPO button and pressing the
VALUE buttons.
While listening, different Concert Magic songs can be selected by pressing the VALUE buttons.
The small circles in the LCD screen will be replaced by plus (‘+’) signs as the song is played back. These small
symbols provide a visual playing guide, indicating when the next key should be pressed. The position and spacing
between each circle shown in the LCD screen represents an approximate timing between each key press.
The circles will be replaced by small plus signs as the song is played.
Twinkle Twinkle
++~~
The key to performing using Concert Magic is to become familiar with the rhythm of each song. The approximate
outline provided by the Note Navigator, allows the performer to gradually learn the rhythm of each piece.
To listen to a different song, press and hold the CONCERT MAGIC button and press the key to which the desired song
is assigned. Then press the PLAY/STOP button.
Step 2
Press the PLAY/STOP button again to finish listening to the song.
PERFORMING A SONG
Step 1
Tap out the rhythm of the selected song on any one of the piano’s 88 black or white keys.
Use the Note Navigator (the circles and plus signs) to learn the rhythm
of the Concert Magic song.
Concert Magic songs will respond to changes in playing style. As the keys are tapped harder, the music will grow
louder; if the keys are tapped more softly, the music will become quieter. Tapping faster will cause the music to speed
up, while tapping slower will make the music slow down accordingly. Using Concert Magic, even inexperienced
pianists can sound like they have been playing for years, simply by pressing one key with one finger.
Concert Magic is a perfect method for small children to learn music, especially when developing a sense of rhythm.
For older people who may believe it is too late to learn the piano, Concert Magic offers an enjoyable first step. With
Concert Magic, the CN43 piano can be enjoyed by everyone in the family, even those who have never touched a
musical instrument in their life.
~~~
++~~
~~~
++~~
Page
22
2
PLAYING
THE PIANO
CONCERT MAGIC PART VOLUME BALANCE
When used with Concert Magic, the BALANCE slider adjusts the volume balance of the melody part and the
accompaniment.
Step 1
Move the balance slider to the right or left to adjust the volume balance.
As the slider is moved to the right, the sound of the melody becomes louder and the accompaniment becomes
softer. The balance changes in the opposite way when the slider is moved to the left.
CONCERT MAGIC SONG ARRANGEMENT TYPES
After playing with Concert Magic for a while, performers may feel that such playing is too easy and that there is
very little to learn. While it is true that some of the songs are very easy to play, even for beginners, there are also
some songs which will prove challenging, and require practice to play proficiently.
Each of the 88 Concert Magic songs fall into one of three different arrangement types, depending on the skill level
required to perform them.
EASY BEAT
These are the easiest songs to play. To perform them, simply tap out a constant steady beat on any key on the keyboard.
Look at the following example, ‘Für Elise’. The Note Navigator will indicate that a constant, steady rhythm should
be maintained throughout the song. This is the distinguishing character of an Easy Beat song.
Press the key with a steady sixteenth note rhythm.
Fur Elise
~~~~~~<
Key on X X X X X X X X X XXXXXXXXXXX
MELODY PLAY
These songs are also quite easy to play, especially if they are familiar to the player. To perform them, tap out the
rhythm of the melody on any key on the keyboard. Singing along as the rhythm is tapped can be helpful.
Play ‘Twinkle, Twinkle, Little Star’ for example. Follow the melody’s rhythm as shown.
Key on X X X X X X X X X X X X X X
When performing fast songs with Concert Magic, it is sometimes easier to tap two different keys with two alternating
fingers in order to play at greater speed.
Accompaniment MelodyAccompaniment Melody
Page
23
2
PLAYING
THE PIANO
SKILLFUL
These songs range in difficulty from moderately difficult to difficult. To perform them, tap out the rhythm of both the
melody and the accompaniment notes on any key on the keyboard, such as ‘Waltz of the Flowers’ shown below.
The Note Navigator will be very helpful with the Skillful songs.
Waltz of Flowers
~~~~<
Key on
XXX XXXXXXX XXX
It may take a little practice to perform the Concert Magic songs proficiently. A good way to learn is to listen to these
pieces first, and then try to tap out the rhythms that are heard.
The separate ‘Concert Song List/Lesson Song List’ booklet lists the arrangement type next to each song title as ‘EB’ for
Easy Beat, ‘MP’ for Melody Play and ‘SK’ for Skillful.
STEADY BEAT
Steady Beat allows Concert Magic songs to be played by simply tapping any key with a constant steady beat,
regardless of the song arrangement type.
Step 1
Press and hold the CONCERT MAGIC button.
The current Concert Magic mode will be shown on the second line of the LCD screen.
The default Concert Magic mode is NORMAL.
Twinkle Twinkle
NORMAL
Step 2
While still holding the CONCERT MAGIC button, use the VALUE button to change the Concert Magic mode
to STEADY BEAT.
Hold down the button.
The Concert Magic mode will change to STEADY BEAT.
Twinkle Twinkle
STEADY BEAT
Step 3
Start by tapping any key with a constant steady beat.
The tapping speed will set the tempo for the song. Both the accompaniment and melody parts will be played
automatically in time with the tapped tempo.
Page
24
2
PLAYING
THE PIANO
CONCERT MAGIC DEMO MODES
There are three ways to listen to the Concert Magic songs in the DEMO mode.
¡ ALL PLAY
Press the CONCERT MAGIC button and then press the PLAY/STOP button without selecting a song. The CN43
piano will play back all of the Concert Magic songs in order.
¡ RANDOM PLAY
Press the CONCERT MAGIC button and then press the LESSON button. The CN43 piano will play back all of the
Concert Magic songs in random order.
¡ CATEGORY PLAY
Press and hold the CONCERT MAGIC and LESSON buttons and press the piano key to which the desired song
is assigned. The CN43 piano will play back the selected song and then continue to play the rest of the songs in
the same category.
To stop the demo, press the PLAY/STOP button.
CONCERT MAGIC PLAYBACK SPEED
The TEMPO button is also used to adjust the playback speed of Concert Magic songs.
Step 1
After selecting a Concert Magic song to play back, press and hold the TEMPO button.
The tempo value will be shown in the LCD screen.
Step 2
While holding down the TEMPO button, use the VALUE buttons to change the tempo.
Decrease the tempo
Hold down the button.
Increase the tempo
The tempo of the selected Concert Magic song can be adjusted either before playback, or while the song is
playing.
Page
25
2
PLAYING
THE PIANO
8) METRONOME
Rhythm is one of the most important elements when learning music. It is important to practice playing the piano
at the correct tempo and with a steady rhythm. The CN43 piano’s metronome tool helps learners to achieve this
by providing a steady beat to play along with.
STARTING THE METRONOME
Step 1
Press the TEMPO button.
The LED indicator for the TEMPO button will turn on and the metronome will begin counting with
a steady beat. The tempo in beats per minute will be shown in the LCD screen.
Tempo Œ= 120
~|||
Step 2
Press the VALUE buttons to increase or decrease the tempo within the range of 10 - 400 beats per minute.
(20-800 BPM with eighth note rhythms).
Step 3
Press the TEMPO button again to stop the metronome.
CHANGING THE TIME SIGNATURE
The metronome produces two types of click, with the louder click heard on every fourth beat - this is a 4-beat or
4/4 time signature.
The metronome is capable of providing a down beat to indicate the beginning of the measure.
It is possible to select a different signature where appropriate. There are ten different times signatures available
on the CN43 piano: 1/4, 2/4, 3/4, 4/4, 5/4, 3/8, 6/8, 7/8, 9/8 and 12/8.
Step 1
Press the BEAT button.
The LED indicator for the BEAT button will turn on and the metronome will begin counting.
The currently selected time signature and a visual indicator of each beat will be shown in the
LCD screen.
Beat = 4/4
~|||
Page
26
2
PLAYING
THE PIANO
Step 2
Press the VALUE buttons to select the desired time signature.
The currently selected time signature or rhythm will be shown in the LCD screen.
Step 3
Press the BEAT button again to stop the metronome.
Both the TEMPO button and the BEAT button can be used to turn the metronome on and off, depending on whether
the tempo or time signature is being adjusted.
ADJUSTING THE METRONOME VOLUME
The volume level of the metronome can also be adjusted.
Step 1
Press the TEMPO and BEAT buttons simultaneously.
The volume level of the metronome will be shown in the LCD screen, represented by numbers
ranging from 1 (soft) to 10 (loud). The default metronome volume level is 5.
Volume = 5
~|||
Step 2
Press the VALUE buttons to increase or decrease the volume level of the metronome.
Step 3
Press the TEMPO and BEAT buttons simultaneously again to stop the metronome.
Page
27
2
PLAYING
THE PIANO
9) PANEL LOCK
The Panel Lock function allows the state of all panel buttons to be temporarily locked, preventing sounds and other
settings from being changed accidentally while playing the piano.
Step 1
Press the CONCERT MAGIC and TRANSPOSE buttons simultaneously.
The CN43 control panel will stop responding to button pushes.
‘Panel Lock On’ will be shown in the LCD screen.
Step 2
Press the CONCERT MAGIC and TRANSPOSE buttons simultaneously again to deactivate the panel
lock.
The CN43 control panel will return to normal operation.
‘Panel Lock Off’ will be shown in the LCD screen.
When the power is turned off, the Panel Lock function will be released.
Panel Lock
On
Panel Lock
On
Panel Lock
Off
Panel Lock
Off
Page
28
3
LESSON
FUNCTION
3. LESSON FUNCTION
The CN43’s Lesson function helps performers to practice the piano with a collection of etudes from Czerny,
Burgmüller and Beyer, or songs from
Alfred’s Basic Piano Library
and
Alfred’s Premier Piano Course
lesson books
(USA, Canada, Australia and UK only). It is possible to listen to each etude or song at various tempos, practicing
the left and right hand parts separately, before eventually recording a practice session for self-evaluation.
Alfred’s Basic Piano Library
and
Alfred’s Premier Piano Course
lesson books are sold separately. Please check
with local dealers or contact Alfred’s customer service by telephoning 818-892-2452 (USA & Canada), 0-95240033
(Australia), +44 (0)1279828960 (UK). Or alternatively, by e-mailing [email protected].
1) SELECTING A BOOK/SONG
Step 1
Press the LESSON button.
The LED indicator for the LESSON button will turn on to indicate that lesson
mode is enabled.
The currently selected book name will be shown in the LCD screen.
AlfredChild1A-01
Bar= 0- 1 Œ=100
Lesson availability differs according to geographical location:
Lesson Book Name
US, Canada,
UK, Australia
Alfred’s Premier Piano Course Lesson 1A
Alfred’s Premier Piano Course Lesson 1B
Alfred’s Basic Piano Library Lesson Book Level 1A
Alfred’s Basic Piano Library Lesson Book Level 1B
Alfred’s Basic Piano Library Lesson Book Level Adult
Rest of
the World
Burgmüller 25 (25 Etudes Faciles, Opus 100)
Czerny 30 (Etudes de Mécanisme, Opus 849)
Czerny 100 (Hundert Übungsstücke, Opus 139)
Beyer (Vorschule im Klavierspiel, Opus 101)
Step 2
Press the MENU buttons to change the selected lesson book type.
Step 3
Press the VALUE buttons to change the selected lesson song.
It is also possible to select a song directly by holding down the LESSON button and pressing a key on the keyboard.
Please refer to the separate ‘Concert Magic Song List/Lesson Song List’ booklet for a complete listing of available
lesson songs.
AlfredChild1A-01
Bar= 0- 1 Œ=100
Page
29
3
LESSON
FUNCTION
2) LISTENING TO AND PLAYING A SONG
Step 1
Press the PLAY/STOP button to play the selected song.
There will be a one bar count-in before the song starts to play.
Press the PLAY/STOP button to stop the song.
Press the REW button to rewind the song and the FF button to fast forward the song. The bar number and beat
number will be shown in the LCD screen. Press the RESET button to return to the beginning of the song.
¡ A-B LOOP
The A-B Loop function allows a specific part of a song to be played
back repeatedly. While playing back a song, press the LOOP button
at the desired loop start point (point A), then press the LOOP button
again at the desired loop end point (point B). The recorder will playback
the song between point A and point B repeatedly until the PLAY/STOP
button is pressed.
DUAL or SPLIT sounds cannot be selected in LESSON mode.
EXITING THE LESSON FUNCTION
Step 1
Press the LESSON button.
The LED indicator for the LESSON button will turn off, and the unit
returns to the normal operation mode.
PRACTICING THE LEFT AND RIGHT-HAND PARTS
The volume balance of the left and right-hand parts can be adjusted using the BALANCE slider.
Step 1
After selecting a song, move the BALANCE slider to the left or to the right.
Decreases the volume of
the right-hand part
Decreases the volume of
the left-hand part
Moving the balance slider partially to the left will gradually decrease the volume of the right-hand part, allowing
the right-hand part to be practiced while the pre-recorded part plays softly as a guide. When the balance slider is
moved fully to the left, the pre-recorded right-hand part will be muted completely.
ADJUSTING THE TEMPO OF A SONG
Step 1
Press and hold the TEMPO button and press the VALUE S or T buttons to increase or decrease the
tempo of the song.
Page
30
3
LESSON
FUNCTION
3) RECORDING A SONG PRACTICE
Listening to recorded lesson song practice provides an excellent tool for self-evaluation.
Step 1
Press the REC button.
The LED indicator for the REC button will start to flash to indicate that
the CN43 piano is ready to record.
Recording information will be shown in the LCD screen, as below.
Record
Bar= 0- 2 1=100
Step 2
Press the PLAY/STOP button.
There will be a one bar count-in before the recording starts.
Recording
Bar= 4- 2 Œ=100
It is a recommended to turn on the metronome when recording.
Step 3
Press the PLAY/STOP button to stop recording the lesson practice.
PLAYING BACK THE RECORDING
Step 1
Press the PLAY/STOP button to listen to the recording.
The performance that has been recorded will be played. The
left and right-hand playing volume can be changed using
the BALANCE slider.
ERASING THE RECORDING
Step 1
Press the PLAY/STOP and REC buttons simultaneously to erase the recording.
Recordings made while using the Lesson Function cannot be saved and are intended for temporary reference only.
When changing to another song, exiting the Lesson Function or turning off the CN43 power, Lesson recordings will be
erased.
Preset Lesson songs cannot be permanently overwritten or erased.
Accompaniment MelodyAccompaniment Melody
Page
31
4
INTERNAL
RECORDER
4. INTERNAL RECORDER
The RECORDER function records performances in a similar way to that of a tape recorder. However, the CN43
piano records songs as digital data, instead of audio data - storing the music inside the instrument. Because each
song is stored digitally, it is possible to modify various aspects during playback, such as adjusting the tempo without
changing the pitch, or selecting different sound types and effects settings. Once fully understood, the recorder
function provides an easy to use tool for both practicing and playing the piano.
1) RECORDING (REC BUTTON)
The CN43 allows up to three different songs to be recorded, stored in memory, and played back at the touch of
a button. Each song has two separate tracks called ‘Parts’ that can be recorded independently. This allows the
left-hand part to be recorded first on one track, then the right-hand part to be recorded later on the other track,
while listening to the first part.
When recording or playing back a song, each part (track) can be re-recorded or played back freely. Attempting to
re-record a part will automatically erase all previously recorded performance information for that part, therefore when
recording parts separately, it is most important to select the correct part carefully, in order to prevent accidentally
overwriting a previously recorded part.
Step 1
Press the REC button.
Song, part number, bar and tempo information will be shown in the LCD screen.
Song1 Part=1
Record Œ=120
To record a song without making any changes, proceed to step 4.
If a USB memory device is connected, a selection screen will be shown in the LCD display.
Press the VALUE c button to select the Internal Recorder function.
For more information about the USB Recorder function, please refer to page 36.
Step 2
Press the MENU buttons to select the song (1,2 or 3)
to be recorded.
Step 3
Press the VALUE buttons to select the part number
(1 or 2) to be recorded.
Song1 Part=1
Record Œ=120
cd
MENU buttons
Song2 Part=1
Record Œ=120
cd
Song3 Part=1
Record Œ=120
Song1 Part=1
Record Œ=120
cd
MENU buttons
Song2 Part=1
Record Œ=120
cd
Song3 Part=1
Record Œ=120
Song1 Part=1
Record Œ=120
cd
VALUE buttons
Song1 Part=2
Record Œ=120
Song1 Part=1
Record Œ=120
cd
VALUE buttons
Song1 Part=2
Record Œ=120
Page
32
4
INTERNAL
RECORDER
Step 4
Start to play the piano.
The recorder will automatically start recording with the first note played.
During this time, the LED indicators for the REC and PLAY/STOP buttons will be turned on.
Any changes made to the sound while recording will also be recorded.
The recording can be started by pressing the PLAY/STOP button instead of pressing a key, allowing a blank bar
to be inserted at the beginning of a song.
Step 5
Press the PLAY/STOP button to stop recording.
The LED indicators for the PLAY/STOP button and the REC button will turn off and the newly recorded part will
be saved to memory automatically.
Saving may take a few moments and during this time the piano will not perform any other operations.
To record the piece again, simply repeat the above procedure. The new recording will completely erase the previous
one.
The total recording capacity of the CN43 piano’s memory is approximately 90,000 notes, with button and pedal presses
also counted as one note.
When the maximum capacity is reached, recording will stop and all music recorded up until that point will be saved to
memory automatically.
Performance data stored inside the CN43 piano’s memory will be saved even after turning off the power.
Panel operations stored during recording:
x Changes made to the sound type.
x Shifts between DUAL and SPLIT modes.
Panel operations NOT stored during recording:
x Changes made to effect settings – the selected effect will be applied to the selected sound type.
x Changes made to tempo.
x Changes made using the BALANCE slider in DUAL or SPLIT modes – the volume balance set immediately before
recording will be stored, however.
x Turning the TOUCH CURVE or TRANSPOSE functions ON or OFF – regardless of the transpose settings the
performance will be replayed at the pitch originally used for the recording.
Page
33
4
INTERNAL
RECORDER
2) PLAYING BACK A SONG
The PLAY/STOP button is used to start and stop playback of the recorded song, and to also select which
song and part is played.
Step 1
Press the PLAY / STOP button.
The currently selected song and parts will be shown in the LCD screen,
and the CN43 piano is ready to playback the song.
Step 2
Press the MENU buttons to select a song.
An asterisk indicates that the part has been recorded.
Step 3
Press the VALUE buttons to select a part.
Part 1 & 2 : Both parts will be played back.
Part 1 : Only Part 1 will be played back.
Part 2 : Only Part 2 will be played back.
Step 4
Press the PLAY/STOP button again and the recorded song will start to play.
Playback information will be shown in the LCD screen.
Playing
Bar= 2- 1 Œ=120
Step 5
Press the PLAY/STOP button again to stop playback and return to the song select display.
Press the REW button to rewind the song and the FF button to fast forward the song. The bar number and beat
number will be shown in the display. Press the RESET button to return to the beginning of the song.
While the song is being played, performance information is also sent to supported devices as MIDI data (See page 87).
PART1 is sent on 1ch and PART2 is sent on 2ch. When recording in DUAL mode, additional information for PART1 is
sent on 9ch and additional information for PART2 is sent on 10ch.
Song1 Part=1&2*
Bar= 1- 1 Œ=120
Song1 Part=1&2*
Bar= 1- 1 Œ=120
Song3 Part=2*
Bar= 1- 1 Œ=120
Song3 Part=2*
Bar= 1- 1 Œ=120
Page
34
4
INTERNAL
RECORDER
3) TRANSPOSING A SONG
This function allows the currently selected song and songs loaded from a USB device to be transposed.
Step 1
Press and hold the TRANSPOSE button, then press the MENU buttons to select the Song Transpose
function.
Hold down the button.
Song Transpose
=0C
‘Song Transpose’ and a value of ‘0 C’ will be shown in the LCD screen, indicating that the song is in its original key
and has not been transposed.
Step 2
Press and hold the TRANSPOSE button, then press the VALUE buttons to specify the transposition
amount.
Song Transpose
=-5C
Hold down the button.
The LCD screen will show a number indicating how many half steps up or down the current song has been
transposed.
‘-5’, for example, represents a transposition that is 5 half steps lower.
The piano can be transposed by up to 12 half steps higher or 12 half steps lower.
