Lesson – Spirituals on the Underground Railroad (continued)
2) When the Underground Railroad was created to help slaves escape to freedom in the
North, spirituals took on an important role – as coded messages. There were two types
of coded spirituals: “the signal song” and the “map song.” Discuss as a group what the
Underground Railroad looked like and how these spirituals might have played a part.
Was it an actual railroad? What information do students think a “signal song” gave
slaves? How about a “map song”?
a) Signal songs alerted slaves to upcoming events that would help them escape.
b) Map songs created “maps” by giving instructions and landmarks to follow while
traveling on the Underground Railroad
3) Introduce students to the music and lyrics of “Swing Low, Sweet Chariot.” Play the
video of the Buffalo Philharmonic performing the piece.
4) Share some history of this piece with the students:
a) For many years, “Swing Low, Sweet Chariot” was believed to be originally
composed by Brit Willis, a half-Choctaw (Native American) man, who lived on a
plantation in Mississippi. However, recently historians have found evidence that
it was Brit’s slaves who first created the song. When Brit Willis left for the Trail of
Tears — the route taken by Native Americans when the U.S. government
ordered them to relocate to the West — he took his two slaves, Wallace and
Minerva Willis along. Brit Willis rented the slaves out to Spencer Academy for
Choctaw boys in Oklahoma where the couple entertained students by singing
some of their original songs, including “Swing Low, Sweet Chariot.” A minister at
the school was so impressed with the song that somewhere around 1873, he
notated the music and words and sent it to the Jubilee Singers, a choir at Fisk
University in Tennessee.
b) The Jubilee Singers performed the song during their tour of the United States
and Europe and actually made the first recording of the song in 1909. The song
became very popular in the US and abroad and was said to be one of Harriet
Tubman’s favorite spirituals. Harriet escaped slavery, bought a home in Auburn,
NY, and returned to the south fifteen times during her life in order to lead
hundreds of slaves to freedom in the north. Some accounts say that along the
Underground Railroad, slaves would often substitute the name “Harriet” for the
word “chariot” while singing.
5) Sing through the song together. The song is set up as a call and refrain, with every other
phrase containing the words “coming for to carry me home.” In singing with the
students, you may want to sing the calls and have students simply respond with the
refrains.
“Swing low, sweet chariot, comin’ for to carry me home”
6) This song is a “signal song.” Ask students to brainstorm what this song might be
signaling. Coded/signal meaning – “Chariots” refers to the wagons and carriages that
were used to help transport slaves to safe houses or churches. These “Chariot” drivers
were Underground Railroad “conductors.” They would help usher the slaves to safety.
The song served as a message to the slaves that help would be arriving soon. They had