Brewer%%10%
%
%
These ideas seem to be further developed in The Scarlet Letter, especially in reference to
Chillingworth and Dimmesdale. For instance, when Dimmesdale asks Chillingworth where he
has found his herbs, the doctor replies,”‘ Even in the graveyard, here at hand. . . I found them
growing on a grave. . . They grew out of his (dead man’s) heart, and typify, it may be, some
hideous secret that was buried with him.’” He goes on to state “that these black weeds have
sprung up out of a buried heart, to make manifest an unspoken crime” (SL 111). Here, the doctor
seems to be not-so-subtly referencing Dimmesdale’s own sin which he has yet to confess.
Dimmesdale’s sin, the longer he keeps it hidden, seems to keep eating away at his heart as he
appears sicker and sicker as time goes by. The weeds’ location in the cemetery lends them to a
comparison with death, an indication that weeds of sin left in the heart can lead to spiritual death.
Dimmesdale’s failing physical heart seems to be but an outward indication of the spiritual death
which is occurring as a result of his un-confessed sin. Once he rids himself of these weeds
through his confession on the scaffold, Pearl, that symbol of the Christ child, forgives him. As a
result, though his body still dies, his spirit does not, as the narrator indicates: “there was a sweet
and gentle smile over his face, as of a spirit sinking into deep repose . . . now that the burden
[those weeds of unconfession] was removed” (197).
In Chillingworth’s case, Hawthorne seems to be using herbs and weeds analogies to
symbolize the doctor’s character transformation and association with the devil. As the narrator
notes, “At first, his expression had been calm, meditative, scholarlike. Now, there was something
ugly and evil in his face” (SL 108). Once Chillingworth chooses to associate with the devil, the
character change he undergoes is reflected on his face, causing the townspeople to believe “that
Reverend Arthur Dimmesdale. . . was haunted either by Satan himself, or Satan’s emissary, in
the guise of old Roger Chillingworth” (SL 109). Indeed, by the time seven years has passed, the