When a different song is selected, the song transposition value will reset to ‘0 C’.
Page
35
4
INTERNAL
RECORDER
4) ERASING A SONG
This function allows any songs that are no longer listened to, to be cleared.
Step 1
Press the PLAY/STOP and REC buttons simultaneously.
Press them at the same time.
Button flashes Button flashes
The LED indicators for the PLAY/STOP and REC buttons will start to flash, and song erase information will be
shown in the LCD screen.
To Del Press REC
Song 1 Part=1&2*
Step 2
Use the MENU buttons to select a song, then use the VALUE buttons to select a part.
Select a song. Select a part.
To Del Press REC
Song 1 Part=1&2*
2
1
Step 3
Press the REC button to erase the selected song and part. A confirmation message will be shown in the
LCD screen.
Sure? Press REC
Song 1 Part=1&2*
Step 4
Press the REC button again to confirm erasing the selected song and part.
Deleting
Song 1 Part=1&2*
* To cancel the erase operation in Step 3, press the PLAY/STOP button.
Repeat the steps above in order to erase a number of songs and parts.
To erase all songs from memory at once, first turn off the power and then turn it on again, holding down both the REC
button and the PLAY/STOP button.
Page
36
5
USB
RECORDER
5. USB RECORDER
The CN43’s USB Recorder allows the recording and playback of MP3 and WAV audio files and 16 track Standard
MIDI File (SMF) format songs directly to/from USB memory devices.
Do not attempt to disconnect USB devices while they are being accessed.
Doing so may result in data loss or permanent damage
1) RECORDING AN AUDIO FILE
This useful function allows professional quality MP3 and WAV audio recordings to be produced directly on the
instrument without the need for additional sound equipment. Once saved, the audio files can be emailed to friends
and family, played back through an iPod, or edited and remixed further using an audio workstation.
Audio Recorder format specifications
Audio Format Specifications Bitrate
MP3
44.1 kHz, 16 bit, Stereo 192 kbit/s (fixed)
WAV 44.1 kHz, 16 bit, Stereo 1,411 kbit/s (uncompressed)
MPEG Layer-3 audio coding technology licensed from Fraunhofer IIS and Thomson.
MP3 codec is Copyright (c) 1995-2007, SPIRIT
SELECTING THE USB RECORDER AND AUDIO FORMAT
Step 1
Connect a USB memory device, then press the REC button.
The Internal Recorder / USB Recorder selection screen
will be shown in the LCD display.
The USB Recorder can also be accessed via the USB Menu (page 48).
Step 2
Press the VALUE d button to select the USB Recorder function.
The LED indicator for the USB button will turn on, and the
USB Recorder format selection screen will be shown in
the LCD display.
Press the VALUE buttons to select either WAV or MP3
audio file formats.
MP3 audio files require less storage space than WAV audio files.
A 1GB USB memory device can store over 12 hours of MP3 audio data.
Step 3
Press the REC button.
The LED indicator for the REC button will start to flash to
indicate that the recorder is in standby mode.
A recording timer will be shown in the LCD display
USB Record
Format = MP3
USB Record MP3
-Standby- 00:00
Int.Recorder
USB Recorder
Page
37
5
USB
RECORDER
STARTING THE RECORDER
Step 4
Press a key on the keyboard.
The LED indicators for the REC and PLAY/STOP buttons
will turn on, and recording will start.
Recording can also be started by pressing the PLAY/STOP button, allowing
a rest period to be inserted at the beginning of the audio file.
Step 5
Press the PLAY/STOP button.
The LED indicators for the PLAY/STOP and REC buttons
will turn off, and recording will stop.
A confirmation message will be shown in the LCD screen,
prompting to save the recorded audio file.
SAVING THE RECORDED AUDIO FILE
Step 6
Press the REC button to save the recorded audio file to the USB memory device.
The filename entry screen will be shown in the LCD display.
To cancel saving the recorded audio file and exit the USB Recorder,
press the PLAY/STOP button.
Step 7
Press the MENU and VALUE buttons to enter a name for the recorded audio file.
Press the VALUE buttons to select the character.
Press the MENU buttons to move the cursor.
New files are limited to a maximum name length of 12 characters.
‘MP3 Song 01’ or ‘WAV Song 01’ will be used as the default name
for the recorded audio files. The number will increase automatically
with each recording.
Step 8
Press the REC button again to save the recorded audio file to the USB memory device.
A confirmation message will be shown in the LCD display to
indicate that the recorded audio file has been saved.
After saving, the audio file will automatically be selected for
playback (page 39).
The saved audio file will be stored in the root folder of the USB
device. It is not possible to store the file in a different folder.
The audio recorder records sounds produced by the instrument only.
Devices connected to the LINE IN jacks will not be recorded.
If the specified name already exists, an overwrite confirmation
message will be shown in the LCD screen prompting to confirm or
cancel the save operation.
USB Record MP3
Recording 00:24
Save to USB?
Yes≥REC No≥STOP
Song name:
MP3 Song 01 ≥REC
Song name:
FunkIdea2 ≥REC
Saving...
Complete!
FunkIdea2
Vol.040 00:00
Page
38
5
USB
RECORDER
2) PLAYING AN AUDIO FILE
The CN43 is also capable of playing MP3 and WAV audio files stored on a USB memory device directly through
the instrument’s speaker system. This function is particularly useful when attempting to learn the chords or melody
to a new piece, or to simply play along with one’s favorite song.
Audio Player supported format specifications
Audio Format Specifications Bitrate
MP3 32 kHz/44.1 kHz/48 kHz, Mono/Stereo 8-320 kbit/s (fixed & variable)
WAV 32 kHz/44.1 kHz/48 kHz, Mono/Stereo, 8 bit/16 bit -
MPEG Layer-3 audio coding technology licensed from Fraunhofer IIS and Thomson.
MP3 codec is Copyright (c) 1995-2007, SPIRIT
Preparing the USB memory device
First, prepare a selection of MP3 or WAV audio files, copying
the data to a USB memory device.
USB devices should be formatted to use the ‘FAT’ or ‘FAT32’ filesystems.
SELECTING THE USB RECORDER AND AUDIO FILE
Step 1
Connect a USB device, then press the PLAY/STOP button.
The Internal Recorder / USB Recorder selection screen
will be shown in the LCD display.
The USB Recorder can also be accessed via the USB Menu (page 48).
Step 2
Press the VALUE d button to select the USB Recorder function.
The LED indicator for the USB button will turn on, and a
list of the media files stored in the root folder of the USB
memory device will be shown in the LCD display.
The < > symbols are used to indicate a folder.
The selection cursor is represented by a ` symbol.
Step 3
Press the MENU and VALUE buttons to select the desired audio file.
Press the MENU buttons to scroll through the files/folders.
Press the VALUE buttons to select the file/folders.
Select the <DIR UP> entry to return to the previous folder.
After a short delay, the play screen will be shown in the
LCD display.
Int.Recorder
USB Recorder
‚<MIDI Files>
Night Train.MP3
‚Night Train.MP3
SoulfulStrt.MP3
Night Train.MP3
Vol.040 00:00
Page
39
5
USB
RECORDER
PLAYING THE SELECTED AUDIO FILE
Step 4
Press the PLAY/STOP button.
The LED indicator for the PLAY/STOP button will turn on,
and the selected audio file will begin to play.
During playback, press the FF or REW buttons to fast-
forward or rewind the audio file.
ADJUSTING THE PLAYBACK VOLUME
Step 5
During playback, press the VALUE buttons.
The playback volume will increase or decrease.
The volume level of USB Recorder songs can be adjusted within
the range 0 to 100.
REPEATING A PHRASE (A-B LOOP)
The A-B Loop function allows a specific part of a song to be played back repeatedly.
Step 6
During playback, press the A-B Loop button to set the start and end points of the loop.
Press the A-B button once to set the desired start point (A),
then once again to set the end point (B) of the loop.
The song will play between points A and B continuously
until the song is stopped or the A-B button is pressed to
cancel the loop.
STOPPING AUDIO FILE PLAYBACK
Step 7
Press the PLAY/STOP button.
The LED indicator for the PLAY/STOP button will turn off,
and the selected audio file will stop playing temporarily.
Press the PLAY/STOP button once again to continue
playback, or the RESET button to reset the playback
position to the beginning.
When audio playback has been stopped, press the MENU
buttons to return to the file selection screen, or the USB button
to exit the recorder.
Playing
Vol.040 00:24
Playing
Vol.057 00:45
Page
40
5
USB
RECORDER
3) RECORDING AN SMF SONG
This useful function allows 16 track SMF (Standard MIDI File) format songs to be recorded directly on the instrument,
or for existing song files to be edited/modified without the need for additional sound equipment.
SELECTING THE USB RECORDER
Step 1
Connect a USB memory device, then press the REC button.
The Internal Recorder / USB Recorder selection screen
will be shown in the LCD display.
The USB Recorder can also be accessed via the USB Menu (page 48).
Step 2
Press the VALUE d button to select the USB Recorder function.
The LED indicator for the USB button will turn on, and the
USB Recorder format selection screen will be shown in
the LCD display.
Press the VALUE buttons to select the MID format.
Step 3
Press the REC button.
The LED indicator for the REC button will start to flash to
indicate that the recorder is in standby mode.
The Recorder screen will be shown in the LCD display.
SELECTING THE PART (TRACK) TO RECORD
Step 4
Press the VALUE buttons to select the Part (track) to be recorded.
Part 10 is reserved as a drum track. When selecting Part 10, only drum sounds
can be played. Similarly, drum sounds can only be played on Part 10.
When the Rec Part is set to MIDI, all data received from the MIDI IN jack will
be recorded on Parts 1-16, according to the MIDI channel.
STARTING THE RECORDER
Step 5
Press a key on the keyboard.
The LED indicators for the REC and PLAY/STOP buttons
will turn on, and recording will start on the selected track.
Recording can also be started by pressing the PLAY/STOP button, allowing
a rest period to be inserted at the beginning of the SMF file.
Int.Recorder
USB Recorder
USB Record
Format = MID
Rec Part= 1
Bar= 1- 1 Œ=120
Rec Part= 1
Bar= 1- 1 Œ=120
Page
41
5
USB
RECORDER
Step 6
Press the PLAY/STOP button.
The LED indicators for the PLAY/STOP and REC buttons
will turn off, and recording will stop.
An asterisk (
*
) symbol will be shown beside the part
number to indicate that the part has been recording and
contains song data.
To record another part (track), first press the REC button,
then repeat steps 4 and 5.
SAVING THE RECORDED SMF FILE
When pressing the MENU buttons to select another song, or pressing the USB button to exit the USB Recorder,
a save prompt will be shown in the LCD screen.
Step 7
Press the MENU buttons or USB button.
A confirmation message will be shown in the LCD screen,
prompting to save the recorded SMF file.
Step 7
Press the REC button to save the recorded SMF file to the USB memory device.
The filename entry screen will be shown in the LCD display.
To cancel saving the recorded SMF file and return to the recorder,
press the PLAY/STOP button.
Step 7
Press the MENU and VALUE buttons to enter a name for the recorded SMF file.
Press the VALUE buttons to select the character.
Press the MENU buttons to move the cursor.
Saved files are limited to a maximum name length of 12 characters.
‘SMF Song 01’ will be used as the default name for the recorded SMF
file. The number will increase automatically with each recording.
Step 8
Press the REC button again to save the recorded SMF file to the USB memory device.
A confirmation message will be shown in the LCD display to
indicate that the SMF file has been saved.
The saved SMF file will be stored in the root folder of the USB device.
It is not possible to store the file in a different folder.
If the specified name already exists, an overwrite confirmation
message will be shown in the LCD screen prompting to confirm or
cancel the save operation.
Rec Part= 1*
Bar= 1- 1 Œ=120
Save to USB?
Yes≥REC No≥STOP
Song name:
SMF Song 01 ≥REC
Song name:
BigSwing02 ≥REC
Saving...
Complete!
Page
42
5
USB
RECORDER
4) PLAYING AN SMF SONG
This function allows 16 track SMF (Standard MIDI File) format songs stored on USB memory devices to be played
directly on the instrument.
Preparing the USB memory device
First, prepare a selection of SMF (MID) song files, copying
the data to a USB memory device.
USB devices should be formatted to use the ‘FAT’ or ‘FAT32’ filesystems.
SELECTING THE USB RECORDER
Step 1
Connect a USB device, then press the PLAY/STOP button.
The Internal Recorder / USB Recorder selection screen
will be shown in the LCD display.
The USB Recorder can also be accessed via the USB Menu (page 48).
Step 2
Press the VALUE d button to select the USB Recorder function.
The LED indicator for the USB button will turn on, and a
list of the media files stored in the root folder of the USB
memory device will be shown in the LCD display.
The < > symbols are used to indicate a folder.
The selection cursor is represented by a ` symbol.
Step 3
Press the MENU and VALUE buttons to select the desired SMF file.
Press the MENU buttons to scroll through the files/folders.
Press the VALUE buttons to select the file/folders.
Select the <DIR UP> entry to return to the previous folder.
After a short delay, the play screen will be shown in the
LCD display.
PLAYING THE SELECTED SMF FILE
Step 4
Press the PLAY/STOP button.
The LED indicator for the PLAY/STOP button wil turn on,
and the selected SMF file will begin to play.
During playback, press the FF and REW buttons to fast-
forward and rewind the audio file,
Int.Recorder
USB Recorder
‚<MIDI Files>
Highway61 .MID
‚Superstitio.MID
TurnMeLoose.MID
Superstitio.MID
Bar= 8- 3 Œ=120
Superstitio.MID
Bar= 1- 1 Œ=120
Page
43
5
USB
RECORDER
ADJUSTING THE PLAYBACK VOLUME & TEMPO
Step 5
Press and hold the USB button, then press the VALUE buttons.
The current playback volume will be shown in the LCD
display and the volume level will increase or decrease.
The volume level of USB Recorder songs can be adjusted within
the range 0 to 100.
To adjust the tempo of the song playback, press and hold
the TEMPO button, then press the VALUE buttons.
The tempo of SMF songs can be adjusted within the range of
10 - 400 beats per minute.
REPEATING A PHRASE (A-B LOOP)
The A-B Loop function allows a specific part of a song to be played back repeatedly.
Step 6
Press the A-B Loop button to set the start and end points of the loop.
Press the A-B button once to set the desired start point (A),
then once again to set the end point (B) of the loop.
The song will play between points A and B continuously
until the song is stopped or the A-B button is pressed to
cancel the loop.
MUTING A PART (TRACK)
This function allows each of the 16 parts (tracks) of the SMF song to be individually muted or played.
Step 7
Press one of the VALUE buttons.
The 16 parts (tracks) of the SMF song will be shown in
the LCD display.
Step 8
Press the MENU and VALUE buttons to select and mute/play each part (track).
Press the VALUE buttons to mute/play the part (track).
Press the MENU buttons to move the selection cursor.
A ` symbol is used to indicate a playing part.
An X smbol is used to indicate a muted part.
An − symbol is used to indicate an empty part.
USB Recorder
Total Volume=100
+
or
Superstitio.MID
Bar= 8- 3 Œ=105
123456789
‚‚‚X---‚X‚------
123456789
--‚--X--‚‚------
Page
44
5
USB
RECORDER
STOPPING SMF SONG PLAYBACK
Step 7
Press the PLAY/STOP button.
The LED indicator for the PLAY/STOP button will turn off,
and the selected SMF file will stop playing temporarily.
Press the PLAY/STOP button once again to continue
playback, or the RESET button to reset the playback
position to the beginning.
Once song playback has stopped, press the MENU buttons to
return to the file selection screen, or the USB button to exit the
recorder.
5) RECORDING TO AN EXISTING SMF SONG
This function allows any of the 16 parts (tracks) of the SMF song to be re-recorded.
First follow ‘Playing an SMF Song’ steps 1-3 to select the desired SMF song, then proceed from step 4 below.
Step 4
Press the REC button.
The LED indicator for the REC button will start to flash to
indicate that the recorder is in standby mode.
The SMF Recorder screen will be shown in the LCD
display.
SELECTING THE PART (TRACK) TO RECORD
Step 5
Press the VALUE buttons to select the Part (track) to be recorded.
Part 10 is reserved as a drum track. When selecting Part 10, only drum sounds
can be played. Similarly, drum sounds can only be played on Part 10.
When the Rec Part is set to MIDI, all data received from the MIDI IN jack will
be recorded on Parts 1-16, according to the MIDI channel.
STARTING THE RECORDER
Step 6
Press a key on the keyboard.
The LED indicators for the REC and PLAY/STOP buttons
will turn on, and recording will start on the selected track.
Recording can also be started by pressing the PLAY/STOP button, allowing
a rest period to be inserted at the beginning of the SMF file.
Rec Part= 1
Bar= 1- 1 Œ=100
Rec Part= 1
Bar= 1- 1 Œ=100
Page
45
5
USB
RECORDER
Step 7
Press the PLAY/STOP button.
The LED indicators for the PLAY/STOP and REC buttons
will turn off, and recording will stop.
An asterisk (
*
) symbol will be shown beside the part
number to indicate that the part has been recording and
contains song data.
To record another part (track), first press the REC button,
then repeat steps 4 and 5.
SAVING THE RECORDED SMF FILE
When pressing the MENU buttons to select another song, or pressing the USB button to exit the USB Recorder,
a save prompt will be shown in the LCD screen.
Step 8
Press the MENU buttons or USB button.
A confirmation message will be shown in the LCD screen,
prompting to save the recorded SMF file.
Step 9
Press the REC button to save the recorded SMF file to the USB memory device.
The filename entry screen will be shown in the LCD display.
To cancel saving the recorded SMF file and return to the recorder,
press the PLAY/STOP button.
Step 10
Press the MENU and VALUE buttons to enter a name for the recorded SMF file.
Press the VALUE buttons to select the character.
Press the MENU buttons to move the cursor.
Saved files are limited to a maximum name length of 12 characters.
‘SMF Song 01’ will be used as the default name for the recorded SMF
file. The number will increase automatically with each recording.
Step 11
Press the REC button again to save the recorded SMF file to the USB memory device.
A confirmation message will be shown in the LCD display to
indicate that the SMF file has been saved.
The saved SMF file will be stored in the root folder of the USB device.
It is not possible to store the file in a different folder.
If the specified name already exists, an overwrite confirmation
message will be shown in the LCD screen prompting to confirm or
cancel the save operation.
Rec Part= 1*
Bar= 1- 1 Œ=100
Save to USB?
Yes≥REC No≥STOP
Song name:
SMF Song 01 ≥REC
Song name:
BigSwing02 ≥REC
Saving...
Complete!
Page
46
5
USB
RECORDER
6) CONVERTING A SONG TO AN AUDIO FILE
This function allows recorder songs stored in internal memory to be played back and saved (converted) as an
audio file to a USB device in either MP3 or WAV format.
In order to perform this function, first follow the explanation on page 31 to record a song to internal memory.
SELECTING THE INTERNAL RECORDER SONG
Step 1
Connect a USB device, then press the PLAY/STOP button.
The Internal Recorder / USB Recorder selection screen
will be shown in the LCD display.
Step 2
Press the VALUE c button to select the Internal Recorder function.
The Internal Recorder screen will be shown in the LCD
display, with Song 1 selected automatically.
Press the MENU buttons to select the desired song memory,
and the VALUE buttons to select the desired part.
Step 3
Press the USB button.
The LED indicator for the USB button will turn on, and the
Convert to Audio format selection screen will be shown
in the LCD display.
Press the VALUE buttons to select either WAV or MP3
audio file formats.
MP3 audio files require less storage space than WAV audio files.
A 1GB USB memory device can store over 12 hours of MP3 audio data.
Step 4
Press the REC button.
The LED indicator for the REC button will start to flash to
indicate that the recorder is in standby mode.
A recording timer will be shown in the LCD display
Int.Recorder
USB Recorder
Rec Part= 1
Bar= 1- 1 Œ=100
Convert to Audio
Format = MP3
Song1 Part=1&2*
Convert Œ=100
Page
47
5
USB
RECORDER
STARTING THE CONVERSION
Step 5
Press the PLAY/STOP button.
The LED indicators for the REC and PLAY/STOP buttons
will turn on, and the conversion will start.
