Academic Policies & Course Catalog 2023-2024 32
technology. The second semester includes an examination of justice and reconciliation in the 20th century through a
study of revolutions, the World Wars and the Holocaust, decolonization, and the Cold War. Current events are
interwoven in each unit of study.
Major (2 credits per semester) – Third or Fourth Form – Full year.
Prerequisite for English: English I or permission of the department.
English III. This course offers an exploration through literature of three deeply rooted themes in American culture. In
the first semester, we examine all sides of the American Dream and what it means for the many diverse segments of
the American population, from the Dream’s gleaming potential to its dark underbelly. In addition to F. Scott
Fitzgerald’s The Great Gatsby, we read works from authors such as T.C. Bambara, Toni Morrison, James Baldwin, Andre
Dubus, Amy Tan, Denis Lehane, Rudolfo Anaya, Langston Hughes, Arthur Miller and Sherman Alexie. In the second
semester, we study Americans’ fascination with exploring this vast continent, starting with Mark Twain and The
Adventures of Huckleberry Finn, then diving into works from authors like William Least Heat-Moon, Jack Kerouac,
William Faulkner, Zora Neale Hurston, Annie Proulx, John Steinbeck, Gloria Naylor and John Howard Griffin. We
conclude the year by looking forward, as a culture with such a short collective history is wont to do. Works from
writers such as Thomas More, Jennifer Egan, Gary Shteyngart, Edward Bellamy, Cormac McCarthy, Margaret Atwood,
Ayn Rand, Tocqueville, Ray Bradbury, Kurt Vonnegut and others present a variety of views about America’s possible
utopian or dystopian futures. Throughout the year, students engage with multiple genres—fiction, poetry, non-fiction
and drama—as well as the different movements in American literature, and with a diverse and multicultural
panorama of authors. English III is committed to student writing in many forms, from journaling to poetry, from
memoir and fiction to current digital forms. Building on the English II emphasis on paragraph structure, English III
focuses primarily on the organization of the essay and the ability to gather multiple ideas and opinions into a coherent
piece, using textual evidence to support an argument.
Major (2 credits per semester) – Fifth Form – Full year.
Prerequisite: English II or placement by the department.
English Electives
The following elective courses are intended to follow the required sequence outlined above.
African-American Studies. This course will center on African American literature, examining it through an activist
lens. Our reading and analysis of various works will help students explore issues central to African American life and
experience, including the legacy of enslavement, reparations, racism, police murders, mass incarceration, politics,
leadership and representation. Through close reading, writing, and discussion, students will compare a variety of
authors, both non-contemporary and contemporary, who are in constant dialogue, including Ta-Nehisi Coates, James
Baldwin, Richard Wright, Toni Morrison, Claudia Rankine, and Angela Davis, among others. The incorporation of
selected films, such as Ava DuVernay's award-winning documentary 13th, and guest lectures will also enhance student
understanding of recurring themes and concepts throughout the literature. This course is intended to complement the
Semester 1 history elective of the same name.
Major (2 credits) – Sixth Form – Semester 2.
Prerequisite: English III.
The Contemporary Novel. Too often, literature courses labeled “contemporary” refer only to the post-World War II or
even post-colonial eras. Though these are legitimate and fascinating approaches to studying literature, they can stretch
the boundaries of what we consider contemporary. This course is based on the premise that the strength of great
literature is its direct commentary and reflection on issues faced by today’s society—by the readers themselves. The
novels studied in this course were all written in the twenty-first century and shed light on contemporary social,
political, and cultural topics. In addition to digging into the novels’ themes, we will explore how the contemporary
novel breaks from the traditional boundaries of genre, narrative structure, character development, point of view, and