Notes played on the keyboard will also be recorded to the audio file.
Step 6
Press the PLAY/STOP button.
The LED indicators for the PLAY/STOP and REC buttons
will turn off, and recording will stop.
A confirmation message will be shown in the LCD screen,
prompting to save the converted audio file.
SAVING THE CONVERTED AUDIO FILE
Step 7
Press the REC button to save the converted audio file to the USB memory device.
The filename entry screen will be shown in the LCD display.
To cancel saving the converted audio file and exit the USB Recorder,
press the PLAY/STOP button.
Step 8
Press the MENU and VALUE buttons to enter a name for the converted audio file.
Press the VALUE buttons to select the character.
Press the MENU buttons to move the cursor.
New files are limited to a maximum name length of 12 characters.
‘MP3 Song 01’ or ‘WAV Song 01’ will be used as the default name for
the converted audio files. The number will increase automatically
with each recording.
Step 9
Press the REC button again to save the recorded audio file to the USB memory device.
A confirmation message will be shown in the LCD display to
indicate that the converted audio file has been saved.
After saving, the audio file will automatically be selected for
playback (page 39).
The saved audio file will be stored in the root folder of the USB
device. It is not possible to store the file in a different folder.
The audio recorder records sounds produced by the instrument only.
Devices connected to the LINE IN jacks will not be recorded.
If the specified name already exists, an overwrite confirmation
message will be shown in the LCD screen prompting to confirm or
cancel the save operation.
Converting
00:24
Save to USB?
Yes≥REC No≥STOP
Song name:
MP3 Song 01 ≥REC
Song name:
Soul Peas ≥REC
Saving...
Complete!
SoulPeas
Vol.040 00:00
Page
48
6
USB
OPERATIONS
6. USB OPERATIONS
The USB button can be used as an alternative method to access the USB Recorder functions, and also to perform
a selection of additional USB operations to save, delete, rename, makedir, and format.
Do not attempt to disconnect USB devices while they are being accessed.
Doing so may result in data loss or permanent damage
ACCESSING THE USB RECORDER
Step 1
Connect a USB device, then press the USB button.
The main USB menu will be shown in the LCD display.
Step 2
Press the VALUE c button to select the USB Recorder.
A message will be shown in the LCD display, prompting
to select the REC or PLAY/STOP buttons.
Press the REC button to access the USB Recorder’s record
functions, or the PLAY/STOP button to access the USB
Recorder’s play functions.
For more information about the USB Recorder function, please
refer to page 36.
ACCESSING THE USB MENU FUNCTIONS
Step 1
Connect a USB device, then press the USB button.
The main USB Menu will be shown in the LCD display.
Step 2
Press the VALUE d button to select the USB Menu.
There are five USB operations available: save, rename,
delete, makedir, and format.
Press the MENU buttons to cycle through the different
USB operations, then the VALUE buttons to select the
function.
To return to the previous menu, press the STOP button.
USB Recorder
USB Menu
Please press
REC or PLAY/STOP
USB Recorder
USB Menu
USB Menu
1 Int Song Save
Page
49
6
USB
OPERATIONS
1) INTERNAL SONG SAVE
This function can be used to save songs recorded using the CN43 piano’s internal recorder to a USB device.
Step 1
Press the VALUE buttons to select the song to be saved, then press the REC button.
Int Song Save
Song1 ≥REC
Step 2
Press the MENU buttons to move the cursor, and the VALUE buttons to choose a character to name the
recorded song, then press the REC button.
Int Song Rename
_NewSong ≥REC
Step 3
Press the MENU buttons to scroll through the list of files and directories, then press the VALUE button to
select the destination directory in which to save the internal song.
Step 4
Press the REC button again to save the recorded song to the USB device.
‘Executing...’ and then ‘Complete!’ will be shown in the LCD screen.
2) RENAME FILE
This function can be used to rename songs and directories stored on a USB device.
Step 1
Press the MENU and VALUE buttons to scroll through the list of files and directories, then press the REC
button to select the song or directory to be renamed.
Rename
_Song1 ≥REC
Step 2
Press the MENU buttons to move the cursor, and the VALUE buttons to choose a character to rename the
recorded song.
Rename
Song2_ ≥REC
Step 3
Press the REC button again to rename the recorded song stored on the USB device.
‘Executing...’ and then ‘Complete!’ will be shown in the LCD screen.
Page
50
6
USB
OPERATIONS
3) DELETE FILE
This function can be used to delete songs and empty directories stored on a USB device.
Step 1
Press the MENU and VALUE buttons to scroll through the list of files and directories, then press the REC
button to select the song or directory to be deleted.
A delete confirmation request will be shown in the LCD screen.
Sure?
Yes≥REC No≥STOP
Press the PLAY/STOP button to cancel.
Step 2
Press the REC button again to delete the recorded song from the USB device.
‘Executing...’ and then ‘Complete!’ will be shown in the LCD screen.
4) MAKEDIR
This function can be used to make new directories on a USB device.
Step 1
Press the MENU and VALUE buttons to scroll through the list of files and directories, then press the REC
button to select the destination for the directory to be made.
Dir Name
_userdir
Step 2
Press the MENU buttons to move the cursor, and the VALUE buttons to choose a character to rename the
new directory.
Dir Name
_mydir
Step 3
Press the REC button again to make a new directory on the USB device.
‘Executing...’ and then ‘Complete!’ will be shown in the LCD screen.
Page
51
6
USB
OPERATIONS
5) FORMAT USB
This function can be used to format a USB device for use in the CN43 piano.
Step 1
Press the REC button.
A format confirmation request will be shown in the LCD screen.
Press the PLAY/STOP button to cancel.
Format
Yes≥REC No≥STOP
Step 2
Press the REC button again to format the selected USB device.
‘Executing...’ and then ‘Complete!’ will be shown in the LCD screen.
Page
52
7
RHYTHM
SECTION
6. RHYTHM SECTION
RHYTHM SECTION OVERVIEW
The CN43 digital piano’s Rhythm Section function provides automatic backing tracks that are suitable for
accompanying various musical styles. There are 100 different types of backing available, consisting of drums, bass,
guitar, organ, etc., allowing musicians to enliven their performances with multi-instrumental accompaniments.
Rhythm Section chord progression methods
There are three different methods to control the Rhythm Section chord progression:
Method Chord Progression Lower Section Upper Section
Method 1 Manual Chord control Melody play
Method 2 Preset (automatic) Melody play
Method 3 Custom (automatic) Melody play
Rhythm Section patterns
Each Rhythm Section style consists of four pattern types: Count-in, Basic/Variation, Fill-in and Ending.
Pattern type Explanation No. of bars
Count-in (drums only) A short pattern used to count-in the Basic/Variation pattern. 1/2
Basic/Variation
The Basic pattern provides a simple, unobtrusive backing accompaniment, while
the Variation pattern builds on the Basic pattern, often adding more complicated,
musically expressive phrases.
4/8
Fill-in
A short pattern that can be used when repeating phrases or as a bridge between
Basic and Variation patterns.
1
Ending A short pattern used to end all parts of the Rhythm Section appropriately. 1
One Finger Ad-lib™
The One Finger Ad-lib™ feature of the Rhythm Section provides an enjoyable way of creating music by simply
pressing one key at a time.
When enabled in the Function menu, One Finger Ad-lib™ allows various musical phrases to be performed at any
time, by pressing one of the topmost 17 keys on the keyboard. Each phrase will play for one bar, and will match
the key/chord currently used by the Rhythm Section.
Please refer to page 79 for more information.
Page
53
7
RHYTHM
SECTION
1) ACTIVATING THE RHYTHM SECTION
Step 1
Press the RHYTHM SECTION button.
The LED indicator for the RHYTHM SECTION button will turn on, indicating that the Rhythm
Section function has been activated.
FnkShuffle1 All
C œ=108
The currently selected Rhythm Section style will be shown in the LCD
screen.
The LED indicator for the SPLIT button will also turn on, indicating that the Lower section of the keyboard (from F#2
and below) will be used to control the Rhythm Section chord progression, and the Upper section of the keyboard
will be used to play the melody.
The Rhythm Section Split Point can be freely adjusted, please refer to the instructions on page 60 for more
information.
Upper section: used to play the melody
Split Point (G2)
Lower section: used to control the Rhythm Section
chord progression
Used by One Finger Ad-lib™ mode, if enabled
When playing a chord in the Lower section, the name of the chord will be shown in the LCD
screen. Please refer to page 105 for a complete listing of recognised chord types.
Any changes made to the Rhythm Section Split Point will remain until the power is turned off.
When the power is turned off, the Rhythm Section Split Point will return to the default setting of ‘G2’, however it is possible
to use the USER MEMORY function to store the preferred Rhythm Section Split Point. Please refer to the instructions
on page 87 for more information.
C7C7
Page
54
7
RHYTHM
SECTION
2)
PLAYING WITH THE RHYTHM SECTION
Step 1
Press the PLAY/STOP button.
The LED indicator for the PLAY/STOP button will turn on, the Count-
in drum pattern will start, and a countdown will be shown in the LCD
screen.
After the Count-in, the Rhythm Section will change to the Basic pattern. During this time, the Lower section of
the keyboard (from F#2 and below) will be used to control the Rhythm Section chord progression, and the Upper
section of the keyboard will be used to play the melody.
After 8 bars of the Basic pattern have been played, the Rhythm Section will automatically play the Fill-in pattern.
To turn off the Auto Fill-in function, or to adjust the number of bars between each Auto Fill-in, please refer to the
instructions on page 78.
Step 2
Play chords in the Lower section of the keyboard.
The name of the chord will be shown in the LCD screen.
The Rhythm Section accompaniment will change, matching the chord that is played.
Step 3
Press the PLAY/STOP button again.
The Rhythm Section will automatically play the Ending pattern, the
accompaniment will stop, and the LED indicator for the PLAY/STOP
button will turn off.
When Manual Chord Progression is selected, only the Upper section of the keyboard can be used to play the melody.
When Preset Chord Progression is selected however, all 88 keys of the keyboard can be played freely. Please refer to
page 61 for more information.
The Split mode function cannot be used while the Rhythm Section function is activated. The Dual mode function, however,
can still be used.
Page
55
7
RHYTHM
SECTION
3) RHYTHM SECTION STYLES
The CN43 digital piano Rhythm Section function features a wide selection of accompaniment styles, ranging
from Pop, Rock, Ballads, and Jazz, to Funk, Dance, Latin, and World Music styles. Please refer to page 104 for a
complete listing of available Rhythm Section styles.
SELECTING THE RHYTHM SECTION STYLE
Step 1
Press the T or S MENU buttons to select the desired Rhythm Section style.
FnkShuffle1
Ç
È
FnkShuffle1.
Ç
È
FnkShuffle2
Ç
È
FnkShuffle2.
The currently selected style NAME will be shown in the LCD screen.
Indicates that the Variation pattern is selected.
Step 2
Press the PLAY/STOP button to start the Rhythm Section accompaniment.
The LED indicator for the PLAY/STOP button will turn on, and the Rhythm Section accompaniment
will start to play.
Step 3
Press the T or S MENU buttons to select a different Rhythm Section style or variation.
The Fill-in pattern will be played, and the Rhythm Section style will change.
Step 4
Press the PLAY/STOP button again to stop the Rhythm Section accompaniment.
The Rhythm Section will automatically play the Ending pattern, the accompaniment will stop, and the LED indicator
for the PLAY/STOP button will turn off.
The Rhythm Section style can be changed either before the accompaniment starts, or while the accompaniment is
playing.
Page
56
7
RHYTHM
SECTION
SELECTING THE RHYTHM SECTION GENRE
Selecting a specific accompaniment genre allows Rhythm Section styles to be selected more efficiently.
Step 1
Press and hold the RHYTHM SECTION button, then press the T or S MENU buttons to select the desired
Rhythm Section genre.
FnkShuffle1
Ç
È
FunkyBeat1
Ç
È
JazzFunk
Ç
È
SurdoSamba
Press and hold the button
2
1
The currently selected style NAME will be shown in the LCD screen.
Step 2
Press the PLAY/STOP button to start the Rhythm Section accompaniment.
The LED indicator for the PLAY/STOP button will turn on, and the Rhythm Section accompaniment
will start to play.
Step 3
Press and hold the RHYTHM SECTION button, then press the T or S MENU buttons to select a different
Rhythm Section genre.
The Fill-in pattern will be played, and the Rhythm Section genre will
change.
Step 4
Press the PLAY/STOP button again to stop the Rhythm Section accompaniment.
The Rhythm Section will automatically play the Ending pattern, the accompaniment will stop, and the LED indicator
for the PLAY/STOP button will turn off.
The Rhythm Section genre can be changed either before the accompaniment starts, or while the accompaniment is
playing.
Please refer to page 104 for a complete listing of available Rhythm Section genres and styles.
Press and hold the button
2
1
Page
57
7
RHYTHM
SECTION
4) RHYTHM SECTION PARTS
Each Rhythm Section style consists of 4 parts:
1. Drums
2. Bass
3. Guitar
4. Others (Strings, Organ, Electric Piano, etc.)
By default, all four parts of a Rhythm Section style will be turned on, however, the Part function allows different
parts to be turned on or off, tailoring the accompaniment for specific needs.
LCD screen Enabled Rhythm Section part(s)
B+Dr Drums, Bass
Drum Drums
All All parts
Step 1
Press the VALUE buttons to select the different Rhythm Section part configurations.
The Rhythm Section part configuration will change, and the part information will be shown in
the LCD screen.
The Rhythm Section Part setting can be changed either before the accompaniment starts, or while the accompaniment
is playing.
Any changes made to the Rhythm Section Part setting will remain until the power is turned off.
When the power is turned off, the Rhythm Section Part setting will return to the default setting, however it is possible to
use the USER MEMORY function to store the preferred Rhythm Section Part setting. Please refer to the instructions on
page 87 for more information.
Page
58
7
RHYTHM
SECTION
5)
ADJUSTING THE RHYTHM SECTION TEMPO
Step 1
Press and hold the TEMPO button.
Step 2
Press the T or S VALUE buttons to adjust the Rhythm Section tempo to the desired
value.
The Rhythm Section tempo can be adjusted within the range of 10-400 beats per minute.
Step 3
Release the TEMPO button.
The Rhythm Section tempo can be adjusted either before the accompaniment starts, or while the accompaniment is
playing.
Any changes made to the Rhythm Section tempo will remain until the power is turned off.
Page
59
7
RHYTHM
SECTION
6)
ADJUSTING THE RHYTHM SECTION VOLUME
Step 1
Press and hold the TEMPO and BEAT buttons simultaneously.
Step 2
Press the T or S VALUE buttons to adjust the Rhythm
Section volume to the desired level.
The Rhythm Section volume can be adjusted within the
range of 1 (soft) to 10 (loud).
Step 3
Release the TEMPO and BEAT buttons simultaneously.
The Rhythm Section volume can be adjusted either before the accompaniment starts, or while the accompaniment is
playing.
Any changes made to the Rhythm Section volume will remain until the power is turned off.
When the power is turned off, the Rhythm Section volume will return to the default setting of ‘5’, however it is possible
to use the Memory Backup function to store the preferred Rhythm Section volume. Please refer to the instructions on
page 70 for more information.
VOLUME = 1
VOLUME = 10
VOLUME = 1
VOLUME = 10
Page
60
7
RHYTHM
SECTION
7)
ADJUSTING THE RHYTHM SECTION SPLIT POINT
The Split Point specifies the Lower section of the keyboard used to control the Rhythm Section chord progression,
and the Upper section of the keyboard used to play the melody. This point can be adjusted, allowing the Lower
and Upper sections to be increased or decreased.
Step 1
Press and hold the SPLIT button, then press a key on the keyboard.
Press and hold the button
Lower section: used to control the Rhythm Section chord progression
new Split Point
Upper section: used to play the melody
Press a key
2
1
Used by One Finger Ad-lib™ mode, if enabled
The pressed key will become the lowermost note for the Upper section of the keyboard, used to control the Rhythm
Section chord progression.
The specified Rhythm Section Split Point will also be used for the Split mode function.
Any changes made to the Rhythm Section Split Point will remain until the power is turned off.
When the power is turned off, the Rhythm Section Split Point will return to the default setting of ‘G2’, however it is possible
to use the USER MEMORY function to store the preferred Split point. Please refer to the instructions on page 87 for
more information.
Page
61
7
RHYTHM
SECTION
8) PRESET CHORD PROGRESSION
Preset Chord Progression mode allows all 88 keys of the keyboard to be played freely, while the Rhythm Section
plays an automatic accompaniment.
ACTIVATING PRESET CHORD PROGRESSION MODE
Press and hold the RHYTHM SECTION button to activate Preset Chord Progression mode.
‘CHORD PATTERN On’ will be shown in the LCD screen, indicating that Preset Chord Progression
mode has been activated.
CHORD PATTERN
On
The LED indicator for the SPLIT button will turn off, indicating that all 88 keys of the keyboard can be played
freely.
SELECTING THE PRESET CHORD PROGRESSION STYLE
The CN43 digital piano features 100 different Preset Chord Progression styles, suitable for accompanying various
types of music.
Press and hold the RHYTHM SECTION button, then press the T or S VALUE buttons to select the desired
Preset Chord Progression style.
The Preset Chord Progression style number will be shown in the
LCD screen.
FnkShuffle1 All
Chord1 œ=108
Each Rhythm Section style utilises its own Preset Chord Progression. Please refer to page 109 for a complete listing of
available Preset Chord Progression styles.
When the Preset Chord Progression mode has been activated, the Auto Fill-in function will be disabled. However, the
Rhythm Section will automatically play the fill-in pattern at the end of the final bar of the Preset Chord Progression style
phrase.
DEACTIVATING PRESET CHORD PROGRESSION MODE
Press the RHYTHM SECTION button to deactivate Preset Chord Progression mode.
‘CHORD PATTERN Off’ will be shown in the LCD screen, indicating that Preset Chord Progression
mode has been deactivated.
CHORD PATTERN
Off
The LED indicator for the SPLIT button will turn on, indicating that the Lower section of the keyboard (from F#2
and below) will be used to control the Rhythm Section chord progression, and the Upper section of the keyboard
will be used to play the melody.
Press and hold the button
2
1
Page
62
7
RHYTHM
SECTION
9)
RECORDING THE RHYTHM SECTION
It is also possible to record a Custom Chord Progression to PART1 of a song memory using the Recorder
function. This allows all 88 keys of the keyboard to be played freely, while the Rhythm Section plays an automatic
accompaniment.
The following Rhythm Section settings will also be captured prior to recording:
• Rhythm Section style * • Rhythm Section part settings • Rhythm Section tempo
• Rhythm Section volume • Lower section chord progression * • Preset Chord Progression On/Off
• Preset Chord Progression style
* Changes made during recording will also be captured.
In the following example, the Recorder function will be used to capture a Custom Chord Progression to the SONG2
memory, and then played back.
Step 1
Press the RHYTHM SECTION button.
The LED indicator for the RHYTHM SECTION button will turn on, indicating that the Rhythm
Section function has been activated.
The currently selected Rhythm Section style will be shown in the LCD screen.
Step 2
Press the T or S MENU buttons to select the ‘Funky Beat 1’ style.
‘
FunkyBeat1 All
C œ=108
‘FunkyBeat1’ will be shown in the LCD screen.
Step 3
Press the REC button, then press the MENU button to select SONG2, and the VALUE button to select
PART1.
1
2 3
Press and hold the button
Song2 Part=1
Bar = 1- 1 œ=108
Step 4
Press the PLAY/STOP button to start recording.
The LED indicators for the PLAY/STOP and REC buttons will turn on, the Count-in drum pattern
will start, and a countdown will be shown in the LCD screen.
Page
63
7
RHYTHM
SECTION
Step 5
Play chords in the Lower section of the keyboard.
The name of the chord will be shown in the LCD screen.
Step 6
Press the PLAY/STOP button again to stop recording.
The Rhythm Section will automatically play the Ending pattern, the accompaniment will stop,
and the LED indicators for the PLAY/STOP button and the REC button will turn off and the newly
recorded part will be saved to memory automatically.
Saving may take a few moments and during this time the piano will not perform any other
operations.
The RHYTHM SECTION button will automatically be turned off.
Step 7
Press the PLAY/STOP button.
The Rhythm Section will start to play, following the recorded Custom Chord Progression.
The Rhythm Section / Custom Chord Progression can only be recorded to PART1 of a recorder song.
Keys played in the Upper section will also be captured while the Rhythm Section is recording, allowing both a Custom
Chord Progression and melody to be recorded to PART1.
Page
64
7
RHYTHM
SECTION
10) RECORDING THE RHYTHM SECTION
TO AN AUDIO FILE
It is also possible to record the Rhythm Section using the USB Recorder. This function allows high quality MP3/
WAV audio recordings to be made of an entire performance, directly on the instrument.
Step 1
Connect a USB memory device, then press the REC button.
The Internal Recorder / USB Recorder selection screen
will be shown in the LCD display.
The USB Recorder can also be accessed via the USB Menu (page 48).
Step 2
Press the VALUE d button to select the USB Recorder function.
The LED indicator for the USB button will turn on, and the
USB Recorder format selection screen will be shown in
the LCD display.
Press the VALUE buttons to select either WAV or MP3
audio file formats.
Step 3
Press the REC button.
The LED indicator for the REC button will start to flash to
indicate that the recorder is in standby mode.
A recording timer will be shown in the LCD display.
Step 4
Press the RHYTHM SECTION button.
The LED indicator for the RHYTHM SECTION button will turn
on to indicate that the Rhythm Section has been enabled.
Follow the instructions on pages pp.55-58 to set the Rhythm
Section style, parts, tempo, etc.
Step 5
Press the PLAY/STOP button.
The LED indicator for the REC and PLAY/STOP buttons will
turn on, the Rhythm Section accompaniment will play, and
recording will start.
Step 6
Following the instructions from Step 5 on page 37 to save the recorded audio file.
USB Record
Format = MP3
Int.Recorder
USB Recorder
USB Record MP3
-Standby- 00:00
FnkShuffle1 All
C œ=108
FnkShuffle1 All
C œ=108
Page
65
8
MENU
FUNCTIONS
7. MENU FUNCTIONS
The Menu Functions allow various parameters for controlling the CN43 piano’s tuning, system and MIDI functions
to be adjusted.
1) Brilliance 13) Touch
2) Lower Octave Shift 14) Auto Fill-In
3) Lower Pedal On/Off 15) O.F.A.
4) Layer Octave Shift 16) MIDI Channel
5) Layer Dynamics 17) Transmit Program Change On/Off
6) Damper Hold 18) Local Control On/Off
7) Damper Effect 19) Multi-Timbral Mode On/Off
8) String Resonance 20) Channel Mute (MIDI Ch. On/Off)
9) Four Hands On/Off 21) Sending Program Change Numbers
10) Tuning 22) MIDI Clock
11) Temperament 23) User Memory
12) Key of Temperament 24) Factory Reset
When the MENU S button is pressed, the first menu item is displayed. When the MENU T is pressed, the
last menu item is displayed. Press the MENU buttons to scroll through the various menu items in ascending /
descending order.
1) BRILLIANCE
This function allows the brightness of the sound to be adjusted.
2
1
Step 1
Press the MENU buttons to select the Brilliance function.
1 Brilliance
=0
The value will be shown on the second line of the LCD screen.
Step 2
Press the VALUE buttons to select the desired Brilliance value.
The Brilliance value can be set within the range of -10 to +10.
Plus settings produce a brighter tone, minus settings produce a mellower tone.
Step 3
Press any one of the SOUND SELECT buttons to exit the menu.
The Brilliance function will return to the default setting of ‘0’ each time the power is turned off.
Use the USER MEMORY function (page 87), to save the desired brilliance setting, allowing the current brilliance setting
to remain even after the power is turned off.
Page
66
8
MENU
FUNCTIONS
2) LOWER OCTAVE SHIFT
This function allows the lower part to be raised by one, two, or three octaves when using SPLIT mode.
2
1
Step 1
Press the MENU buttons to select the Lower Octave Shift function.
2 LowerOctShift
=0
The Lower Octave Shift value will be shown on the second line of the LCD screen.
Step 2
Press the VALUE buttons to set the desired Lower Octave Shift value.
The value can be set within the range of 0 to +3.
Step 3
Press any one of the SOUND SELECT buttons to exit the menu.
The Lower Octave Shift function will return to the default setting of ‘0’ each time the power is turned off.
Use the USER MEMORY function (page 87), to save the desired Lower Octave Shift setting, allowing the current Lower
Octave Shift setting to remain even after the power is turned off.
3) LOWER PEDAL ON / OFF
This function determines whether the sustain pedal will be active for lower part sound when in SPLIT mode. The
default setting is OFF, which means the sustain pedal is not active for lower part sound.
2
1
Step 1
Press the MENU buttons to select the Lower Pedal ON/OFF function.
ON or OFF will be shown on the second line of the LCD screen.
3 Lower Pedal
= Off
Step 2
Press the VALUE buttons to turn the Lower Pedal Function ON or OFF.
When set to ON, the sustain pedal is active for the lower sound when the pedal is depressed.
When set to OFF, the sustain pedal will not be active for the lower sound when the pedal is depressed, however
the sustain pedal will still be active for the upper sound.
Page
67
8
MENU
FUNCTIONS
Step 3
Press any one of the SOUND SELECT buttons to exit the menu.
The Lower Pedal ON/OFF function will return to the default setting of ‘OFF’ each time the power is turned off.
Use the USER MEMORY function (page 87), to save the desired Lower Pedal ON/OFF setting, allowing the current
Lower Pedal ON/OFF setting to remain even after the power is turned off.
4) LAYER OCTAVE SHIFT
This function allows the octave of a layered sound (the sound displayed in the second line of the LCD screen) to
be raised or lowered by one octave when using DUAL mode.
For example, when playing in dual mode using Concert Grand Piano and String Ensemble sounds, the octave
range for the String Ensemble sound can be raised or lowered.
2
1
Step 1
Press the MENU buttons to select the Layer Octave Shift function.
4 LayerOctShift
=0
The Layer Octave Shift value will be shown on the second line of the LCD screen.
Step 2
Press the VALUE buttons to set the desired Layer Octave Shift value.
The value can be set within the range of -2 to +2.
Minus values select an octave range one or two octaves lower. Positive values select an octave range one or two
octaves higher.
The octave for the sound displayed in the second line of the LCD screen when using DUAL mode will be
changed.
For some sounds it may not be possible to select a higher octave range.
Step 3
Press any one of the SOUND SELECT buttons to exit the menu.
The Layer Octave Shift function will return to the default setting of ‘OFF’ each time the power is turned off.
Use the USER MEMORY function (page 87), to save the desired Layer Octave Shift setting, allowing the current Layer
Octave Shfit setting to remain even after the power is turned off.
Page
68
8
MENU
FUNCTIONS
5) LAYER DYNAMICS
When using DUAL mode, sometimes simply adjusting the volume balance between the two layered sounds is not
enough to create the desired sound character, especially if both sounds are very dynamic. Two equally dynamic
sounds can be difficult to control and play comfortably.
The Layer Dynamics Function allows the overall dynamic sensitivity of the layered sound to be limited, in order to
create a perfect blend between both sounds in the layer. In addition to reducing the volume of the layered sound,
limiting the dynamic sensitivity of the layered sound also allows the layered sound to be controlled more easily in
relation to the main sound.
For example, when playing Concert Grand Piano and String Ensemble sounds simultaneously using DUAL mode,
the Layer Dynamics function can be used to adjust the String Ensemble dynamics.
2
1
Step 1
Press the MENU buttons to select the Layer Dynamics function.
5 LayerDynamics
=10
The Layer Dynamics value will be shown on the second line of the LCD screen.
Step 2
Press the VALUE buttons to set the desired Layer Dynamics value.
The value can be set within the range of 1 to 10.
A value of 1 produces the greatest reduction in dynamics and a value of 10 produces no change in the dynamics.
The default value is 10.
Step 3
Press any one of the SOUND SELECT buttons to exit the menu.
The Layer Dynamics function will return to the default setting of ‘10’ each time the power is turned off.
Use the USER MEMORY function (page 87), to save the desired Layer Dynamics setting, allowing the current Layer
Dynamics setting to remain even after the power is turned off.
Page
69
8
MENU
FUNCTIONS
6) DAMPER HOLD ON / OFF
This function determines whether sounds such as organ or strings should be held (ON) or gradually decay (OFF)
when the damper pedal is depressed.
2
1
Step 1
Press the MENU buttons to select the Damper Hold ON/OFF function.
6 Damper Hold
= Off
ON or OFF will be shown on the second line of the LCD screen.
Step 2
Press the VALUE buttons to turn the Damper Hold function ON or OFF.
When set to ON and the sustain pedal is depressed, sustained sounds will be sustained even after the keys are
released.
When set to OFF and the sustain pedal is depressed, sustained sounds will begin to decay (fade out) after the
keys are released.
Step 3
Press any one of the SOUND SELECT buttons to exit the menu.
The Damper Hold ON/OFF function will return to the default setting of ‘OFF’ each time the power is turned off.
Use the USER MEMORY function (page 87), to save the desired Damper Hold ON/OFF setting, allowing the current
Damper Hold ON/OFF setting to remain even after the power is turned off.
Page
70
8
MENU
FUNCTIONS
7) DAMPER EFFECT
When the sustain pedal is depressed on an acoustic piano, all the dampers are lifted up allowing the strings to
vibrate freely. When you play note or chord on the piano with the sustain pedal depressed not only will the strings
for the notes you played vibrate but other strings will vibrate in sympathetic resonance. The Damper Effect function
simulates the phenomenon.
2
1
Step 1
Press the MENU buttons to select the Damper Effect function.
7 Damper Effect
=5
The Damper Effect value will be shown on the second line of the LCD screen
Step 2
Press the VALUE buttons to set the desived Damper Effect value.
You can select the level of effect from off, 1 to 10. The default setting is 5.
Step 3
Press any one of the SOUND SELECT buttons to exit the menu.
The Damper Effect function will return to the default setting of ‘5’ each time the power is turned off.
Use the USER MEMORY function (page 87), to save the desired Damper Effect setting, allowing the current Damper
Effect setting to remain even after the power is turned off.
Page
71
8
MENU
FUNCTIONS
8) STRING RESONANCE
The string resonance function simulates the phenomenon of string resonance on an acoustic piano.
You can adjust the volume of the string resonance.
2
1
Step 1
Press the MENU buttons to select the String Resonance function.
8 String Reso.
=5
The String Resonance value will be shown on the second line of the LCD screen.
Step 2
Press the VALUE buttons to set the desired String Resonance value.
5 is the default setting.
String resonance will not be active when ‘Off’ is selected.
Step 3
Press any one of the SOUND SELECT buttons to exit the menu.
About string resonance
Even when the sustain pedal is not depressed on an acoustic piano, the strings for any notes you are holding will be
un-damped and will resonate freely in sympathy with the strings of other notes that you play if they are part of the
same harmonic series. In addition, adjacent notes will also be resonated. The string resonance function simulates this
phenomenon. This is called “string resonance.”
For example, when you play the keys shown below while holding down the C key, the string of the C key resonates and
produces a sound.
(Quietly press and hold down the C key, and then quickly tap each of the keys shown below. You can hear the string
resonate.)
Play and hold a ‘C’ note.
CF GCGCEGDGCECF G B
DBB
When you play a key while holding down an adjacent key, an acoustic piano produces a sound as a result of string
resonance. The CN43 simulates this phenomenon.
The String Resonance function will return to the default setting of ‘5’ each time the power is turned off.
Use the USER MEMORY function (page 87), to save the desired String Resonance setting, allowing the current String
Resonance setting to remain even after the power is turned off.
String resonance is not active when the sustain pedal is depressed.
The string resonance function is effective only for the acoustic piano sounds.
Page
72
8
MENU
FUNCTIONS
9) FOUR HANDS ON/OFF
This function allows FOUR HANDS mode to be activated or deactivated using an alternative method to that
described on page 16.
2
1
Step 1
Press the MENU buttons to select the FOUR HANDS ON/OFF function.
9 FOUR Hands
= Off
ON or OFF will be shown on the second line of the LCD screen.
Step 2
Press the VALUE buttons to turn the FOUR HANDS function ON or OFF.
Step 3
Press any one of the SOUND SELECT buttons to exit the menu.
The FOUR HANDS ON/OFF function will return to the default setting of ‘OFF’ each time the power is turned off.
Use the USER MEMORY function (page 87), to save the desired FOUR HANDS ON/OFF setting, allowing the current
FOUR HANDS ON/OFF setting to remain even after the power is turned off.
Page
73
8
MENU
FUNCTIONS
10) TUNING
This function allows the piano’s pitch to be finely adjusted, and may prove useful when playing with other
instruments.
2
1
Step 1
Press the MENU buttons to select the Tuning function.
10 Tuning
= 440.0
The Tuning value will be shown on the second line of the LCD screen
Step 2
Press the VALUE buttons to set the desired Tuning value.
The value can be set within the range of 427.0 to 453.0 (Hz).
The pitch will be changed by 0.5 Hz each time one of the VALUE buttons is pressed.
Step 3
Press any one of the SOUND SELECT buttons to exit the menu.
The Tuning function will return to the default setting of ‘440.0 Hz’ each time the power is turned off.
Use the USER MEMORY function (page 87), to save the desired Tuning setting, allowing the current Tuning setting to
remain even after the power is turned off.
Page
74
8
MENU
FUNCTIONS
11) TEMPERAMENT
The CN43 piano offers immediate access to a variety of musical temperaments popular during the Renaissance
and Baroque periods. It may prove interesting and educational to experiment with different temperaments, other
than the modern ‘equal temperament’ standard this is dominant in music today.
The following temperaments are available:
¡Equal temperament (piano)
(Equal P. only)
This is the default temperament. If a piano sound is selected the tuning is stretched like
an acoustic piano (EQUAL TEMPERAMENT). If any other type of sound is selected
the tuning will be EQUAL (FLAT). An explanation of EQUAL TEMPERAMENT and
EQUAL TEMPERAMENT (FLAT) is provided later in this section.
If a piano sound is used in a layer with any other sound, then both sounds will use
the EQUAL TEMPERAMENT (stretched) tuning.
¡Pure temperament <major>
(Pure major)
¡Pure temperament <minor>
(Pure minor)
This temperament, which eliminates dissonances for thirds and fifths, is still popular
for choral music because of its perfect harmony.
Performers must be aware which key they are playing in when using this
temperament.
Any key modulation will result in dissonances. When playing music in a particular key,
the key of the temperament must also be correctly matched.
When playing in a major key select Pure (Major) and when playing in a minor key
select Pure (minor).
¡Pythagorean temperament
(Pythagorean)
This temperament, which uses mathematical ratios to eliminate dissonance for fifths,
is very limited for use with chords, but it produces very characteristic melodic lines.
¡Meantone temperament
(Meantone)
This temperament, which uses a mean between a major and minor whole tone to
eliminate dissonance for thirds, was devised to eliminate the lack of consonances
experienced with certain fifths for the Mersenne pure temperament. It produces
chords that are more beautiful than those with the equal temperament.
¡Werckmeister III temperament
(Werckmeister)
¡Kirnberger III temperament
(Kirnberger)
These two temperaments are placed in between Meantone and Pythagorean.
For music with few accidentals, this temperament produces the beautiful chords
of the mean tone, but as accidentals increase, the temperament produces the
characteristic melodies of the Pythagorean temperament. It is used primarily for
classical music written in the Baroque era to revive the original characteristics.
¡Equal temperament (flat)
(Equal Flat)
This is an ‘unstretched’ equal temperament that divides the scale into twelve equal
semitones. This produces the same chordal intervals in all twelve keys, and has
the advantage of limitless modulation of the key. However the tonality of each key
becomes less characteristic and no chord is in pure consonance.
¡Equal temperament This is the most popular piano temperament. The hearing ability of a human is
uneven and is not as accurate with high frequency and low frequency as it is with
the middle range. This temperament’s tuning is stretched to compensate for this so
the sound will be heard naturally to the ears. This ‘stretched’ equal temperament is
a practical variation of the ‘unstretched’ equal temperament which was invented on
a mathematical basis.
Page
75
8
MENU
FUNCTIONS
2
1
Step 1
Press the MENU buttons to select the Temperament function.
11 Temperament
= Equal(P.only)
The Temperament type will be shown on the second line of the LCD screen.
Step 2
Press the VALUE buttons to set the desired Temperament type.
Æ
Å
Æ
Å
Æ
Å
Æ
Å
Æ
Å
Æ
Å
VALUE buttons
Equal temperament
Ç
È
Pure temperament <major>
Equal temperament
11 Temperament
= Equal(P.only)
11 Temperament
= Pure(Major)
11 Temperament
= Equal
Pure temperament <minor>
Equal temperament (flat)
11 Temperament
= Pure(minor)
11 Temperament
= Equal(Flat)
Pythagorean temperament
Kirnberger III temperament
11 Temperament
= Pythagorean
11 Temperament
= Kirnberger
Meantone temperament
Werckmeister III temperament
Ç
È
11 Temperament
= Meantone
11 Temperament
= Werckmeister
After selecting the desired temperament type, please read ‘12) KEY OF TEMPERAMENT’ (page 76) for information
regarding the key signature for the temperament, before continuing.
Step 3
Press any one of the SOUND SELECT buttons to exit the menu.
The Temperament type will return to the default setting of ‘Equal Temperament (Piano)’ each time the power is turned
off.
Use the USER MEMORY function (page 87), to save the desired Temperament setting, allowing the current Temperament
setting to remain even after the power is turned off.
Page
76
8
MENU
FUNCTIONS
12) KEY OF TEMPERAMENT
Limitless modulation of the key became available only after the invention of equal temperament. When using a
temperament other than equal temperament, care must be taken to choose the key signature to play in. For example,
if the song to be played is written in D major, ‘D’ would be chosen as the temperament key.
2
1
Step 1
Press the MENU buttons to select the Key of Temperament function.
12 Key of Temper
=C
The Temperament Key will be shown on the second line of the LCD screen.
Step 2
Press the VALUE buttons to set the desired Key of Temperament.
The key can be set within the range of C to B.
Please note that changing the key of the temperament will only change the ‘balance’ of the tuning, the pitch of the
keyboard will remain unchanged.
The key of temperament function will have no effect when equal temperament is selected.
Step 3
Press any one of the SOUND SELECT buttons to exit the menu.
The Key of Temperament will return to the default setting of ‘C’ each time the power is turned off.
Use the USER MEMORY function (page 87), to save the desired Key of Temperament setting, allowing the current Key
of Temperament setting to remain even after the power is turned off.
Page
77
8
MENU
FUNCTIONS
13) TOUCH
The TOUCH function allows different touch sensitivities for the keyboard to be selected, other than the standard
touch of an acoustic piano. The sensitivity can be changed to one of five different settings: Light, Light +, Heavy,
Heavy + or Off.
cLight + : For players with a delicate touch. Requires less striking
force to achieve a forte note.
dLight : For those still developing finger strength. A louder
volume is produced even when playing with a soft
touch.
eNormal : Reproduces the standard touch sensitivity of an acoustic
piano.
fHeavy : Perfect for those with strong fingers. Requires a heavier
touch to produce a loud volume.
gHeavy + : Requires more striking force to achieve a loud volume.
hOff : A constant volume is produced regardless of how hard
the keys are struck. This setting is suitable for sounds
that have a fixed dynamic range such as Organ and
Harpsichord.
StrongGentle
Soft
Loud
Sound
volume
Force
applied to
the keys
2
1
Step 1
Press the MENU buttons to select the Touch function.
13 Touch
= Normal
The Touch value will be shown on the second line of the LCD screen.
Step 2
To change the touch type, press the VALUE buttons.
13 Touch
= Light
The touch setting is global for all of the preset sounds. It is not possible to have individual touch settings for each
preset sound.
When the power is turned off the touch settings will return to the default settings.
LIGHT and HEAVY do not represent the physical weight of the keys. These are settings that affect the sensitivity of the
keys, which determines the volume level in response to the key movement.
Step 3
Press any one of the SOUND SELECT buttons to exit the menu.
The Touch function will return to the default setting of ‘Normal’ each time the power is turned off.
Use the USER MEMORY function (page 87), to save the desired Touch setting, allowing the current Touch setting to
remain even after the power is turned off.
Page
78
8
MENU
FUNCTIONS
14) AUTO FILL-IN
When using the Rhythm Section, this function controls how frequently the Auto Fill-in will be played.
2
1
Step 1
Press the MENU buttons to select the Auto Fill-In function.
14 Auto Fill-In
=8
The Auto Fill-In value will be shown on the second line of the LCD screen.
Step 2
Press the T or S VALUE buttons to select the desired Auto Fill-in setting.
The Auto Fill-in setting can be set to play every 4, 8, 12, or 16 bars.
Setting the Auto Fill-in to ‘Off’ will disable the Auto Fill-in.
Step 3
Press any one of the SOUND SELECT buttons to exit the menu.
The Auto Fill-in function will return to the default setting of ‘8’ each time the power is turned off.
Use the USER MEMORY function (page 87), to save the desired Auto Fill-in setting, allowing the current Auto Fill-in
setting to remain even after the power is turned off.
Page
79
8
MENU
FUNCTIONS
15) ONE FINGER AD-LIB™ ON/OFF
The One Finger Ad-lib™ feature provides an enjoyable way of creating music by simply pressing one key at a time.
When enabled, One Finger Ad-lib™ allows various musical phrases to be performed at any time, by pressing one
of the topmost 17 keys on the keyboard. Each phrase will play for one bar, and will match the key/chord currently
used by the Rhythm Section.
2
1
Step 1
Press the MENU buttons to select the One Finger Ad-Lib function.
15 O.F.A.
= Off
ON or OFF will be shown on the second line of the LCD display.
Step 2
Press the T or S VALUE buttons to select the desired One Finger Ad-Lib™ setting.
15 O.F.A.
=On
When set to ‘On’, pressing one of the topmost 17 keys on the keyboard while using the Rhythm Section, will play
a musical phrase.
When set to ‘Off’, pressing one of the topmost 17 keys on the keyboard while using the Rhythm Section, will not
play a musical phrase.
Step 3
Press any one of the SOUND SELECT buttons to exit the menu.
The One Finger Ad-Lib ON/OFF function will return to the default setting of ‘OFF’ each time the power is turned off.
Use the USER MEMORY function (page 87), to save the desired One Finger Ad-Lib™ setting, allowing the current One
Finger Ad-Lib™ setting to remain even after the power is turned off.
Page
80
8
MENU
FUNCTIONS
MIDI OVERVIEW
The term MIDI is an acronym for Musical Instrument Digital Interface, an international standard for connecting
synthesizers, sequencers (MIDI recorders) and other electronic instruments so that they can exchange
performance data.
The CN43 is equipped with two MIDI jacks for exchanging data: MIDI IN and MIDI OUT. Each uses a special
cable with a DIN connector.
MIDI IN : For receiving note, program change and other data.
MIDI OUT : For sending note, program change and other data.
MIDI THRU : For passing along MIDI data received to another MIDI instrument without processing.
MIDI uses channels to exchange data back and forth between MIDI devices. There are receive (MIDI IN) and
transmit (MIDI OUT) channels. Most musical instruments or devices with MIDI functions are equipped with
both MIDI IN and OUT jacks and are capable of transmitting and receiving data via MIDI.
The receive channels are used to receive data from another MIDI device and the transmit channels are used
to transmit data to another MIDI device.
CONNECTION TO AN EXTERNAL SEQUENCER
When connected as shown in the illustration below, songs played on the CN43 can be recorded using a MIDI
recorder, with preset sounds (such as piano, harpsichord and vibraphone, etc.) controlled by the CN43’s
MULTITIMBRAL MODE function to create a multi-layer MIDI recording.
MIDI OUT MIDI IN MIDI OUT MIDI IN
CN43 MIDI FUNCTIONS
Transmit / receive keyboard note
information
By transmitting MIDI data from the CN43 piano (MIDI out) a MIDI-connected
keyboard can be played from the CN43 piano. Or alternatively, by receiving data
(MIDI IN), the CN43 piano can be played from another MIDI-connected keyboard
or device.
Transmit / receive channel setting Specify transmit/receive channels within the range of 1 to 16.
Transmit / receive Program
change (sound type) number
Transmit/receive program change data to/from a MIDI-connected musical
instrument or device.
Transmit / receive pedal data Transmit/receive sustain pedal and sustain pedal data from a MIDI-connected
musical instrument or device. Sostenuto pedal data can also be transmitted.
Receive volume data The CN43 piano will respond to MIDI volume data sent from a MIDI-connected
musical instrument or device.
Multi-timbral setting The CN43 piano is able to receive multiple channel MIDI data from a MIDI-
connected musical instrument or device, when multi-timbral mode is turned on.
Transmit / receive exclusive data Transmit/receive front panel or menu function settings as exclusive data.
Transmit recorder playback data Songs recorded using the recorder can be played back from a MIDI-connected
musical instrument or recorded by an external sequencer via the MIDI OUT
jack.
Please refer to the ‘MIDI IMPLEMENTATION CHART’ (page 113) for further information regarding the CN43’s MIDI functions.
Page
81
8
MENU
FUNCTIONS
16) MIDI CHANNEL
This function is used to determine on which MIDI channel the CN43 piano will exchange MIDI information with
external MIDI devices and instruments or a personal computer.
The selected channel will function as both the transmit and receive channel.
2
1
Step 1
Press the MENU buttons to select the MIDI channel function.
16 MIDI Channel
= 1 (TRS/RCV)
The current MIDI channel will be shown on the second line of the LCD screen.
Step 2
Press the VALUE buttons to select the desired MIDI channel.
The MIDI channel can be set within the range of 1 to +16.
Step 3
Press any one of the SOUND SELECT buttons to exit the menu.
The CN43 piano’s MIDI channel setting defaults to receiving MIDI channel information from all channels, 1 to 16. each
time the power is turned on. This is called ‘omni mode on’. The CN43 piano will switch to ‘omni mode off’ when a specific
channel is selected using the MIDI channel function, and data will only be received on that specified channel. In order
to specify channel 1 in the ‘omni mode off’ state, first select channel 2, then select channel 1.
When multi-timbral mode is on (page 84):
When playing in split mode with Multi-timbral mode ON
: Notes played in the lower section of the keyboard will be transmitted on the channel that
is one channel higher than the selected channel. For example, with the MIDI channel
is set to 3 notes played in the lower section of the keyboard will be transmitted on
channel 4.
When playing in dual mode : The notes played will be transmitted on two channels, the selected channel and the
channel that is one channel higher. When channel the selected MIDI channel is 16,
channel 1 will be used to transmit notes for the layered part.
Page
82
8
MENU
FUNCTIONS
17)
TRANSMIT PROGRAM CHANGE ON / OFF
This function determines whether the CN43 piano will transmit program change information when pressing the
SOUND SELECT buttons.
When set to ON and with Multi-Timbral mode set to OFF or ON1, pressing the SOUND SELECT buttons will send
the program change numbers listed in the left half of the chart on page 86 to 93 via MIDI.
When Multi-Timbral mode is set to ON2, pressing the SOUND SELECT buttons will send the program change
numbers listed in the right half of the chart on pages 93-100 via MIDI.
In addition to SOUND SELECT buttons, other button operations such as Touch Curve, DUAL, Digital Effect, and
Reverb settings can also be transmitted as MIDI exclusive data when the corresponding buttons are pushed.
When set to OFF no program change or other panel information will be transmitted via MIDI.
2
1
Please refer to page 84 for information regarding Multi-Timbral mode.
Step 1
Press the MENU buttons to select the Transmit Program Change ON/OFF function.
17 Transmit PGM
=On
ON or OFF will be shown on the second line of the LCD screen.
Step 2
Press the VALUE buttons to turn the Transmit Program Change function ON or OFF.
Step 3
Press any one of the SOUND SELECT buttons to exit the menu.
The Transmit Program Change ON/OFF function will return to the default setting of ‘ON’ each time the power is turned
off.
Use the USER MEMORY function (page 87), to save the desired Transmit Program Change ON/OFF setting, allowing
the current Transmit Program Change ON/OFF setting to remain even after the power is turned off.
When using DUAL or SPLIT mode, ON, OFF information and sound type settings for each mode are transmitted as
exclusive data, but program numbers will not be transmitted.
Program numbers will also be transmitted when Multi-Timbral mode is on.
Page
83
8
MENU
FUNCTIONS
18) LOCAL CONTROL ON / OFF
This function determines whether the CN43 piano’s sound will be played from the piano’s keyboard (ON) or only
from an external MIDI device (OFF). Even with local control set to OFF the CN43 piano’s keyboard will still transmit
on the selected MIDI channel to an external MIDI device or personal computer.
2
1
Step 1
Press the MENU buttons to select the Local Control ON/OFF function.
18 Local Control
=On
ON or OFF will be shown on the second line of the LCD screen.
Step 2
Press the VALUE buttons to turn the Local Control function ON or OFF.
Step 3
Press any one of the SOUND SELECT buttons to exit the menu.
The Local Control ON/OFF function will return to the default setting of ‘ON’ each time the power is turned off.
Use the USER MEMORY function (page 87), to save the desired Local Control ON/OFF setting, allowing the current
Local Control ON/OFF setting to remain even after the power is turned off.
Page
84
8
MENU
FUNCTIONS
19) MULTI-TIMBRAL MODE
This function allows the CN43 piano to receive data on more than one MIDI channel simultaneously. In this mode,
the CN43 piano can play different musical parts with different sounds for each part.
This turns on the flexible 16 part Multi-Timbral capability. Individual MIDI channels can be turned ON and OFF, and
assigned to any preset sound. The preset sound for each MIDI channel can be changed when the program change
number for the desired sound is received from external MIDI device and instruments, or a personal computer. The
CN43 piano’s normal program change numbers are assigned in ON1 (corresponding to the program numbers
listed in the left half of the chart on pages 93-100), while General MIDI program change numbers are assigned in
ON2 (corresponding to the program number and bank numbers listed in the right half of the chart in pages 93-
100). Please refer to page 85 for information regarding the Channel Mute function.
Multi-Timbral OFF
This turns off the Multi-Timbral capability. Only one MIDI channel will be active and only the sound currently
selected will be heard when a MIDI signal is received.
2
1
Step 1
Press the MENU buttons to select the Multi-Timbral Mode function.
19 Multi Timbre
= Off
OFF, ON1, or ON2 will be shown on the second line of the LCD screen.
Step 2
Press the VALUE buttons to turn the set Multi-Timbral Mode to OFF, ON1, or ON2.
Step 3
Press any one of the SOUND SELECT buttons to exit the menu.
The Multi-Timbral Mode function will return to the default setting of ‘OFF’ each time the power is turned off.
Use the USER MEMORY function (page 87), to save the desired Multi-Timbral Mode setting, allowing the current Multi-
Timbral Mode setting to remain even after the power is turned off.
When Multi-Timbral Mode is set to ON, sounds received via MIDI on the receive channels will all be played, even when
split mode is active.
Page
85
8
MENU
FUNCTIONS
20) CHANNEL MUTE
This function determines which MIDI channels are activated to receive MIDI information when Multi-Timbral Mode
is set to ON. Each of the 16 channels can be activated or deactivated individually.
2
1
Step 1
Press the MENU buttons to select the Channel Mute function.
The channel number and its Play/Mute status will be shown on the
second line of the LCD screen.
Step 2
Press the VALUE buttons to set the Play/Mute status.
20 Channel Mute
Channel 1= Play
Ç
È
VALUE button
20 Channel Mute
Channel 1= Mute
Step 3
Press any one of the SOUND SELECT buttons to exit the menu.
The Channel Mute function will return to the default settings of ‘ON’ each time the power is turned off.
Use the USER MEMORY function (page 87), to save the desired Channel Mute settings, allowing the current Channel
Mute settings to remain even after the power is turned off.
20 Channel Mute
Channel 1= Play
Ç
È
MENU button
20 Channel Mute
Channel 2= Play
Ç
È
…
Ç
È
20 Channel Mute
Channel16= Play
Ç
È
Page
86
8
MENU
FUNCTIONS
21)
SENDING PROGRAM CHANGE NUMBERS
This function allows the CN43 piano to send program change numbers within the range of 1 to 128.
1
2
Press them simultaneously
Step 1
Press the MENU buttons to select the Send Program Change Number function.
21 Send PGM #
= 1 (UP+DOWN)
The Program Change Number will be shown on the second line of the LCD screen.
Step 2
Press the VALUE buttons to set the desired Program Change Number.
The value can be set within the range of 1 to 128.
Step 3
Press both VALUE buttons (ST) simultaneously to send the Program Change Number.
Step 4
Press any one of the SOUND SELECT buttons to exit the menu.
Page
87
8
MENU
FUNCTIONS
22) MIDI CLOCK
The MIDI Clock is the data code that MIDI instruments use as the reference for the tempo setting. When set to
Internal, the CN43 piano uses its own built-in clock to control tempo settings. When set to External, the CN43
piano reads the clock data it receives via MIDI and uses this data to control the tempo.
2
1
Step 1
Press the MENU buttons to select the MIDI Clock function.
The selected MIDI Clock source will be shown on the second line of the LCD screen.
Step 2
Press the VALUE buttons to set the desired MIDI Clock setting.
Step 3
Press any one of the SOUND SELECT buttons to exit the menu.
23) USER MEMORY
This function allows the CN43 piano to save user-definable settings which will be recalled every time the CN43
power is turned on.
The USER MEMORY function can be used to store Effect settings, Metronome settings (tempo, time signature and
volume), starting sound, primary sound for each sound category and the menu functions 1 through 16 described
in the previous pages.
2
1
Step 1
Press the MENU buttons to select the USER MEMORY function.
23 User Memory
Save ≥Press REC
22 MIDI Clock
= Int.
Ç
È
VALUE button
22 MIDI Clock
= Ext.
Page
88
8
MENU
FUNCTIONS
Step 2
Press the REC button to execute the save operation.
23 User Memory
Save Completed
‘Save Completed’ be shown on the second line of the LCD screen.
Step 3
Press any one of the SOUND SELECT buttons to exit the menu.
24) FACTORY RESET
This function will reset the CN43 piano to the default factory settings and is displayed only when the USER MEMORY
function has been used. All parameters saved in the User Memory will be reset to the factory preset values.
2
1
Step 1
Press the MENU buttons to select the Factory Reset function.
24 Factory Reset
Reset≥Press REC
Step 2
Press the REC button to restore factory settings, and exit the menu.
Page
89
9
APPENDICES
8. APPENDICES
CONNECTING TO OTHER DEVICES
Caution
y Do not directly connect the LINE IN and LINE OUT jacks of the CN43 together with a cable.
An audio loop (oscillation sound) will occur, resulting in damage to the unit.
1 2 43
Amplifiers, Speakers, or similar
equipment
Audio equipment or
electronic instruments
External MIDI devices
Computer and exchange
MIDI data.
1
MIDI JACKS
These jacks are used to connect external MIDI devices with the CN43 piano. There are three terminals: MIDI IN,
MIDI OUT and MIDI THRU.
2
USB to Host
This jack is used to connect with a personal computer and exchange MIDI data.
3
LINE OUT JACKS
These jacks provide stereo output of the CN43 piano’s sound to amplifiers, tape recorders or similar equipment.
The audio signal coming through the LINE IN jacks is also routed to these jacks. The CN43 piano’s sound is mixed
with the LINE IN signals.
The CN43 piano’s VOLUME slider controls the output level of its own sound without affecting the level of the LINE
IN signal.
4
LINE IN JACKS
These jacks are used to connect a pair of stereo outputs from other audio equipment or electronic instruments
to the CN43 piano’s speakers. The audio signal coming through these jacks bypasses the CN43 piano’s volume
control. To adjust the volume level, use the output control of the external device.
Page
90
9
APPENDICES
USB MIDI
The CN43 digital piano features a ‘USB to Host’ type connector, allowing the instrument to be connected to a
computer and utilised as a MIDI device. Depending on the type of computer and operating system installed,
additional driver software may be required for USB MIDI communication to function correctly.
Operating System USB MIDI Driver Support
Windows ME
Windows XP
(no SP, SP1, SP2, SP3)
Windows XP 64-bit
Windows Vista (SP1, SP2)
Windows Vista 64-bit (SP1, SP2)
Windows 7
Windows 7 64-bit
No additional USB MIDI driver software required.
The standard (built-in) Windows USB MIDI driver will be installed
automatically when the instrument is connected to the computer.
After driver installation, ensure that the ‘USB Audio Device’ (Windows ME/Windows
XP) or ‘USB-MIDI’ (Windows Vista/Windows 7) device is correctly selected in the
application software.
Windows 98 SE
Windows 2000
Windows Vista
(no SP)
Additional USB MIDI driver software required.
Please download the USB MIDI driver from the KAWAI website:
X http://www.kawai.co.jp/english
After driver installation, ensure that the ‘KAWAI USB MIDI’ device is correctly selected
in the application software.
Windows Vista 64-bit (no SP)
USB MIDI is not supported.
Please upgrade to service pack 1 or service pack 2.
Mac OS X
No additional USB MIDI driver software required.
The standard (built-in) Mac OS X USB MIDI driver will be installed
automatically when the instrument is connected to the computer.
Mac OS 9
USB MIDI is not supported.
Please use the standard MIDI IN/OUT connectors.
USB MIDI INFORMATION
If the instrument’s MIDI IN/OUT jacks and USB MIDI
port are both connected simultaneously, the USB MIDI
port will be given priority.
Ensure that the instrument is turned off before
attempting to connect the USB MIDI cable.
When connecting the instrument to a computer using
the USB MIDI port, there may be a short delay before
communications begin.
If the instrument is connected to a computer via a USB
hub and USB MIDI communication becomes unreliable/
unstable, please connect the USB MIDI cable directly
to the one of the computer’s USB ports.
Disconnecting the USB MIDI cable suddenly, or turning
the instrument on/off while using USB MIDI may cause
computer instability in the following situations:
- while installing the USB MIDI driver
- while starting up the computer
- while MIDI applications are performing tasks
- while the computer is in energy saver mode
If there are any further problems experienced with USB
MIDI communication while the instrument is connected,
please double-check all connections and relevant MIDI
settings in the computer’s operating system.
* ‘MIDI’ is a registered trademark of the Association of Manufacturers of Electronic Instruments (AMEI).
* ‘Windows’ is a registered trademark of Microsoft Corporation.
* ‘Mac’ and ‘Mac OS’ are registered trademarks of Apple Inc.
* Other company names and product names mentioned referenced herein may be registered trademarks or trademarks of respective owners.
Page
91
9
APPENDICES
ASSEMBLY INSTRUCTIONS
Caution
y Ensure that this instruction manual is read thoroughly before attempting to assemble the CN43
piano, and that two or more people work on assembly.
y It may be necessary to tilt the unit by 90 degrees while assembling the CN43 piano. During
this time, ensure that hands are not caught in the piano, keyboard lid, or score stand, and that
the piano is not dropped on an individual’s feet.
PARTS PROVIDED
Before attempting to assemble the CN43 piano unit, ensure that all parts are included. A Phillips-head screwdriver
will also be required to assemble the unit (not included).
(A) Piano (x 1)
(B) Pedal board (x 1)
(C) End panel (x 1 each for left and right)
(D) Back panel (x 1)
(E) Adjuster bolt (x 1)
(F) Screw:
I
4 x 16 (x 4) (Silver)
(G) Screw:
I
4 x 20 (x 4)
(H) Screw:
I
4 x 30 (x 4)
(I) Screw: M6 x 25 (x 4)
(J) Cord clamp (x 2)
(K) Headphone hook and screws (x 1 set)
(L) Power cord (x 1)
ASSEMBLY SEQUENCE
Caution
y Be careful not to scratch or damage the floor,
piano, or stand at the time of assembly.
1. Screw the adjuster bolt (E) into the threaded screw hole
provided on the pedal.
2. From the side of the screw that is already on the backside of
the pedal board (B), slide and insert the bracket of the end
panel (C).
3. While pressing the end panel (C) against the pedal board (B),
tighten the already-provided screws, one each on the left and
right sides, and then tighten two screws (F) on each side.
4. Untie and pull out the pedal cable.
5. Set the back panel (D) and tighten the screws (G) (H) into
the prepared holes. Loosely tighten the screws with the *
symbol.
(K)
Headphone hook and screws
(J)
Cord clamp
(E)
Adjuster bolt
(F)
I
4 x 16
(G)
I
4 x20
(H)
I
4 x30
(I)
M6 x 25
Screw
(x 2)
(E)
1
(B)
(C)
(F)
(F)
Already-provided screw
2 y 3
(H)*
(G)
(G)
(G)
(H)*
4 y 5
(D)
(Untie this twist tie from the cable)
(G)
(H)*
(H)*
Page
92
9
APPENDICES
6. Place the stand so that the backside of the stand assembly
rests against a wall, and then slowly and carefully insert the
piano. Ensure that more than two people work on the assembly.
If attempting to insert the piano without resting the stand against
a wall, support the back of the stand using your foot or leg to
prevent the stand from sliding backwards.
7. Press the end panel (C) of the stand to the piano (A), and then
fasten the piano (A) to the stand with four screws (I).
8. Fix the headphone hook and screws (K).
*If the headphone hook will not be required, it can be kept with
the instruction manual.
9.
Tightly fasten the loosely fastened screws (H) with the * symbol.
10
.Insert the connector of the pedal cord into the receptacle,
and fix the cord with the cord clamp (J) (make sure that the
protrusion of the connector is facing the correct direction, and
insert the connector straight).
11
.Turn the adjustor bolt (E) at the bottom of the pedal stand until
the bolt firmly touches the floor and supports the pedal board.
12
.Insert the power cord (L) into the piano.
13
.Remove the protective film from the display.
Assembly is now complete.
Caution
y Ensure that the piano is not dropped on an
individual’s feet, and that fingers, hands and
feet are not caught in the piano.
Caution
y
Ensure that the piano and the stand are
securely fastened together with the screws,
preventing the possibility of the piano falling.
Caution
y Ensure that the adjuster bolt (E) firmly
touches the floor, supporting the pedal
board and preventing damage.
When moving the piano, remove the
adjustor bold (E) and readjust after moving
has been completed.
11
(E)
12
(L)
9 y 10
(J)
(J)
(H)*
Protrusion
13
6 y 7 y 8
(A)
(K)
(I)
(I)
Page
93
9
APPENDICES
PROGRAM CHANGE NUMBER MAPPING
Category Sound
Multi-Timbral mode
Off, On 1 On 2
Bank
LSB
Prog#
Bank
MSB
Bank
LSB
Prog#
PIANO1
Concert Grand 0 1 121 0 1
Studio Grand 0 2 121 1 1
Mellow Grand 0 3 121 2 1
Modern Piano 0 4 121 0 2
PIANO2
Concert Grand 2 0 5 95 16 1
Studio Grand 2 0 6 95 17 1
Mellow Grand 2 0 7 95 18 1
Rock Piano 0 8 121 1 2
ELECTRIC PIANO
Classic E.P. 0 9 121 0 5
Modern E.P. 0 10 121 0 6
60's E.P. 0 11 121 3 5
Modern E.P. 2 0 12 121 1 6
DRAWBAR
Jazz Organ 0 13 121 0 18
Drawbar Organ 0 14 121 0 17
Drawbar Organ 2 0 15 121 1 17
Be 3 0 16 95 2 17
CHURCH ORGAN
Church Organ 0 17 121 0 20
Diapason 0 18 95 7 20
Full Ensemble 0 19 95 1 21
Diapason Oct. 0 20 95 6 20
HARPSI&MALLETS
Harpsichord 0 21 121 0 7
Harpsichord 2 0 22 121 3 7
Vibraphone 0 23 121 0 12
Clavi 0 24 121 0 8
STRINGS
Slow Strings 0 25 95 1 45
String Pad 0 26 95 8 49
Warm Strings 0 27 95 1 49
String Ensemble 0 28 121 0 49
CHOIR&PAD
Choir 0 29 121 0 53
Choir 2 0 30 95 53 54
New Age 0 31 121 0 89
Atmosphere 0 32 121 0 100
BASS
Wood Bass 0 33 121 0 33
Electric Bass 0 34 121 0 34
Fretless Bass 0 35 121 0 36
W. Bass & Ride 0 36 95 1 33
OTHERS:PIANO
Jazz Grand 0 37 95 8 1
New Age Piano 0 38 95 9 1
New Age Piano 2 0 39 95 10 1
New Age Piano 3 0 40 95 11 1
Piano Octaves 0 41 95 1 1
Electric Grand 0 42 121 0 3
Electric Grand2 0 43 121 1 3
Honky Tonk 0 44 121 0 4
Wide Honky Tonk 0 45 121 1 4
Page
94
9
APPENDICES
Category Sound
Multi-Timbral mode
Off, On 1 On 2
Bank
LSB
Prog#
Bank
MSB
Bank
LSB
Prog#
OTHERS:E.PIANO
Dolce E.P. 0 46 95 2 5
Crystal E.P. 0 47 95 1 6
Tremolo E.P. 0 48 95 1 5
Classic E.P. 2 0 49 121 1 5
Classic E.P. 3 0 50 121 2 5
New Age E.P. 0 51 95 2 6
Modern E.P. 3 0 52 121 2 6
Legend E.P. 0 53 121 3 6
Phase E.P. 0 54 121 4 6
OTHERS:
HARPSI&MALLET
Harpsichord Oct 0 55 121 1 7
WideHarpsichord 0 56 121 2 7
Synth Clavi 0 57 121 1 8
Celesta 0 58 121 0 9
Glockenspiel 0 59 121 0 10
Music Box 0 60 121 0 11
Wide Vibraphone 0 61 121 1 12
Marimba 0 62 121 0 13
Wide Marimba 0 63 121 1 13
Xylophone 0 64 121 0 14
Handbells 0 65 95 1 15
Tubular Bells 0 66 121 0 15
Church Bells 0 67 121 1 15
Carillon 0 68 121 2 15
Dulcimer 0 69 121 0 16
OTHERS:DRAWBAR
Soft Solo 0 70 95 8 17
Drawbar Organ 3 0 71 95 1 17
Jazzer 0 72 95 1 18
Hi-Lo 0 73 95 3 17
Drawbar Organ 4 0 74 121 3 17
ElectronicOrgan 0 75 95 9 17
60's Organ 0 76 121 2 17
Perc. Organ 0 77 121 1 18
Perc. Organ 2 0 78 121 2 18
Tibia Bass 0 79 95 14 18
Rock Organ 0 80 121 0 19
OTHERS:
CHURCH ORGAN
Principal Oct. 0 81 95 24 20
Theater Organ 0 82 95 1 20
8' Celeste 0 83 95 5 20
Small Ensemble 0 84 95 8 20
Reeds 0 85 95 10 20
Chiffy Tibia 0 86 95 17 20
Principal Pipe 0 87 95 22 20
Church Organ 2 0 88 121 1 20
Church Organ 3 0 89 121 2 20
Reed Organ 0 90 121 0 21
Puff Organ 0 91 121 1 21
Page
95
9
APPENDICES
Category Sound
Multi-Timbral mode
Off, On 1 On 2
Bank
LSB
Prog#
Bank
MSB
Bank
LSB
Prog#
OTHERS:ACCORDION
FrenchAccordion 0 92 121 0 22
Fr. Accordion 2 0 93 95 1 22
Accordion 0 94 121 1 22
Accordion 2 0 95 95 2 22
Blues Harmonica 0 96 95 2 23
Harmonica 0 97 121 0 23
Tango Accordion 0 98 121 0 24
OTHERS:GUITAR
FingerNylon Gtr 0 99 95 4 25
Nylon Acoustic 0 100 121 0 25
Nylon Acoustic2 0 101 121 2 25
Nylon Acoustic3 0 102 121 3 25
Ukulele 0 103 121 1 25
Steel Guitar 0 104 121 0 26
Steel Guitar 2 0 105 121 3 26
12 String 0 106 121 1 26
Mandolin 0 107 121 2 26
Ballad Guitar 0 108 95 6 26
Jazz Guitar 0 109 121 0 27
Modern Jazz Gtr 0 110 95 10 27
Pedal Steel 0 111 121 1 27
Rhythm Guitar 0 112 121 2 28
Electric Guitar 0 113 121 0 28
E. Guitar 2 0 114 121 1 28
E. Guitar 3 0 115 121 2 29
Cutting Guitar 0 116 95 3 28
Cutting Guitar2 0 117 121 1 29
Cutting Guitar3 0 118 95 5 28
Muted Electric 0 119 121 0 29
Country Lead 0 120 121 3 29
OverdriveGuitar 0 121 121 0 30
Dynmic Ov.drive 0 122 121 1 30
Distortion 0 123 121 0 31
Dist Feedback 0 124 121 1 31
Dist Rhythm 0 125 121 2 31
E.Gtr Harmonics 0 126 121 0 32
Guitar Feedback 0 127 121 1 32
OTHERS:BASS
Wood Bass 2 0 128 95 2 33
Wood Bass 3 1 1 95 4 33
Wood Bass 4 1 2 95 5 33
Electric Bass 2 1 3 95 5 34
Electric Bass 3 1 4 95 6 34
FingerSlap Bass 1 5 121 1 34
Pick Bass 1 6 121 0 35
Slap Bass 1 7 121 0 37
Slap Bass 2 1 8 121 0 38
Page
96
9
APPENDICES
Category Sound
Multi-Timbral mode
Off, On 1 On 2
Bank
LSB
Prog#
Bank
MSB
Bank
LSB
Prog#
OTHERS:BASS
Synth Bass 1 9 121 0 39
Synth Bass 2 1 10 121 0 40
Synth Bass 3 1 11 121 2 39
Synth Bass 4 1 12 121 1 40
Warm Synth Bass 1 13 121 1 39
Clavi Bass 1 14 121 3 39
Hammer Bass 1 15 121 4 39
Rubber Bass 1 16 121 2 40
Attack Bass 1 17 121 3 40
OTHERS:
STRINGS&ORCHINST
Violin 1 18 121 0 41
Slow Violin 1 19 121 1 41
Viola 1 20 121 0 42
Cello 1 21 121 0 43
Contrabass 1 22 121 0 44
Tremolo Strings 1 23 121 0 45
Strings & Brass 1 24 121 1 49
60's Strings 1 25 121 2 49
Strings sf. 1 26 95 9 49
StringEnsemble2 1 27 121 0 50
Synth Strings 1 28 121 0 51
Synth Strings 2 1 29 121 0 52
Synth Strings 3 1 30 121 1 51
Pizzicato 1 31 121 0 46
Harp 1 32 121 0 47
Celtic Harp 1 33 121 1 47
Timpani 1 34 121 0 48
OTHERS:CHOIR&HIT
Choir 3 1 35 121 1 53
Voice Oohs 1 36 121 0 54
Humming 1 37 121 1 54
Synth Vocal 1 38 121 0 55
Analog Voice 1 39 121 1 55
Orchestra Hit 1 40 121 0 56
Bass Hit Plus 1 41 121 1 56
6th Hit 1 42 121 2 56
Euro Hit 1 43 121 3 56
OTHERS:BRASS
Trumpet 1 44 121 0 57
Solo Trumpet 1 45 121 1 57
Flugel Horn 1 46 95 1 57
SentimentalBone 1 47 95 7 58
Trombone 1 48 121 0 58
Trombone 2 1 49 121 1 58
Bright Trombone 1 50 121 2 58
Tuba 1 51 121 0 59
CupMute Trumpet 1 52 95 1 60
CupMuteTrombone 1 53 95 2 60
Muted Trumpet 1 54 121 0 60
Muted Trumpet 2 1 55 121 1 60
Page
97
9
APPENDICES
Category Sound
Multi-Timbral mode
Off, On 1 On 2
Bank
LSB
Prog#
Bank
MSB
Bank
LSB
Prog#
OTHERS:BRASS
French Horns 1 56 121 0 61
Warm FrenchHorn 1 57 121 1 61
Brass Section 1 58 121 0 62
Brass Section 2 1 59 121 1 62
Synth Brass 1 60 121 0 63
Synth Brass 2 1 61 121 0 64
Synth Brass 3 1 62 121 1 63
Synth Brass 4 1 63 121 1 64
Jump Brass 1 64 121 3 63
Analog Brass 1 65 121 2 63
Analog Brass 2 1 66 121 2 64
OTHERS:REED
Oboe & Strings 1 67 95 5 69
Soprano Sax 1 68 121 0 65
Alto Sax 1 69 121 0 66
Soft Tenor Sax 1 70 95 2 67
Tenor Sax 1 71 121 0 67
Baritone Sax 1 72 121 0 68
Oboe 1 73 121 0 69
English Horn 1 74 121 0 70
Bassoon 1 75 121 0 71
Clarinet 1 76 121 0 72
OTHERS:PIPE
Flute & Strings 1 77 95 8 74
Piccolo 1 78 121 0 73
Jazz Flute 1 79 95 1 74
Big Band Winds 1 80 95 2 74
OrchestralWinds 1 81 95 3 74
Flute 1 82 121 0 74
Ballad Flute 1 83 95 13 74
Recorder 1 84 121 0 75
Pan Flute 1 85 121 0 76
Blown Bottle 1 86 121 0 77
Shakuhachi 1 87 121 0 78
Whistle 1 88 121 0 79
Ocarina 1 89 121 0 80
OTHERS:SYNTH LEAD
Square 1 90 121 0 81
Square 2 1 91 121 1 81
Sine 1 92 121 2 81
Classic Synth 1 93 121 0 82
Classic Synth 2 1 94 121 1 82
Lead 1 95 121 2 82
Classic Synth 3 1 96 121 3 82
SequencedAnalog 1 97 121 4 82
Caliope 1 98 121 0 83
Chiff 1 99 121 0 84
Charang 1 100 121 0 85
Wire Lead 1 101 121 1 85
Voice 1 102 121 0 86
Page
98
9
APPENDICES
Category Sound
Multi-Timbral mode
Off, On 1 On 2
Bank
LSB
Prog#
Bank
MSB
Bank
LSB
Prog#
OTHERS:SYNTH LEAD
Fifth 1 103 121 0 87
Bass & Lead 1 104 121 0 88
Soft Wire Lead 1 105 121 1 88
OTHERS:SYNTH PAD
Itopia 1 106 121 1 92
New Age 2 1 107 95 1 89
New Age 3 1 108 95 2 89
New Age 4 1 109 95 3 89
Warm Pad 1 110 121 0 90
Sine Pad 1 111 121 1 90
Bright Warm Pad 1 112 95 1 90
Polysynth 1 113 121 0 91
Choir 1 114 121 0 92
Bowed 1 115 121 0 93
Metallic 1 116 121 0 94
Halo 1 117 121 0 95
Sweep 1 118 121 0 96
Multi Sweep 1 119 95 1 96
OTHERS:SYNTH SFX
Rain Pad 1 120 121 0 97
Soundtrack 1 121 121 0 98
Crystal 1 122 121 0 99
Synth Mallet 1 123 121 1 99
Brightness 1 124 121 0 101
Brightness 2 1 125 95 1 101
Goblin 1 126 121 0 102
Echoes 1 127 121 0 103
Echo Bell 1 128 121 1 103
Echo Pan 2 1 121 2 103
Sci-Fi 2 2 121 0 104
OTHERS:ETHNIC
Sitar 2 3 121 0 105
Sitar 2 2 4 121 1 105
Banjo 2 5 121 0 106
Shamisen 2 6 121 0 107
Koto 2 7 121 0 108
Taisho Koto 2 8 121 1 108
Kalimba 2 9 121 0 109
Bag Pipe 2 10 121 0 110
Fiddle 2 11 121 0 111
Shanai 2 12 121 0 112
OTHERS:PERCUSSION
Tinkle Bell 2 13 121 0 113
Agogo 2 14 121 0 114
Steel Drums 2 15 121 0 115
Woodblock 2 16 121 0 116
Castanet 2 17 121 1 116
Taiko Drums 2 18 121 0 117
Concert BD 2 19 121 1 117
Melodic Toms 2 20 121 0 118
Melodic Toms 2 2 21 121 1 118
Page
99
9
APPENDICES
Category Sound
Multi-Timbral mode
Off, On 1 On 2
Bank
LSB
Prog#
Bank
MSB
Bank
LSB
Prog#
OTHERS:PERCUSSION
Synth Drum 2 22 121 0 119
Rhythm Box Tom 2 23 121 1 119
Electric Drum 2 24 121 2 119
Reverse Cymbal 2 25 121 0 120
Gtr Fret Noise 2 26 121 0 121
GtrCuttingNoise 2 27 121 1 121
CuttingNoise 2 2 28 95 1 121
Ac Bass Slap 2 29 121 2 121
OTHERS:SFX
Breath Noise 2 30 121 0 122
Flute Key Click 2 31 121 1 122
Seashore 2 32 121 0 123
Rain 2 33 121 1 123
Thunder 2 34 121 2 123
Wind 2 35 121 3 123
Stream 2 36 121 4 123
Bubble 2 37 121 5 123
Bird Tweet 2 38 121 0 124
Dog Barking 2 39 121 1 124
Horse Gallop 2 40 121 2 124
Bird Tweet 2 2 41 121 3 124
Telephone 2 42 121 0 125
Telephone 2 2 43 121 1 125
Door Creak 2 44 121 2 125
Door Slam 2 45 121 3 125
Scratch 2 46 121 4 125
Wind Chime 2 47 121 5 125
Helicopter 2 48 121 0 126
Car Engine 2 49 121 1 126
Car Stopping 2 50 121 2 126
Car Passing 2 51 121 3 126
Car Crash 2 52 121 4 126
Siren 2 53 121 5 126
Train 2 54 121 6 126
Jet Plane 2 55 121 7 126
Starship 2 56 121 8 126
Burst Noise 2 57 121 9 126
Applause 2 58 121 0 127
Laughing 2 59 121 1 127
Screaming 2 60 121 2 127
Punch 2 61 121 3 127
Heartbeat 2 62 121 4 127
Foot Step 2 63 121 5 127
Gunshot 2 64 121 0 128
Machine Gun 2 65 121 1 128
Laser Gun 2 66 121 2 128
Explosion 2 67 121 3 128
Page
100
9
APPENDICES
Category Sound
Multi-Timbral mode
Off, On 1 On 2
Bank
LSB
Prog#
Bank
MSB
Bank
LSB
Prog#
OTHERS:DRUMKIT
Standard Set 2 68 120 0 1
Room Set 2 69 120 0 9
Power Set 2 70 120 0 17
Electronic Set 2 71 120 0 25
Analog Set 2 72 120 0 26
Jazz Set 2 73 120 0 33
Brush Set 2 74 120 0 41
Orchestra Set 2 75 120 0 49
SFX Set 2 76 120 0 57
Ambience Set 2 77 120 0 1 *1
Platinum Set 2 78 120 0 1 *2
Ballad Set 2 79 120 0 1
*3
*1 Exclusive message (F0, 40, 7F, 33, 04, 08, 10, ch, 7F, 02, F7) is required after the Program Change message.
*2 Exclusive message (F0, 40, 7F, 33, 04, 08, 10, ch, 7F, 04, F7) is required after the Program Change message.
*3 Exclusive message (F0, 40, 7F, 33, 04, 08, 10, ch, 7F, 05, F7) is required after the Program Change message.
‘ch’ is the MIDI channel number (00~0F)
Page
101
9
APPENDICES
DRUM SOUND MAPPING
Standard Set Room Set Power Set Electronic Set
C#
D
D# High Q High Q High Q High Q
E Slap Slap Slap Slap
F Scratch Push Scratch Push Scratch Push Scratch Push
F# Scratch Pull Scratch Pull Scratch Pull Scratch Pull
G Sticks Sticks Sticks Sticks
G# Square Click Square Click Square Click Square Click
A Metronome Click Metronome Click Metronome Click Metronome Click
A# Metronome Bell Metronome Bell Metronome Bell Metronome Bell
B Acoustic Bass Drum Acoustic Bass Drum Acoustic Bass Drum Acoustic Bass Drum
C1 C Bass Drum 1 Bass Drum 1 Power Kick Drum Electric Bass Drum
C# Side Stick Side Stick Side Stick Side Stick
D Acoustic Snare Acoustic Snare Power Snare Drum Electric Snare 1
D# Hand Clap Hand Clap Hand Clap Hand Clap
E Electric Snare Electric Snare Electric Snare Electric Snare 2
F Low Floor Tom Room Low Tom 2 Power Low Tom 2 Electric Low Tom 2
F# Closed Hi-hat Closed Hi-hat Closed Hi-hat Closed Hi-hat
G High Floor Tom Room Low Tom 1 Power Low Tom 1 Electric Low Tom 1
G# Pedal Hi-hat Pedal Hi-hat Pedal Hi-hat Pedal Hi-hat
A Low Tom Room Mid Tom 2 Power Mid Tom 2 Electric Mid Tom 2
A# Open Hi-hat Open Hi-hat Open Hi-hat Open Hi-hat
B Low-Mid Tom Room Mid Tom 1 Power Mid Tom 1 Electric Mid Tom 1
C2 C High-Mid Tom Room Hi Tom 2 Power Hi Tom 2 Electric Hi Tom 2
C# Crash Cymbal 1 Crash Cymbal 1 Crash Cymbal 1 Crash Cymbal 1
D Hi Tom Room Hi Tom 1 Power Hi Tom 1 Electric Hi Tom 1
D# Ride Cymbal 1 Ride Cymbal 1 Ride Cymbal 1 Ride Cymbal 1
E Chinese Cymbal Chinese Cymbal Chinese Cymbal Reverse Cymbal
F Ride Bell Ride Bell Ride Bell Ride Bell
F# Tambourine Tambourine Tambourine Tambourine
G Splash Cymbal Splash Cymbal Splash Cymbal Splash Cymbal
G# Cowbell Cowbell Cowbell Cowbell
A Crash Cymbal 2 Crash Cymbal 2 Crash Cymbal 2 Crash Cymbal 2
A# Vibra-slap Vibra-slap Vibra-slap Vibra-slap
B Ride Cymbal 2 Ride Cymbal 2 Ride Cymbal 2 Ride Cymbal 2
C3 C High Bongo High Bongo High Bongo High Bongo
C# Low Bongo Low Bongo Low Bongo Low Bongo
D Mute Hi Conga Mute Hi Conga Mute Hi Conga Mute Hi Conga
D# Open Hi Conga Open Hi Conga Open Hi Conga Analog Mid Conga
E Low Conga Low Conga Low Conga Analog Low Conga
F High Timbale High Timbale High Timbale High Timbale
F# Low Timbale Low Timbale Low Timbale Low Timbale
G High Agogo High Agogo High Agogo High Agogo
G# Low Agogo Low Agogo Low Agogo Low Agogo
A Cabasa Cabasa Cabasa Cabasa
A# Maracas Maracas Maracas Maracas
B Short Whistle Short Whistle Short Whistle Short Whistle
C4 C Long Whistle Long Whistle Long Whistle Long Whistle
C# Short Guiro Short Guiro Short Guiro Short Guiro
D Long Guiro Long Guiro Long Guiro Long Guiro
D# Claves Claves Claves Claves
E Hi Wood Block Hi Wood Block Hi Wood Block Hi Wood Block
F Low Wood Block Low Wood Block Low Wood Block Low Wood Block
F# Mute Cuica Mute Cuica Mute Cuica Mute Cuica
G Open Cuica Open Cuica Open Cuica Open Cuica
G# Mute Triangle Mute Triangle Mute Triangle Mute Triangle
A Open Triangle Open Triangle Open Triangle Open Triangle
A# Shaker Shaker Shaker Shaker
B Jingle Bell Jingle Bell Jingle Bell Jingle Bell
C5 C Bell Tree Bar Chimes Bar Chimes Bar Chimes
C# Castanets Castanets Castanets Castanets
D Mute Surdo Mute Surdo Mute Surdo Mute Surdo
D# Open Surdo Open Surdo Open Surdo Open Surdo
E
Page
102
9
APPENDICES
Analog Set Jazz Set Brush Set Orchestra Set
C#
D
D# High Q High Q High Q Closed Hi-hat 2
E Slap Slap Slap Pedal Hi-hat
F Scratch Push Scratch Push Scratch Push Open Hi-hat 2
F# Scratch Pull Scratch Pull Scratch Pull Ride Cymbal 1
G Sticks Sticks Sticks Sticks
G# Square Click Square Click Square Click Square Click
A Metronome Click Metronome Click Metronome Click Metronome Click
A# Metronome Bell Metronome Bell Metronome Bell Metronome Bell
B Acoustic Bass Drum Jazz Kick 2 Jazz Kick 2 Concert BD 2
C1 C Analog Bass Drum Jazz Kick 1 Jazz Kick 1 Concert BD 1
C# Analog Rim Shot Side Stick Side Stick Side Stick
D Analog Snare 1 Acoustic Snare Brush Tap Concert SD
D# Hand Clap Hand Clap Brush Slap Castanets
E Electric Snare Electric Snare Brush Swirl Concert SD
F Analog Low Tom 2 Low Floor Tom Low Floor Tom Timpani F
F# Analog CHH 1 Closed Hi-hat Closed Hi-hat Timpani F#
G Analog Low Tom 1 High Floor Tom High Floor Tom Timpani G
G# Analog CHH 2 Pedal Hi-hat Pedal Hi-hat Timpani G#
A Analog Mid Tom 2 Low Tom Low Tom Timpani A
A# Analog OHH Open Hi-hat Open Hi-hat Timpani A#
B Analog Mid Tom 1 Low-Mid Tom Low-Mid Tom Timpani B
C2 C Analog Hi Tom 2 High-Mid Tom High-Mid Tom Timani c
C# Analog Cymbal Crash Cymbal 1 Crash Cymbal 1 Timpani c#
D Analog Hi Tom 1 Hi Tom Hi Tom Timpani d
D# Ride Cymbal 1 Ride Cymbal 1 Ride Cymbal 1 Timpani d#
E Chinese Cymbal Chinese Cymbal Chinese Cymbal Timpani e
F Ride Bell Ride Bell Ride Bell Timpani f
F# Tambourine Tambourine Tambourine Tambourine
G Splash Cymbal Splash Cymbal Splash Cymbal Splash Cymbal
G# Analog Cowbell Cowbell Cowbell Cowbell
A Crash Cymbal 2 Crash Cymbal 2 Crash Cymbal 2 Concert Cymbal 2
A# Vibra-slap Vibra-slap Vibra-slap Vibra-slap
B Ride Cymbal 2 Ride Cymbal 2 Ride Cymbal 2 Concert Cymbal 1
C3 C High Bongo High Bongo High Bongo High Bongo
C# Low Bongo Low Bongo Low Bongo Low Bongo
D Analog Hi Conga Mute Hi Conga Mute Hi Conga Mute Hi Conga
D# Analog Mid Conga Open Hi Conga Open Hi Conga Open Hi Conga
E Analog Low Conga Low Conga Low Conga Low Conga
F High Timbale High Timbale High Timbale High Timbale
F# Low Timbale Low Timbale Low Timbale Low Timbale
G High Agogo High Agogo High Agogo High Agogo
G# Low Agogo Low Agogo Low Agogo Low Agogo
A Cabasa Cabasa Cabasa Cabasa
A# Analog Maracas Maracas Maracas Maracas
B Short Whistle Short Whistle Short Whistle Short Whistle
C4 C Long Whistle Long Whistle Long Whistle Long Whistle
C# Short Guiro Short Guiro Short Guiro Short Guiro
D Long Guiro Long Guiro Long Guiro Long Guiro
D# Analog Claves Claves Claves Claves
E Hi Wood Block Hi Wood Block Hi Wood Block Hi Wood Block
F Low Wood Block Low Wood Block Low Wood Block Low Wood Block
F# Mute Cuica Mute Cuica Mute Cuica Mute Cuica
G Open Cuica Open Cuica Open Cuica Open Cuica
G# Mute Triangle Mute Triangle Mute Triangle Mute Triangle
A Open Triangle Open Triangle Open Triangle Open Triangle
A# Shaker Shaker Shaker Shaker
B Jingle Bell Jingle Bell Jingle Bell Jingle Bell
C5 C Bar Chimes Bell Tree Bar Chimes Bar Chimes
C# Castanets Castanets Castanets Castanets
D Mute Surdo Mute Surdo Mute Surdo Mute Surdo
D# Open Surdo Open Surdo Open Surdo Open Surdo
E Applause
Page
103
9
APPENDICES
SFX Set Ambience Set Platinum Set Ballad Set
C# Snare Roll Snare Roll Snare Roll
D Finger Snap Finger Snap Finger Snap
D# High Q High Q High Q
E Slap Slap Slap
F Scratch Push Scratch Push Scratch Push
F# Scratch Pull Scratch Pull Scratch Pull
G Sticks Sticks Sticks
G# Square Click Square Click Square Click
A Metronome Click Metronome Click Metronome Click
A# Metronome Bell Metronome Bell Metronome Bell
B Ambi BD2 Plat BD2 Bala BD2
C1 C Ambi BD1 Plat BD1 Bala BD1
C# Ambi Rim Plat Rim Plat Rim
D Ambi SD1 Plat SD1 Bala SD1
D# High Q Ambi Clap Ambi Clap Ambi Clap
E Slap Ambi SD2 Plat SD2 Bala SD2
F Scratch Push AmbiLowTom2 FunkLowTom2 FunkLowTom2
F# Scratch Pull Ambi HHC Funk HHC Funk HHC
G Sticks AmbiLowTom1 FunkLowTom1 FunkLowTom1
G# Square Click Ambi HHP Funk HHP Funk HHP
A Metronome Click AmbiMidTom2 FunkMidTom2 FunkMidTom2
A# Metronome Bell Ambi HHO Funk HHO Funk HHO
B Guitar Fret Noise AmbiMidTom1 FunkMidTom1 FunkMidTom1
C2 C Guitar Cutting Noise Up AmbiHiTom2 FunkHiTom2 FunkHiTom2
C# Guitar Cutting Noise Down Ambi Crash1 Funk Crash1 Ambi Crash1
D String Slap of Double Bass AmbiHiTom1 FunkHiTom1 FunkHiTom1
D# Fl. Key Click Ambi Ride1 Ambi Ride1 Ambi Ride1
E Laughing Chinese Cymbal Chinese Cymbal Chinese Cymbal
F Scream Ambi Cup Ambi Cup Ambi Cup
F# Punch TambourIne TambourIne TambourIne
G Heart Beat Funk Splash Funk Splash Funk Splash
G# Footsteps 1 Cowbell Cowbell Cowbell
A Footsteps 2 Funk Crash2 Funk Crash2 Funk Crash2
A# Applause Vibra slap Vibra slap Vibra slap
B Door Creaking Ambi Ride2 Ambi Ride2 Ambi Ride2
C3 C Door Hi Bongo Hi Bongo Hi Bongo
C# Scratch Low Bongo Low Bongo Low Bongo
D Wind Chimes Mute Hi Conga Mute Hi Conga Mute Hi Conga
D# Car-Engine Hi Conga Hi Conga Hi Conga
E Car-Stop Low Conga Low Conga Low Conga
F Car-Pass Hi Timbale Hi Timbale Hi Timbale
F# Car-Crash Low Timbale Low Timbale Low Timbale
G Siren Hi Agogo Hi Agogo Hi Agogo
G# Train Low Agogo Low Agogo Low Agogo
A Jetplane Cabasa Cabasa Cabasa
A# Helicoopter Maracas Maracas Maracas
B Startship Short Whistle Short Whistle Short Whistle
C4 C Gun Shot Long Whistle Long Whistle Long Whistle
C# Machine Gun Short Guiro Short Guiro Short Guiro
D Lasergun Long Guiro Long Guiro Long Guiro
D# Explosion Claves Claves Claves
E Dog Hi Wood Blk Hi Wood Blk Hi Wood Blk
F Horse-Gallop Low Wood Blk Low Wood Blk Low Wood Blk
F# Birds Mute Cuica Mute Cuica Mute Cuica
G Rain Open Cuica Open Cuica Open Cuica
G# Thunder Mute Triangle Mute Triangle Mute Triangle
A Wind Open Triangle Open Triangle Open Triangle
A# Seashore Shaker Shaker Shaker
B Stream Jingle Bell Jingle Bell Jingle Bell
C5 C Bubble Bar Chimes Bar Chimes Bar Chimes
C# Castanets Castanets Castanets
D Mute Surdo Mute Surdo Mute Surdo
D# Open Surdo Open Surdo Open Surdo
E
Page
104
9
APPENDICES
RHYTHM SECTION STYLE LIST
Genre Display Style Name
16th Swing
FnkShuffle1 Funk Shuffle 1
FnkShuffle2 Funk Shuffle 2
HipHop1 Hip Hop 1
HipHop2 Hip Hop 2
HipHop3 Hip Hop 3
HipHop4 Hip Hop 4
16Shuffle1 16 Shuffle 1
16Shuffle2 16 Shuffle 2
16Shuffle3 16 Shuffle 3
16th Funk
FunkyBeat1 Funky Beat 1
FunkyBeat2 Funky Beat 2
FunkyBeat3 Funky Beat 3
Funk1 Funk 1
Funk2 Funk 2
Funk3 Funk 3
16th Straight
JazzFunk Jazz Funk
16Beat1 16 Beat 1
16Beat2 16 Beat 2
16Beat3 16 Beat 3
16Beat4 16 Beat 4
RimBeat Rim Beat
RollBeat Roll Beat
LightRide1 Light Ride 1
DixieRock Dixie Rock
16th Latin
SurdoSamba Surdo Samba
LatinGroove Latin Groove
LightSamba Light Samba
Songo Songo
Samba Samba
Merenge Merenge
16th Dance/Techno
FunkyBeat4 Funky Beat 4
16Beat5 16 Beat 5
Disco1 Disco 1
Disco2 Disco 2
Techno1 Techno 1
Techno2 Techno 2
Techno3 Techno 3
HeavyDance Heavy Dance
16th Ballad
Ballad1 Ballad 1
Ballad2 Ballad 2
Ballad3 Ballad 3
Ballad4 Ballad 4
Ballad5 Ballad 5
LightRide2 Light Ride 2
ElectroPop1 Electro Pop 1
ElectroPop2 Electro Pop 2
16Shuffle4 16 Shuffl e 4
8th Ballad
SlowJam Slow Jam
SlowRock Slow Rock
R&B Ballad R&B Ballad
50'sTriplet Triplet 50’s Ballad
R&BTriplet Triplet R&B Ballad
Genre Display Style Name
8th Straight
8Beat1 8 Beat 1
8Beat2 8 Beat 2
SmoothBeat Smooth Beat
Pop1 Pop 1
Pop2 Pop 2
RideBeat Ride Beat
SlipBeat Slip Beat
8th Rock
JazzRock Jazz Rock
8Beat3 8 Beat 3
RockBeat1 Rock Beat 1
RockBeat2 Rock Beat 2
RockBeat3 Rock Beat 3
RockBeat4 Rock Beat 4
Blues/Rock Blues/Rock
HeavyBeat Heavy Beat
HardRock Hard Rock
SurfRock Surf Rock
R&B R&B
8th Swing
Motown1 Motown 1
FastShuffle 8th Fast Shuffle
Motown2 Motown 2
GsplShuffle Gospel Shuffle
Ragtime Ragtime
Cntry2Beat Country 2 Beat
Triplet/Waltz
TrpltRock1 Triplet Rock 1
TrpltRock2 Triplet Rock 2
Bembe Bembe
RockShuffle Rock Shuffle
Boogie Boogie
Triplet1 Triplet 1
Triplet2 Triplet 2
Reggae Reggae
GsplBallad Gospel Ballad
Waltz Waltz
H.H.Swing H.H. Swing
RideSwing Ride Swing
Fast4Beat Fast 4 Beat
AfroCuban Afro Cuban
JazzWaltz1 Jazz Waltz 1
JazzWaltz2 Jazz Waltz 2
5/4Swing 5/4 Swing
Latin
H.H.Bossa H.H. Bossa Nova
RideBossa Ride Bossa Nova
Beguine Beguine
Mambo Mambo
ChaCha Cha Cha
Tango Tango
Habanera Habanera
Page
105
9
APPENDICES
RHYTHM SECTION CHORD TYPES
The following is a list of chord types recognised by the CN43 digital piano Rhythm Section. Each chord can be
played by pressing the notes marked with a z symbol in the diagrams below. In addition, the common Major,
Minor, M7, and 7, chord types can also be played by pressing just the notes marked with a Ì symbol.
Chord Name Notes
C Maj
C sus4
C aug
C min
C M7
C 6
C m7
C mM7
C m6
C 7
C 7
(
A
5)
C 7
(
5)
C 7sus4
C m7
(
A
5)
C dim
C others
Chord Name Notes
D
A
Maj
(C
)
D
A
sus4
(C
)
D
A
aug
(C
)
D
A
min
(C
)
D
A
M7
(C
)
D
A
6
(C
)
D
A
m7
(C
)
D
A
mM7
(C
)
D
A
m6
(C
)
D
A
7
(C
)
D
A
7
(
A
5)
(C
)
D
A
7
(
5)
(C
)
D
A
7sus4
(C
)
D
A
m7
(
A
5)
(C
)
D
A
dim
(C
)
D
A
others
(C
)
Chord Name Notes
D Maj
D sus4
D aug
D min
D M7
D 6
D m7
D mM7
D m6
D 7
D 7
(
A
5)
D 7
(
5)
D 7sus4
D m7
(
A
5)
D dim
D others
Page
106
9
APPENDICES
Chord Name Notes
E
A
Maj
(D
)
E
A
sus4
(D
)
E
A
aug
(D
)
E
A
min
(D
)
E
A
M7
(D
)
E
A
6
(D
)
E
A
m7
(D
)
E
A
mM7
(D
)
E
A
m6
(D
)
E
A
7
(D
)
E
A
7
(
A
5)
(D
)
E
A
7
(
5)
(D
)
E
A
7sus4
(D
)
E
A
m7
(
A
5)
(D
)
E
A
dim
(D
)
E
A
others
(D
)
Chord Name Notes
E Maj
E sus4
E aug
E min
E M7
E 6
E m7
E mM7
E m6
E 7
E 7
(
A
5)
E 7
(
5)
E 7sus4
E m7
(
A
5)
E dim
E others
Chord Name Notes
F Maj
F sus4
F aug
F min
F M7
F 6
F m7
F mM7
F m6
F 7
F 7
(
A
5)
F 7
(
5)
F 7sus4
F m7
(
A
5)
F dim
F others
Page
107
9
APPENDICES
Chord Name Notes
G
A
Maj
(F
)
G
A
sus4
(F
)
G
A
aug
(F
)
G
A
min
(F
)
G
A
M7
(F
)
G
A
6
(F
)
G
A
m7
(F
)
G
A
mM7
(F
)
G
A
m6
(F
)
G
A
7
(F
)
G
A
7
(
A
5)
(F
)
G
A
7
(
5)
(F
)
G
A
7sus4
(F
)
G
A
m7
(
A
5)
(F
)
G
A
dim
(F
)
G
A
others
(F
)
Chord Name Notes
G Maj
G sus4
G aug
G min
G M7
G 6
G m7
G mM7
G m6
G 7
G 7
(
A
5)
G 7
(
5)
G 7sus4
G m7
(
A
5)
G dim
G others
Chord Name Notes
A
A
Maj
(G
)
A
A
sus4
(G
)
A
A
aug
(G
)
A
A
min
(G
)
A
A
M7
(G
)
A
A
6
(G
)
A
A
m7
(G
)
A
A
mM7
(G
)
A
A
m6
(G
)
A
A
7
(G
)
A
A
7
(
A
5)
(G
)
A
A
7
(
5)
(G
)
A
A
7sus4
(G
)
A
A
m7
(
A
5)
(G
)
A
A
dim
(G
)
A
A
others
(G
)
Page
108
9
APPENDICES
Chord Name Notes
A Maj
A sus4
A aug
A min
A M7
A 6
A m7
A mM7
A m6
A 7
A 7
(
A
5)
A 7
(
5)
A 7sus4
A m7
(
A
5)
A dim
A others
Chord Name Notes
B
A
Maj
(A
)
B
A
sus4
(A
)
B
A
aug
(A
)
B
A
min
(A
)
B
A
M7
(A
)
B
A
6
(A
)
B
A
m7
(A
)
B
A
mM7
(A
)
B
A
m6
(A
)
B
A
7
(A
)
B
A
7
(
A
5)
(A
)
B
A
7
(
5)
(A
)
B
A
7sus4
(A
)
B
A
m7
(
A
5)
(A
)
B
A
dim
(A
)
B
A
others
(A
)
Chord Name Notes
B Maj
B sus4
B aug
B min
B M7
B 6
B m7
B mM7
B m6
B 7
B 7
(
A
5)
B 7
(
5)
B 7sus4
B m7
(
A
5)
B dim
B others
Page
109
9
APPENDICES
PRESET CHORD PROGRESSION STYLES
The following is a list of Preset Chord Progression styles utilised by the Rhythm Section of the CN43 digital
piano.
The Preset Chord Progression styles can last for 8, 12, or 16 bars, with the bar number and chord name written
in the spaces below. If a chord name is not written, the previous chord will continued to be played.
The more complicated chord names, such as ‘F#m7(b5)’, may appear in a simplified form when shown in the LCD
screen. If two chords are listed (e.g. ‘D/C’), the first letter indicates the key of the chord, while the second letter
indicates the key of the bass part.
Display
No. of
bars
Chord pattern
1 (9) 2 (10) 3 (11) 4 (12) 5 (13) 6 (14) 7 (15) 8 (16)
Chord1 8 CM7
Bm7(
A
5) B
A
7
Am7 Gm7 C7 FM7 Em7 A7 Dm7 G7sus4 G7
Chord2 12
F
m7(
A
5)
B7 Em7 A7
F
m7(
A
5)
B7 Em7 A7
Dm7 G7sus4
Chord3 8 C F
Chord4 8 C7 F7
B
A
7
G7 C7
Chord5 8 C7
A
A
7B
A
7
C7
A
A
7
G7
Chord6 16
Cm7 G7sus4 Cm7
G7(
5)
E
A
M7 D7(
5)
G7sus4 G7 Cm7 F7
B
A
M7 G7(
5)
Chord7 12
CM7 Am7 Dm7 G7sus4 CM7 Am7 Dm7 G7sus4 CM7 Am7 Dm7 G7sus4 CM7 Am7 Dm7 G7sus4
Em7 Am7 Em7 Am7 Dm7 G7sus4
Chord8 8 CM7 Dm7 CM7 Dm7 G7 Gm7 C7 FM7 Fm7
B
A
7
CM7
Chord9 8 C7
B
A
7
C7 G7 F7
Chord10 16
C7
E
A
7
F7 C7
C7
E
A
7
F7 G7
Chord11 8 C7 F7 C7 C7 F7 G7
Chord12 8 Cm7 F7 Cm7 F7
Chord13 8
A
A
M7 D
A
M7
Gm7 C7
A
A
M7
Gm7
F
dim G7(
5)
Chord14 8
A
A
7 G7(
5)
Cm7 F7
A
A
7 G7(
5)
F7
Chord15 8 C7
E
A
7
F7 C7
Chord16 16
A
A
M7
Gm7
A
A
M7
Gm7 C7sus4 C7
A
A
M7
Gm7
A
A
M7
G7sus4 G7
Chord17 8 C CM7 C7 FM7 FmM7 CM7
F
m7(
A
5)
G7sus4 G7
Chord18 8 Cm7 Dm7 Gaug Cm7 Dm7 Gaug
Chord19 16
A
A
M7 B
A
7E
A
M7
A7
A
A
M7
Gaug Cm7 F7
A
A
M7 B
A
7
Gm7 C7
A
A
M7 G7(
5)
F7
Chord20 8 C D/C
B
A
/C
F/C
Chord21 8 C G
B
A
F
A
A
E
A
Dm7 G7
Chord22 8 CM7
B7(
5)
B7
B
A
6
A7
A
A
M7
Dm7 G7 CM7 Am7 Dm7 G7
Chord23 8
A
A
/B
A
CM7
A
A
/B
A
E
A
M7
BM7
B
A
7
F/A
Dm7(
A
5)/A
A
G7
G7(
5)
Chord24 8 C7 G7 C7
Chord25 8 F7 C7 F7 G7
Chord26 8 CM7
G7(
5)
Gm7 C7 FM7 Fm7
B
A
7
CM7 Am7 D7 G7
Chord27 8 C7sus4
B
A
7sus4
Chord28 16
CM7 C7 CM7 C7
F
m7(
A
5)
B7 Em7 A7
F
m7(
A
5)
B7 Em7
Chord29 8 Cm CmM7 Cm7
Am7(
A
5) A
A
M7 G7(
5)
Cm CmM7 Cm7
Am7(
A
5) A
A
M7 G7(
5)
Chord30 16
Fm7
B
A
7E
A
M7 A
A
M7 Dm7(
A
5) G7(
5) Gm7(
A
5)
C7
Fm7
B
A
7E
A
M7 A
A
M7 Dm7(
A
5) G7(
5)
Cm7
Chord31 8 C Dm G F C A7 Dm G F C
Chord32 8 C G7 Am Am7/G F D7 G7
Chord33 8 C G7 F D7 G7 Am
Chord34 16
C7 F7 C7 F7
G7 F7 G7 F7 C7
Chord35 8 C
A
A
M7 B
A
Gm7 C
A
A
M7 B
A
Gm7
Chord36 8
A
A
M7 E
A
M7 A
A
M7 E
A
M7
D7
D
A
M7
Chord37 16
C Em7 Fm7 C Em7 Fm7 C
Am7 Em7 Am7 G7 Am7 Em7 G7sus4 G7
Chord38 8 Em7 Dm7 Em7 Dm7
Chord39 8 C7
B
A
7sus4
Chord40 8 C7
B
A
m7 B
A
7
C7
B
A
m7 D
A
7
Chord41 8 C7
B
A
/C A
A
/B
A
B
A
C7
B
A
/C A
A
/B
A
B
A
Chord42 8 C7 Cm7 Gm7/C F/C
A
A
/C
Gsus4/C
Chord43 8 C7
E
A
7
D7 F7 E7 A7
Chord44 12
FM7
Bm7(
A
5)
Em7
E
A
M7
Dm7 G7 C6
Chord45 8 C Am F C G C Am F G7
Chord46 8 Em7 Am7 Dm7 G7 Em7 A7 Dm7 G7
Chord47 8 FM7 Em7 FM7 Am7 Fm7
B
A
7E
A
M7 A
A
M7
Dm7 G7sus4
Chord48 8 FM7 Em7 FM7 Em7 C7sus4 FM7 Em7 FM7 E7 Dm7 G7sus4
Chord49 8 CM7 FM7 CM7 FM7 Bm7 E7 AM7 GM7 FM7 G7sus4
Chord50 8
A
A
M7
Gm7
B
A
m7 A
A
M7 A
A
7D
A
M7
Cm7
Dm7(
A
5)
G7
Chord51 8 C G/B
Gm/B
A
F/A
A
A
6
C/G
F
m7(
A
5)
G7
Chord52 8 F
F
dim
C/G
E7/G
Am7 D7 Dm7 G7sus4 G7
Chord53 8 CM7
B
A
M7
CM7
B
A
M7
Am7 D7 Dm7 G7
G7(
5)
Chord54 8
F
m7(
A
5)
F7 Em7 A7
A7(
5)
Dm7 G7
G7(
5)
CM7 Gm7 C7
Chord55 8 FM7 FmM7 Em7 E7 Am7 Dm7 G7sus4 CM7
Chord56 8 CM7 FM7
Bm7(
A
5)
E7 Am7 C7 FM7 Em7 Am7 Dm7 G7sus4 G7
Chord57 8 C G/B F/A C/G F C/E
D7/F
G7 C G/B F/A C/G
D7/F
D7 G7sus4 G7
Chord58 8 CM7 FM7 Dm7 G7sus4 G7 FM7 G7 Em7 Am7 Dm7 G7sus4 G7
Page
110
9
APPENDICES
Display
No. of
bars
Chord pattern
1 (9) 2 (10) 3 (11) 4 (12) 5 (13) 6 (14) 7 (15) 8 (16)
Chord59 8 FM7 CM7 FM7 CM7
Em7(
A
5)
A7 Dm7 Fm7 G7sus4 G7
Chord60 8 C F C F Am Dm G
Chord61 8 C F C F G Am F G C
Chord62 8 C Am Dm G C Am Dm G Em Am Dm G7 Em Am Dm G7
Chord63 8 Cm7 Gm7 Cm7 Gm7 Cm7 Gm7 Cm7 Gm7 Fm7 G7
A
A
7
G7
Chord64 8 C CM7 C7 F Dm7 Am7 D7 G7
Chord65 16
Cm7 F7 Cm7 F7
Fm7
B
A
7
Cm7 C7 Fm7
F
dim G7(
5)
Chord66 8 C Am Dm G C
Chord67 16
Am7 D7 G7sus4 C Am7 D7 G7sus4 C
Fm7 E7 Am7 D7 G7sus4 C
Chord68 16
C7 F7
C7 G7 F7
Chord69 8 Cm7
B
A
7sus4
Chord70 8 Dm7
E
A
7sus4
Dm7
E
A
7sus4 E
A
sus4
Chord71 8 C7 F7
B
A
7
G7 C7 F7
Chord72 8 C7
E
A
7B
A
FCG7
Chord73 12
CFCGF
CFCF
Chord74 8 Cm
B
A
A
A
7
Cm
D
A
7
Chord75 16
CF7C
B
A
C
G7 C7 G7 C7
Chord76 8 C7
B
A
7
C7
B
A
7
F7
Chord77 8 C G7 C7 F7 C F G7 C F C G7
Chord78 16
C CM7 C7 F
Dm7 G7 Em7 Am7 Dm7 G7 C
Chord79 8 C7 F7 C7 F7 D7 G7 D7 G7
Chord80 16
C G7 C G7 C
F C G7 C C7 F C D7 G7
Chord81 16
CC7FC G7
CC7FC G7C
Chord82 8 C7 F7 C7 F7 Dm7 G7 F7
Chord83 8 C
E
A
DF
A
A
G
Chord84 8 C7sus4 C7 C7sus4
B
A
7sus4 B
A
7B
A
7sus4 A
A
7sus4 A
A
7A
A
7sus4
G7sus4 G7 G7sus4
Chord85 8 C G F
B
A
CG
Chord86 12
C6 C7 F7 C6
G7 F7 C6
Chord87 8 C G Em7 Am7 Dm7 D7 G7 C G Em7 A7 Dm7 G7 C
Chord88 16
C CM7 C7 F Fm6 Em7 A7 Dm7 G7
C CM7 C7 F Fm6 Em7 A7 Dm7 G7 C Fm6 C
Chord89 16
F G7 Em7 Am7 Dm7 G7 C CM7 C7
F Fm6 Em7 A7 D7sus4 D7 G7sus4 G7
Chord90 8 C F C G7 C F C G7 C
Chord91 16
CG
B
A
Am
F C D7 G7
Chord92 12
C9 F13 C9 F13 C9
A7(
A
13)
Dm9 G13 C9
A7(
A
13)
Dm9 G13
Chord93 16
C CM7 C7 FM7 Dm DmM7 Dm7 G7
C CM7
Em7(
A
5)
A7 Dm7 Fm7 Em7 A7 Dm7 G7
Chord94 16
Fm7
B
A
7E
A
M7 E
A
6E
A
m7 A
A
7D
A
M7 D
A
6
C
m7 F
7
Bm7 E7 Am7 D7 Dm7 G7
Chord95 16
Cm7 Fm7
B
A
7E
A
M7
A7
A
A
M7 Dm7(
A
5)
G7
G7(
5)
Cm7 C7
Fm7
B
A
7
Gm7 C7
C7(
5)
Fm7
B
A
7E
A
6
G7
G7(
5)
Chord96 8 Cm7
Chord97 8
A
A
m7 D
A
7G
A
M7 C
A
M7 A
A
m7 D
A
7G
A
M7
Fm7
B
A
7E
A
M7 A
A
M7
Fm7
B
A
7
G7
G7(
5)
Chord98 16
Cm7 Cdim
B
A
M7
Cm7 Cdim
B
A
M7
Gm7 C7
C7(
5)
Fm7
Fm7(
A
5)
E
A
M7
Dm7
D
A
M7
Cm7
E
A
M7
Dm7
D
A
M7
Cm7 G7
G7(
5)
Cm6 Cm7
Chord99 16
C D7 Dm7 G7 C C D7 Dm7 G7 C
C CM7 C7 F Fm C C A7 D7 Dm7 G7 C
Chord100 16
Cm G7 Cm G7 Cm
Fm Cm G7 Cm C7 Fm Cm D7 G7
Page
111
9
APPENDICES
SPECIFICATIONS
Keyboard 88 keys, Responsive Hammer Action with Ivory Touch and Let-Off
Polyphony Maximum 192
Number of Sound 323 + 12 Drum Set
Sound Categories Piano 1, Piano 2, Electric Piano, Drawbar, Church Organ, Harpsi&Mallets, Strings, Choir&Pad, Bass,
Others
Effects Reverb (Room1/2, Stage, Hall1/2, Plate), Chorus (1/2/3/4/FB), Flanger, Tremolo, Delay (1/2/3),
Rotary (1/2)
Temperaments Equal (Piano Only), Mersenne pure (Major), Mersenne pure (minor), Pythagorea, Meantone,
Werckmeister III, Kirnberger III, Equal (flat), Equal
Auto Accompaniment 100 rhythms x 2 variations, One Finger Ad-Lib™
Other Features Demo (34 Preset Songs), Concert Magic (88 Preset Songs), Volume, Dual, Split, Four Hands,
Balance Slider, Transpose, Tune, Lower Octave Shift, Lower Pedal On/Off,
Touch Curve (Light, Light +, Normal, Heavy, Heavy +, Off), MIDI (16 part multi-timbral capability),
Damper Hold, Damper Effect, String Resonance, User Memory, Factory Reset
Lesson Function Right/left part balance adjustable, Tempo adjustable. Please refer to the separate ‘Concert Magic Song
List/Lesson Song List’ booklet for a complete listing of available lesson songs.
Internal Recorder 2 Tracks, 3 Songs. The total memory capacity of the recorder is approximately 90,000 notes.
USB Recorder SMF format : 16 Tracks, Realtime recording
MP3 play : 32 kHz/44.1 kHz/48 kHz, Mono/Stereo, Bitrate: 8-320 kbit/s (fixed & variable)
MP3 record : 44.1 kHz, 16 bit, Stereo, 192 kbit/s (fixed)
WAV play : 32 kHz/44.1 kHz/48 kHz, Mono/Stereo
WAV record : 44.1 kHz, 16 bit, Stereo, 1,411 kbit/s (uncompressed)
Metronome Beat: 1/4, 2/4, 3/4, 4/4, 5/4, 3/8, 6/8, 7/8, 9/8, 12/8
Pedals Sustain, Sostenuto, Soft
Jacks Headphones (2), LINE IN (L/MONO, R), LINE OUT (L/MONO, R), MIDI (IN, OUT),
USB (TO HOST, TO DEVICE)
Output Power 50 W x 2
Speakers 16 cm x 2, 5 cm x 2
Key Cover Slide type
Power Consumption 85 W
Dimensions WxDxH
(with music rack flattened)
138 cm x 47 cm x 88 cm
Weight
(without bench)
57.5 kg
Page
112
9
APPENDICES
MIDI EXCLUSIVE DATA FORMAT
1st byte
1 2 3 4 5 6 7 8 9
10th byte
10
2nd byte 3rd byte 4th byte 5th byte 6th byte 7th byte 9th byte 9th byte
1 F0 ..........................Start code
2 40...........................KAWAI’s ID number
3 00 - 0F ...................MIDI channel
4 10, 30.....................Function code (30 when setting MULTI TIMBRE ON/OFF)
5 04...........................Indicates that the instrument is Electronic Piano
6 08...........................Indicates that the piano is “CN4X”
7 data 1
8 data 2.....................(See the table below.)
9 data 3
10 F7 ..........................End code
data 1 data 2 data 3 Function
00 0 0 ---------- Multi Timbre Off
00 0 1 ---------- Multi Timbre On 1
00 0 2 ---------- Multi Timbre On 2
0D 00-0C ---------- 00 : Effect Off, 01: Chorus 3, 02: Delay 1, 03: Delay 2, 04: Delay 3,
05: Tremolo, 06: Rotary 1, 07: Rotary 2, 08: Chorus 1, 09: Chorus 2
0a: Chorus 4, 0b: EB Chorus, 0c: Flanger
0E 00-03, 06-08 ---------- 00: Reverb Off, 01: Room 2, 02: Stage, 03: Hall 1, 06: Room 1,
07: Hall 2, 08: Plate
14 00-7F ---------- Dual/Split balance
16 1F-60 ---------- Tune, 4 0: 440 Hz
17 00, 7F ---------- 00 : Program Change Off, 7F: Program Change On
18 00-07 ---------- 00 : Light, 01: Normal, 02: Heavy, 03: Off, 04: Light+, 05: Heavy+,
06: User 1, 07: User 2
19 00-03 ---------- Low er Octave Shift
20 00-7F 00-7F Dual Program Change, data 2: Right sound, data 3: Left sound
21 00-7F 00-7F Split Program Change, data 2: Upper sound, data 3: Lower sound
22 00-7F 00-7F Four Hands, data 2:Right sound, data 3:Left sound
25 00-08 00-0B data 2: Temperament, data 3: Key
26 00, 7F 00-0F Multi Timbre, data 2: 00 (On), 7F (Off), data 3: channel
27 00-02 00-02 Dual/Split, Right (Upper)/Left (Lower), sound Bank LSB
Page
113
9
APPENDICES
Mode 1: omni mode On, Poly, Mode 2: omni mode On, Mono
Mode 3: omni mode Off, Poly, Mode 4: omni mode Off, Mono
{: Yes
°: No
Function Transmit Receive Remarks
Basic channel
Default
Changes
1
1 - 16
1 - 16
1 - 16
Mode
Default
Messages
Altered
3
°
ÄÄÄÄÄÄÄÄÄ
3
3, 4
Note number
True voice
21 - 108*
ÄÄÄÄÄÄÄÄÄ
0 - 127
0 - 127
* 9 - 120 w/Transpose
Velocity
Note ON
Note OFF
{ 9nH v=1-127
° 9nH v=0
{
°
After touch
Key’s
Channel’s
°
°
°
{
Pitch bend
°{
Control change
0, 32
1
5
6, 38
7
10
11
64
65
66
67
69
70
71
72
73
74
75
76
77
78
84
91
93
98, 99
100, 101
{
°
°
°
{
°
°
{ (Right pedal)
°
{ (Center pedal)
{ (Left pedal)
{
°
°
°
°
°
°
°
°
°
°
{
{
°
°
{
{
{
{
{
{
{
{
{
{
{
{
{
{
{
{
{
{
{
{
{
{
{
{
{
{
Bank Select
Modulation
Portament Time
Data Entry
Volume
Panpot
Expression Pedal
Sustain Pedal
Portament
Sostenuto Pedal
Soft Pedal
Hold 2
Sustain Level
Resonance
Release Time
Attack Time
Cuttoff
Decay Time
Vibrato Speed
Vibrato Depth
Vibrato Delay
Portament Control
Reverb Send Level
Chorus Send Level
NRPN LSB, MSB
RPN LSB, MSB
Program change
True #
{ 0 - 127
ÄÄÄÄÄÄÄÄÄ
{
System exclusive
{{
Common
Song Position
Song Select
Tune
°
°
°
°
°
°
System
Real time
Clock
Commands
{
{ FA, FB, FC
{
{
Aux
All sound Off
Reset all controller
Local On / Off
All notes Off
Active Sense
Reset
°
°
°
°
{
°
{ (120)
{ (121)
°
{ (123 - 127)
{
°
Notes
KAWAI DIGITATL PIANO
MODEL : CN43
Date : September 2010
Version : 1. 0
MIDI IMPLEMENTATION CHART
CN43 Owner’s Manual
KPSZ-0437 : 816960
OW1049E-S1105
Version.4
Printed in Indonesia
Copyright © 2011 Kawai Musical Instruments Mfg. Co.,Ltd. All Rights Reserved.
